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Tendency Films
is a genre of socially conscious, left-leaning films produced in Japan during the 1920s and 1930s. Tendency films reflected a perceived leftward shift in Japanese society in the aftermath of the 1927 Shōwa financial crisis. Japan's left-wing literary figures also influenced tendency films, with films such as ''A Living Puppet'' and ''What Made Her Do It?'' being adaptations of realist '' shingeki'' plays. Tendency films are commercial melodramas led by working-class or lower middle-class protagonists, in contrast to the documentaries produced by the Proletarian Film League of Japan. Daisuke Itō's ''jidaigeki'' films increasingly featured heroes in revolt against the social system of historical Japan, beginning with ''Servant'' (1927) and culminating with ''Man-Slashing, Horse-Piercing Sword'' (1929). Tomu Uchida's ''A Living Puppet'' is the story of an "insincere but talented man who cannot survive within the structure of a capitalist society." ''Behold This Mother'' (1930) c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Genre
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors." One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. Hayward, Susan. "Genre/Sub-genre" in ''Cinema Studies: The Key Concepts'' (Third Edition). Routledge, 2006. p. 185-192 These characteristics are most evident in genre films, which are "commercial feature films hat through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. Grant, Barry Keith. ''Film Genre: From Iconography to Ideology''. Wallflower Press, 2007. p. 1 A film's genre will influence the use of filmmaking styles and techniques, such as the use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹郎 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Film Of Japan
History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries. History is also an academic discipline which uses narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians often debate which narrative best explains an event, as well as the significance of different causes and effects. Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manchukuo Film Association
or (Chinese: 株式會社滿洲映畫協會) was a Japanese film studio in Manchukuo during the 1930s and 1940s. Background Man'ei was established by the Kwantung Army in the occupied northeast part of China in 1937. Man'ei controlled the entire process of film production, as well as release and international distribution of Manchurian films. With its large-scale investment and capital, Man'ei mainly focused on producing political films, dramas, propaganda, and documentaries. Man'ei also expanded its film production across Japanese-occupied East Asia and exported these productions to Axis countries to achieve the goal of making Manchukuo a "Dream Land of Film Making". The company established relations with Japanese-controlled distribution networks and film studios. In 1939, Man'ei built a new studio with cutting-edge equipment; it also ran film schools from 1937 to 1944 which produced hundreds of alumni. The company’s size grew from employing 900 people in December 1940 to 1,8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masahiko Amakasu
was an officer in the Imperial Japanese Army imprisoned for his involvement in the Amakasu Incident, the extrajudicial execution of anarchists after the 1923 Great Kantō earthquake, who later became head of the Manchukuo Film Association. Biography Amakasu was born in Miyagi Prefecture as the eldest son of a samurai of the Yonezawa Domain under the ''bakufu''. The caste system in Japan where society was divided into merchants, artisans, peasants and samurai was abolished in 1871 as one of the Meiji era reforms, but long afterwards, caste distinctions persisted with those of the samurai caste being disproportionately over-represented in the officer corps of the Imperial Navy and Army right up to 1945. Amakasu was educated in military boarding schools in Mie Prefecture and Nagoya, and entered the Imperial Japanese Army Academy in 1912. After graduation, he served in the infantry and then the military police in various postings in Japan and in Korea. On September 16, 1923, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Shimazu
