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Teenage Shutdown! Teen Jangler Blowout!
''Teenage Shutdown! Teen Jangler Blowout!'', sometimes referred to as "Volume 9," is the ninth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 and consists of primarily rocking and upbeat songs, as indicated by the sub-heading which reads "Cool Teen Clang n' Jangle Lowdown." Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich (colloquially known as "Mop Top Mike"). The set begins with "I'll Be In," by the Answer, from Berkeley, California, who recorded the song in 1965 for the White Whale label. "The Burgundy Runn, from Albuquerque, New Mexico, follow with "Stop." "Just Won't Leave" was recorded by the Mad Hatters, of Stamford Connecticut, and written by their youngest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teenage Shutdown! Teen Jangler Blowout
Adolescence () is a transitional stage of physical and psychological development that generally occurs during the period from puberty to adulthood (typically corresponding to the age of majority). Adolescence is usually associated with the teenage years, but its physical, psychological or cultural expressions may begin earlier and end later. Puberty now typically begins during preadolescence, particularly in females. Physical growth (particularly in males) and cognitive development can extend past the teens. Age provides only a rough marker of adolescence, and scholars have not agreed upon a precise definition. Some definitions start as early as 10 and end as late as 25 or 26. The World Health Organization definition officially designates an adolescent as someone between the ages of 10 and 19. Biological development Puberty in general Puberty is a period of several years in which rapid physical growth and psychological changes occur, culminating in sexual maturity. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crypt Records
Crypt Records is an independent record label founded by American-born Tim Warren in 1983. The label has been headquartered variously in Hamburg, Germany and in several locations in the United States. Crypt is perhaps best known for issuing the ten-volume '' Back From The Grave Series'' of 1960s garage punk compilations, although its other reissues and releases include surf, rockabilly, punk rock, exotica, garage punk, original rhythm and blues, and soul music. History Establishment Crypt Records was launched in August 1983 by the New York-born Tim Warren (b. 1960), who had spent his boyhood with his family in the Philippines and Greece.Matti Bildt"Crypt Records: Rock n Roll Isn't Dead, It's Just a Little Sleepy,"''Ox Fanzine,'' whole no. 103 (Aug.-Sept. 2013) n German The family moved back to the United States in 1974, when Warren was 14. Warren spent his first four years as a young adult working in a record store in Amherst, Massachusetts before moving to Maine to work in a ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teenage Shutdown! She'll Hurt You In The End
''Teenage Shutdown! She'll Hurt You in the End'' (subtitled ''Teener Garage Explosion, Vol. 2'') is compilation album featuring psychedelic and garage rock musical artists that recorded in the 1960s. It is the eighth installment of the ''Teenage Shutdown!'' series and was released on Crypt Records on December 29, 1998. Like ''Teenage Shutdown! You Treated Me Bad!'' the use of "Teener" in the subtitling appears to represent that the album's contents are raw and somewhat amateurish. The album's title and opening track by the Four-Fifths is the highlight of the track list, and was compiled from the original Associated Studios acetate. The IV Pak's "Whatzit?" replicates the melody featured on the Count Five's "Psychotic Reaction "Psychotic Reaction" is a song by the American garage rock band Count Five, released in June 1966 on their Psychotic Reaction (album), debut studio album of the same name. Background "Psychotic Reaction" was born out of an instrumental that Count ...". Ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teenage Shutdown! The World Ain't Round, It's Square!
''Teenage Shutdown!: The World Ain't Round, It's Square'', sometimes referred to as ''Volume 10'', is the tenth installment in the Teenage Shutdown! (series), Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 in music, 1998 and is composed largely of harder rocking fast-tempo material as indicated in the sub-heading below the title which reads, "17 Paint Peeling Garage Punk Monsters!!!" Like all of the entries in the series, the collection was compiled and mastered by Warren, using original Gramophone record, 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich (colloquially known as "Mop Top Mike"). The packaging includes liner notes providing information about the songs and bands. The collection features songs by acts such as Paul Bearer & the Hearsemen form Albany, Oregon (pictured on the front c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
