|
Tenors
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at '' Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were norma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Voice Range On Keyboard
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contratenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Che Gelida Manina
"Che gelida manina" ("What a frozen little hand") is a tenor aria from the first act of Giacomo Puccini's opera, ''La bohème''. The aria is sung by Rodolfo to Mimì when they first meet. In the aria he tells her of his life as a poet, and ends by asking her to tell him more about her life. It is one of the most recorded arias by tenors. Dramatic context The scene takes place on Christmas Eve in the Latin Quarter of Paris. Rodolfo, a struggling poet, is in his room when he hears someone knocking at the door. He opens the door and sees Mimì, a neighbour who has come to his room because her candle has been extinguished and she needs light to go to her room. While in his room, she feels faint and he helps her to sit, and she accidentally drops her room key. Afterwards, with her candle lit, Mimì starts to leave, but finds her key missing. Both their candles then go out, and the two of them search for her room key together in darkness. Rodolfo finds her key but hides it. Rodolfo th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions '' quadri'', '' tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Donna Del Lago
''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 1994, p. 94 of '' The Lady of the Lake'', a narrative poem written in 1810 by Sir Walter Scott, whose work continued to popularize the image of the romantic Scottish Highlands. Scott's basic story has been noted as coming from "the hint of an incident stemming from the frequent custom of James V, the King of Scotland, of walking through the kingdom in disguise". It was the first of the Italian operas to be based on Scott's romantic works,Gossett and Brauner (2001), in Holden (Ed.), p. 785 and marked the beginning of romanticism in Rossini's work. Scott was "deeply influential in the development of Italian romantic opera"Commons 2007, pp. 9 - 12 to the extent that by 1840 (barely 20 years after this opera), there were 25 Italian operas bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mes Amis, écoutez L'histoire
"Mes amis, écoutez l'histoire", is a tenor aria in Adolphe Adam's 1836 opera ''Le postillon de Lonjumeau''. The D5 in the final verse is the highest commonly sung note for tenors in opera. Donizetti wrote an E5 for Edgardo in the first act of his opera ''Lucia di Lammermoor'', though it is very seldom sung. Higher notes are occasionally sung in interpolations and ornaments in other bel canto operas, and exceptionally the written F5 at the end of "Credeasi, misera" in Bellini's ''I puritani''. Famous performers of this aria are Nicolai Gedda, Helge Rosvaenge and Joseph Schmidt Joseph Schmidt (4 March 1904 – 16 November 1942) was an Austro-Hungarian and Romanian Jewish tenor and actor. Life and career Schmidt was born in Davideny (Ukrainian: '' Davydivka'') village in the Storozhynets district of the Bukovina pr ..., often performing the German version, "Freunde, vernehmet die Geschichte". Lyrics References External links * * *, third verse * {{DEFAULTSORT:Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Nozzari
Andrea Nozzari (27 February 1776 – 12 December 1832) was an Italian tenor. Nozzari was born in Vertova and studied in Bergamo and Rome. He is notable for the principal roles written for him by Gioachino Rossini and mostly premiered in Domenico Barbaia's theatres in Naples. These were: *Leicester in ''Elisabetta, regina d'Inghilterra'' (1815) *Otello in ''Otello'' (1816) *Rinaldo in ''Armida'' (1817) *Osiride in ''Mosè in Egitto'' (1818) *Agorante in '' Ricciardo e Zoraide'' (1818) *Pirro in ''Ermione'' (1819) *Rodrigo in ''La donna del lago'' (1819) *Paolo Erisso in ''Maometto II'' (1820) *Antenore in '' Zelmira'' (1822) He also premièred the title roles in Giovanni Pacini's '' Alessandro nelle Indie'' (1824) and Donizetti's '' Alfredo il grande'', and roles in operas by Michele Carafa, Manuel García, Johann Simon Mayr, Saverio Mercadante, Nicola Antonio Manfroce and Stefano Pavesi. Nozzari's voice had a baritonal quality, and his intense acting was much valued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Juive
''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of the most popular and admired operas of the 19th century. Its libretto (text) was the work of Eugène Scribe, the prolific dramatic author. Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject. In addition to this, there could be choral interludes, ballet and scenic effects which took advantage of the entire range of possibilities available at the Paris Opera. Because of the story of an impossible love between a Christian man and a Jewish woman, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Che Gelida Manina")
