Teenage Shutdown! I'm Down Today
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Teenage Shutdown! I'm Down Today
''Teenage Shutdown! I'm Down Today'', sometimes referred to as "Volume 6," is the sixth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 1998 was designated as the ''International Year of the Ocean''. Events January * January 6 – The '' Lunar Prospector'' spacecraft is launched into orbit around the Moon, and later finds evidence for frozen water, in soil in permanently ... and is composed largely of moody songs and somber ballads, reflecting the darker and more introspective side of the genre, as indicated in the sub-heading, which reads "Moody & Brooding Teen Misery Lowdown." Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich (colloquially known as "Mop Top ...
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Teenage Shutdown! I'm Down Today
''Teenage Shutdown! I'm Down Today'', sometimes referred to as "Volume 6," is the sixth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 1998 was designated as the ''International Year of the Ocean''. Events January * January 6 – The '' Lunar Prospector'' spacecraft is launched into orbit around the Moon, and later finds evidence for frozen water, in soil in permanently ... and is composed largely of moody songs and somber ballads, reflecting the darker and more introspective side of the genre, as indicated in the sub-heading, which reads "Moody & Brooding Teen Misery Lowdown." Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich (colloquially known as "Mop Top ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Crypt Records
Crypt Records is an independent record label founded by American-born Tim Warren in 1983. The label has been headquartered variously in Hamburg, Germany and in several locations in the United States. Crypt is perhaps best known for issuing the ten-volume '' Back From The Grave Series'' of 1960s garage punk compilations, although its other reissues and releases include surf, rockabilly, punk rock, exotica, garage punk, original rhythm and blues, and soul music. History Establishment Crypt Records was launched in August 1983 by the New York-born Tim Warren (b. 1960), who had spent his boyhood with his family in the Philippines and Greece.Matti Bildt"Crypt Records: Rock n Roll Isn't Dead, It's Just a Little Sleepy,"''Ox Fanzine,'' whole no. 103 (Aug.-Sept. 2013) n German The family moved back to the United States in 1974, when Warren was 14. Warren spent his first four years as a young adult working in a record store in Amherst, Massachusetts before moving to Maine to work in a ga ...
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Teenage Shutdown! Nobody To Love
''Teenage Shutdown! Nobody to Love'', sometimes referred to as "Volume 5", is the fifth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on October 6, 1998, and consists primarily of folk rock-influenced material, not to mention some protest songs, as indicated in the sub-heading, "Mid-60s Teen Folkpunk: 18 Tales of Tension & Trauma". Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of garage rock archivist Mike Markesich (colloquially known as "Mop Top Mike"). Charlotte, North Carolina's The Paragons, whose membership featured Johnny Pace on drums and lead vocals, as well as Pat Walters, later of the Spongetones, on twelve-string guitar, perform "Abba", which they recorded at Arthur Smith's Studios, located in their hometown. The Shandell ...
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Teenage Shutdown! Get A Move On!!!
''Teenage Shutdown! Get a Move On!!!'' (subtitled ''Snarl & Stomp, Rave & Rant Teen Garage Hoot'') is a compilation album featuring garage and folk rock musical artists that recorded in the 1960s. It is the seventh installment of the ''Teenage Shutdown!'' series and was released on Crypt Records on December 29, 1998. According to the compilation album's liner notes, the songs were recorded between 1966 and 1967, and this collection dates from 1966 and 1967 and "serves up a solid batch of top-shelf Kinks-meets-Raiders-inspired oompf that flows like a mofo". Musical highlights include the opening title track, which is a Beatles-influenced pop rock written by former Cricket Niki Sullivan and recorded by the Soul Inc. Additional tracks include the soulful "I'm Alright" by the Spades, and complex organ instrumentals prominent in Yesterday's Children's "Feelings" and the Missing Lynx's rendition of the Paul Revere and the Raiders tune "Louie Go Home". Unlike typical compilations, t ...
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Teenage Shutdown! (series)
''Teenage Shutdown!'' is a series of garage rock compilation albums assembled by Tim Warren of Crypt Records, best known for his '' Back from the Grave'' series. Most of the volumes in the ''Teenage Shutdown!'' series, gravitate towards the more raw and aggressive examples of the genre, but some volumes also reflect different aspects of garage rock, such as frat rock, soul-influenced rock, as well as folk rock and psychedelic. The series currently consists of fifteen LP's and CD's, which unlike the ''Back from the Grave'' series, are identical in both formats. The first ten installments were released in 1998 and the remainder in 1999 and 2000. The first volume ''Jump, Jive and Harmonize,'' was culled from the collection of 45-rpm singles owned by Mike Markesich (colloquially referred to as "Moptop Mike"). The series tends to follow the packaging format employed by other garage compilation series such as '' Pebbles'' and ''Back from the Grave:'' each volume includes detailed ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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1998 In Music
This is a list of notable events in music that took place in the year 1998. Specific locations * 1998 in British music * 1998 in Norwegian music * 1998 in South Korean music Specific genres * 1998 in classical music * 1998 in country music * 1998 in heavy metal music *1998 in hip hop music * 1998 in Latin music * 1998 in jazz Events January *January 28 **Interscope Records pays a radio station in Portland, Oregon, USA, $5000 to play the Limp Bizkit single "Counterfeit" fifty times. The business move is widely criticized in the media as "payola", but the controversy serves to further increase publicity for the band. **"Weird Al" Yankovic gets LASIK surgery to cure his myopia. At the same time, he grows out his hair and shaves off his moustache, radically changing his signature look. **Namie Amuro's first greatest hits album, '' 181920,'' is released. *January 31 – The Presidents of the United States of America play a farewell show in their hometown of Seattle. They would re ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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The Chargers (band)
The Chargers were an American garage rock formed in Wenatchee, Washington, in 1966. The group recorded one single, the Beatlesque "Taxi", which had been a regional success and remains a highly-collectible piece in its original format. Live favorites of the Washington teen scene, the Chargers recorded three additional compositions in preparation for a follow-up release, but went unreleased. Get Hip Records has issued those songs years later when the band's music resurfaced. History With the three-year surge of popularity of the Beatles, Larry Roller (lead vocals), Tony Morgan (drums, vocals), and Curt Dorey (bass guitar, vocals) formed the three-piece version of the Chargers in 1966, which began as a cover band playing renditions of the Fab Four's songs. In need of a lead guitarist, the group enlisted Steve Barone of the Hustlers, who they had competed against in a battle of the bands. Although Roller was praised as a capable lead singer, he was dismissed from the Chargers for ...
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