was a Japanese film director and screenwriter, and a pioneer of the ''shomin-geki'' (common people drama) genre at the Shōchiku studios in pre-World War II Japan. Biography Shimazu was born in Tokyo, the second son of merchant Otojirō Shimazu. His father owned a long-established seaweed business named Kōshū-ya directly in front of the main Mitsukoshi department store in Nihonbashi. Shimazu entered Shōchiku in 1920 after answering an advertisement and began training under Kaoru Osanai. He gave his debut as director in 1921 at Shōchiku's recently established Kamata studio, directing both comedy and melodrama films, often depicting the everyday life of the lower middle classes. ''Our Neighbor, Miss Yae'' (1934) and ''A Brother and His Younger Sister'' (1939) are regarded as his most exemplary and best films. By the end of the 1930s, he moved to Tōhō studios, where he made some films in cooperation with the Manchuria Film Association. He died of cancer just after the war e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadao Sato
was a Japanese film critic, theorist and historian. His real name was . Overviews Born in Niigata, Niigata Prefecture, Japan, He published more than a hundred books on film, and was one of Japan's foremost scholars and historians addressing film. He was recognized as one of the world's foremost authorities on Japanese cinema specifically, although little of his work had been translated for publication abroad. He also wrote books on Chinese, Korean, American and European films. The international awareness of Sato's scholarship can be attributed to a collection of selected essays, ''Currents In Japanese Cinema'', published internationally in English translation in 1982. His ''Kenji Mizoguchi and the Art of Japanese Cinema'' was published in Japanese in 1982 and translated in 2008.Sato, Tadao, (trans. Brij Tankha) ''Kenji Mizoguchi and the Art of Japanese cinema'', Oxford ; New York, NY : Berg, 2008. . Sato has also frequently appeared as a primary source in the writing of othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenkō
is a Japanese term referring to the coerced ideological conversions of Japanese socialists and communists who, between 1925 and 1945, were induced to renounce leftist ideologies and enthusiastically embrace the Emperor-centric, capitalist, and imperialist ideology favored by the state. ''Tenkō'' was typically performed under duress, most often in police custody, and was a condition for release (although surveillance and harassment would often continue thereafter). But it was also a broader phenomenon, a kind of cultural reorientation in the face of national crisis, that did not always involve direct repression. The prewar Japanese state considered Marxism to be a grave threat to Japan's "national essence" (国体, ''kokutai''). The Peace Preservation Law, passed in 1925, empowered the Special Higher Police (''Tokubetsu Kōtō Keisatsu'', abbreviated ''Tokkō'') to persecute communists, socialists, and other leftists by explicitly criminalizing criticism of the system of private pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Home Ministry
An interior ministry (sometimes called a ministry of internal affairs or ministry of home affairs) is a government department that is responsible for internal affairs. Lists of current ministries of internal affairs Named "ministry" * Ministry of Internal Affairs (Adygea) * Ministry of Interior Affairs (Afghanistan) * Ministry of Internal Affairs (Albania) * Ministry of Internal Affairs (Altai Republic) * Ministry of the Interior (Argentina) * Ministry of the Interior (Austria) * Ministry of Internal Affairs (Azerbaijan) * Ministry of Interior (Bahrain) * Ministry of Home Affairs (Bangladesh) * Ministry of Public Administration (Bangladesh) * Ministry of Internal Affairs (Bashkortostan) * Ministry of Internal Affairs (Belarus) * Ministry of Home Affairs (Bermuda) * Ministry of Home and Cultural Affairs (Bhutan) * Federal Ministry of Interior (Federation of Bosnia and Herzegovina) * Ministry of National Integration (Brazil) * Ministry of Home Affairs (Brunei) * Ministry of Int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asakusa
is a district in Taitō, Tokyo, Japan. It is known as the location of the Sensō-ji, a Buddhist temple dedicated to the bodhisattva Kannon. There are several other temples in Asakusa, as well as various festivals, such as the . History The development of Asakusa as an entertainment district during the Edo period came about in part because of the neighboring district, Kuramae. Kuramae was a district of storehouses for rice, which was then used as payment for servants of the feudal government. The keepers () of these storage houses initially stored the rice for a small fee, but over the years began exchanging the rice for money or selling it to local shopkeepers at a margin. Through such trading, many came to have a considerable amount of disposable income and as result theaters and geisha houses began to spring up in nearby Asakusa. For most of the 20th century, Asakusa remained a major entertainment district in Tokyo. The or "Sixth District" was in particular famous as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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