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Teodoro Correr
Teodoro Francesco Maria Gasparo Correr (12 December 1750, Venice - 20 February 1830, Venice) was a Venetian abbot and art collector, most notable as the founder of the Museo Correr. Life The Correr family was an old patrician family in Venice. Teodoro's father was Giacomo and his wife, the Neapolitan noblewoman Anna Maria Petagno, daughter of Andrea, from the princely family of Trebisaccia. Teodoro was the first of nine brothers and aged ten was sent to school with the Teatini at San Nicola da Tolentino. He only stayed there a year before moving to the San Cipriano college on Murano, which he left aged twenty-one in 1771. Even as a youth he became interested in collecting objects and artworks relating to Venice and its history. When they reached twenty-five all Venetian patricians were required to take up minor magistracies and Correr reluctantly followed suit. In 1775 he entered the High Council and the same year was elected 'savio' to the Orders. The following year he was made pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teodoro Correr
Teodoro Francesco Maria Gasparo Correr (12 December 1750, Venice - 20 February 1830, Venice) was a Venetian abbot and art collector, most notable as the founder of the Museo Correr. Life The Correr family was an old patrician family in Venice. Teodoro's father was Giacomo and his wife, the Neapolitan noblewoman Anna Maria Petagno, daughter of Andrea, from the princely family of Trebisaccia. Teodoro was the first of nine brothers and aged ten was sent to school with the Teatini at San Nicola da Tolentino. He only stayed there a year before moving to the San Cipriano college on Murano, which he left aged twenty-one in 1771. Even as a youth he became interested in collecting objects and artworks relating to Venice and its history. When they reached twenty-five all Venetian patricians were required to take up minor magistracies and Correr reluctantly followed suit. In 1775 he entered the High Council and the same year was elected 'savio' to the Orders. The following year he was made pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1830 Deaths
Year 183 ( CLXXXIII) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Victorinus (or, less frequently, year 936 ''Ab urbe condita''). The denomination 183 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * An assassination attempt on Emperor Commodus by members of the Senate fails. Births * January 26 – Lady Zhen, wife of the Cao Wei state Emperor Cao Pi (d. 221) * Hu Zong, Chinese general, official and poet of the Eastern Wu state (d. 242) * Liu Zan (Zhengming), Chinese general of the Eastern Wu state (d. 255) * Lu Xun Zhou Shuren (25 September 1881 – 19 October 1936), better known by his pen name Lu Xun (or Lu Sun; ; Wade–Giles: Lu Hsün), was a Chinese writer, essayist, poet, and literary critic. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1750 Births
Year 175 ( CLXXV) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Piso and Iulianus (or, less frequently, year 928 ''Ab urbe condita''). The denomination 175 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Aurelius suppresses a revolt of Avidius Cassius, governor of Syria, after the latter proclaims himself emperor. * Avidius Cassius fails in seeking support for his rebellion and is assassinated by Roman officers. They send his head to Aurelius, who persuades the Senate to pardon Cassius's family. * Commodus, son of Marcus Aurelius and his wife Faustina, is named Caesar. * M. Sattonius Iucundus, decurio in Colonia Ulpia Traiana, restores the Thermae of Coriovallum (modern Heerlen) there are sources that state this happe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo De' Barbari
Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (c. 1460/70 – before 1516), was an Italian painter, printmaker and miniaturist with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings (about twelve) include the first known example of ''trompe-l'œil'' since antiquity. His twenty-nine engravings and three very large woodcuts were also highly influential. Life His place and date of birth are unknown, but he was described as a Venetian by contemporaries, including Albrecht Dürer ("van Venedig geporn"), and as 'old and weak' in 1511, so dates of between 1450 and 1470 have been proposed. Some believed that he was actually German-born before moving to Italy. However this belief is not conclusive and remains a hypothesis to researchers.Early Italian Engravings from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Venetian Ladies
''Two Venetian Ladies'' is an oil on panel painting by the Italian Renaissance artist Vittore Carpaccio. The painting, believed to be a quarter of the original work, was executed around 1490 and shows two unknown Venetian ladies. The top portion of the panel, called ''Hunting on the Lagoon'' is in the Getty Museum, and another matching panel is missing. The painting was formerly considered to show two courtesans. Modern art historians think them more likely members to be of the patrician Torella family, as suggested by their fine clothes and the pearl necklaces, but academic debate continues, as with other similar Venetian paintings of the period. Several objects - the white kerchief, the pearls and the animals (the doves, Venus's bird) are symbols of chastity. Note the chopines, or platform clogs, on the left. Another painted panel, now in the Getty Museumbr> was published in 1944, and it was later realized that this is part of the same work, fitting above this part: it port ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Doge Giovanni Mocenigo
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dead Christ Supported By Three Angels
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonello Da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy, although this is now disputed. Unusually for a southern Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice. Biography Early life and training Antonello was born at Messina around 1429–1431, to Garita (Margherita) and Giovanni de Antonio Mazonus, a sculptor who trained him early on. He and his family resided in the Sicofanti district of the city. Antonello is thought to have apprenticed in Rome before going to Naples, where Netherlandish painting was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà (Cosmè Tura)
''Pietà'' is a tempera on panel painting by Cosmè Tura, measuring 47.7 cm by 33.5 cm. It is now in the Museo Correr in Venice, to which it was left with the rest of the collection of Teodoro Correr on 1 January 1830. It was attributed to Luca d'Olanda until 1859, when Vincenzo Lazari recognised it as a work by Tura. By comparison with the same artist's ''Calliope'' and his Roverella Altarpiece, it has been dated to around 1460. Description and style The work presents a fairly classic iconography, that of Vesperbild, slightly revisited, where the dimension of pain is sublimated. Mary is seen seated on the edge of the vault, in the center of the composition, holding the body of her dead son; the Calvary is in the background. The pictorial quality is very high, in some points the underlying drawing made directly on the plaster layer is visible, it can be admired a wise use of lacquers and oil glazing. The work is rich in symbols and meanings, among these, the most curious is on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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