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Teatro Carcano
The Teatro Carcano is a theatre in Milan, Italy, located at 63 Corso di Porta Romana. Although now exclusively devoted to plays and dance, it served as an opera house for much of the 19th century and saw the premieres of several important operas. Completed in 1803, the theatre was commissioned by the Milanese aristocrat and theatre-lover Giuseppe Carcano and originally designed by Luigi Canonica. Over the succeeding two centuries it has undergone several restructurings and renovations and for a time in the mid-20th century functioned as a cinema. History The Teatro Carcano was commissioned by the Milanese aristocrat and theatre-lover Giuseppe Carcano who entrusted the project to the young architect Luigi Canonica. Planning began in 1801 and construction began the following year. On 3 September 1803 the theatre was inaugurated with the world premieres of two works by the composer —the opera ''Zaira'' with a libretto by Mattia Butturini and the ballet ''Alfredo il Grande'' with ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milano Teatro Carcano
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcare, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres Completed In 1803
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Houses In Italy
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spyros Samaras
Spyridon-Filiskos Samaras (also Spyros, Spiro Samára; el, Σπυρίδων Σαμάρας) () was a Greek composer particularly admired for his operas who was part of the generation of composers that heralded the works of Giacomo Puccini. His compositions were praised worldwide during his lifetime and he is arguably the most important composer of the Ionian School. He composed also the Olympic Hymn on lyrics of Kostis Palamas. Among his works are the operas '' Flora mirabilis'' (1886) and '' Mademoiselle de Belle-Isle'' (1905). Biography Samaras was born in Corfu. His mother was from Constantinople and his father Skarlatos Samaras, a diplomat from Siatista. As a young man, he studied with Spyridon Xyndas (Σπυρίδων Ξύνδας). From 1875 to 1882 he studied at the Athens Conservatory with Federico Bolognini, Angelo Mascheroni and Enrico Stancampiano. His first opera ''Torpillae'' (now lost) was premiered in Athens in 1879. He went to Paris in 1882 to study at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flora Mirabilis
''Flora mirabilis'' ("The Wondrous Flower") is an opera in three acts composed by Spyros Samaras to an Italian-language libretto by Ferdinando Fontana. Described in the libretto as a ''Legenda'' ("Legend"), the opera is an allegorical fairy tale set in medieval Sweden. It premiered at the Teatro Carcano in Milan on 16 May 1886 and was performed again the following year at La Scala. ''Flora mirabilis'' was Samara's first opera to be performed outside his native Greece and proved to be his greatest success, playing in multiple opera houses in Italy and abroad. Background A 20th-century description of ''Flora mirabilis'' in Gelli's ''Dizionario dell'Opera'' points out that despite having a Greek composer trained in France and a story set in medieval Sweden, the opera adhered quite strictly to the characteristic elements of late 19th-century Italian opera—folkloric dances, large choruses, and lengthy orchestral passages used to set both the geographical and the psychological atmosp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in History of England, English history—in composition order, ''Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), ''Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and ''Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Of The Camellias
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article An article is any member of a class of dedicated words that are used with noun phrases to mark the identifiability of the referents of the noun phrases. The category of articles constitutes a part of speech. In English, both "the" and "a(n)" ar ... in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fédora
''Fédora'' is a play by the French author Victorien Sardou. It opened at the Théâtre du Vaudeville in Paris on 11 December 1882,Noël, Edouard and Philippe StoulligLes Annales du théâtre et de la musique, 1882 p. 245 and ran for 135 performances. The first production starred Sarah Bernhardt. She wore a soft felt hat in that role which was soon a popular fashion for women; the hat became known as a fedora. The premiere was headline news in Paris. ''Le Figaro'' devoted its whole front page to it in addition to further coverage inside. The Paris correspondent of '' The Era'' called Bernhardt's performance as Princess Fédora Romazoff "magnificent throughout … the most brilliant of her remarkable career"."The Drama in Paris", ''The Era'', 16 December 1882, p. 5 Pierre Berton played Loris Ipanoff, the only other major role, and was highly praised. ''The Era'' commented, "The other ''rôles'' are less than subsidiary. They are filled faultlessly by MM. Colombey, Tchileff; Vois, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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