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Te Splendor
"Te Splendor" is a Roman Catholic hymn dedicated to Saint Michael, the Archangel. The hymn derives its name from the fact that in Latin it begins with the words: ''Te splendor et virtus Patris''. The hymn is found in the Roman Breviary. History "Te splendor et virtus Patris" is based on the hymn "Tibi, Christe, splendor Patris" attributed to Rabanus Maurus, which was revised in 1632 by Pope Urban VIII. Many churches and religious orders continued to use the original version. In the Roman Breviary, "Te Splendor" is traditionally sung at Vespers and Matins on the Feast of St. Michael the Archangel (September 29), which also commemorates the Dedication of the Basilica of St. Michael the Archangel and all the Angels on Mount Gargano. (The apparition of St. Michael at Gargano is observed on May 8.) In 1817 Pope Pius VII granted an indulgence of 200 days once a day for saying the hymn (including antiphon and prayer) with a contrite heart and devotion, in honor of St. Michael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raccolta
The ''Raccolta'' (literally, "collection" in Italian), is a book, published in many editions from 1807 to 1952, that collected the texts of Roman Catholic prayers and briefly described other acts of piety, such as visiting and praying in particular churches, for which specific indulgences were granted by popes. In 1968, it was replaced by a considerably altered edition, the ''Enchiridion Indulgentiarum'', listing fewer specific prayers but including new general grants that apply to a wide range of prayerful actions. The earliest editions were published in Italian, with the prayers themselves given in Latin, Italian, or both languages. Beginning with the 1929 edition, the ''Raccolta'' was published in Latin, with the prayers themselves given in Latin, Italian, or to a lesser degree, French, Spanish, English, and German. History The name "''Raccolta''" is an abbreviation of the full Italian title of the earliest editions: ''Raccolta di orazioni e pie opere per le quali sono state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Raccolta
The ''Raccolta'' (literally, "collection" in Italian), is a book, published in many editions from 1807 to 1952, that collected the texts of Roman Catholic prayers and briefly described other acts of piety, such as visiting and praying in particular churches, for which specific indulgences were granted by popes. In 1968, it was replaced by a considerably altered edition, the ''Enchiridion Indulgentiarum'', listing fewer specific prayers but including new general grants that apply to a wide range of prayerful actions. The earliest editions were published in Italian, with the prayers themselves given in Latin, Italian, or both languages. Beginning with the 1929 edition, the ''Raccolta'' was published in Latin, with the prayers themselves given in Latin, Italian, or to a lesser degree, French, Spanish, English, and German. History The name "''Raccolta''" is an abbreviation of the full Italian title of the earliest editions: ''Raccolta di orazioni e pie opere per le quali sono state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Caswall
Edward Caswall, CO, (15 July 1814 – 2 January 1878) was an Anglican clergyman and hymn writer who converted to Catholicism and became an Oratorian priest. His more notable hymns include: "Alleluia! Alleluia! Let the Holy Anthem Rise"; "Come, Holy Ghost"; and "Ye Sons and Daughters of the Lord". Biography He was born at Yateley, Hampshire on 15 July 1814, the son of Rev. R. C. Caswall, sometime Vicar of Yateley, Hampshire. Caswall was educated at Chigwell Grammar School, Marlborough Grammar School and Brasenose College, Oxford, where he graduated Bachelor of Arts in 1836 with honours and later proceeded to Master of Arts. In 1838 he was ordained deacon, and in 1839 priest, in the Church of England. Before leaving Oxford, he published, under the pseudonym of Scriblerus Redivivus, ''The Art of Pluck'', a satire on the ways of the careless college student. He was curate of the Church of St Lawrence at Stratford-sub-Castle, near Salisbury from 1840 to 1847. As curate, he wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratory Of Saint Philip Neri
The Confederation of Oratories of Saint Philip Neri ( la, Confoederatio Oratorii Sancti Philippi Nerii) abbreviated CO and commonly known as the Oratorians is a Catholic society of apostolic life of Pontifical Right for men (priests and lay-brothers) who live together in a community bound together by no formal vows but only with the bond of charity. Founded in Rome in 1575 by Philip Neri, today it has spread around the world, with over 70 Oratories and some 500 priests. The post-nominal initials commonly used to identify members of the society are "CO" (''Congregatio Oratorii''). The abbreviation "Cong. Orat." is also used. Unlike a religious institute (the members of which take vows and are answerable to a central authority) or a monastery (the monks of which are likewise bound by vows in a community that may itself be autonomous and answerable directly to the Pope), the Oratorians are made up of members who commit themselves to membership in a particular, independent, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Mason Neale
John Mason Neale (24 January 1818 – 6 August 1866) was an English Anglican priest, scholar and hymnwriter. He worked and wrote on a wide range of holy Christian texts, including obscure medieval hymns, both Western and Eastern. Among his most famous hymns is the 1853 ''Good King Wenceslas'', set on Boxing Day. An Anglo-Catholic, Neale's works have found positive reception in high-church Anglicanism and Western Rite Orthodoxy. Life Neale was born in London on 24 January 1818, his parents being the clergyman Cornelius Neale and Susanna Neale, daughter of John Mason Good. A younger sister Elizabeth Neale (1822–1901) founded the Community of the Holy Cross. He was educated at Sherborne School, Dorset, and Trinity College, Cambridge, where (despite being said to be the best classical scholar in his year) his lack of ability in mathematics prevented him taking an honours degree. Neale was named after the Puritan cleric and hymn writer John Mason (1645–94), of whom his mothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Charles Husenbeth
Frederick Charles Husenbeth (born at Bristol, 30 May 1796; died at Costessey, Norfolk, 31 October 1872) was an English Catholic priest and writer. Life The son of a Bristol wine-merchant and of a lady of Cornish family, a convert to Catholicism, he was sent at the age of seven to Sedgley Park School in Staffordshire, and at fourteen entered his father's counting-house. Having formed the resolution, three years later, to study for the priesthood, he returned to Sedgley, going afterwards to Oscott College, where he was ordained by John Milner in 1820. After serving the Stourbridge mission, near Oscott, for a time, he was sent to Cossey Hall, Norfolk, as chaplain to Sir George Stafford Jerningham, who became Baron Stafford in 1825. He took up his residence in a cottage in the village, and continued his ministrations here to the Catholics of the mission until within a few months of his death. During this long period, extending over more than half a century, he is said to have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Dupré
Marcel Jean-Jules Dupré () (3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue. Biography Born in Rouen into a wealthy musical family, Marcel Dupré was a child prodigy. His father Aimable Albert Dupré was titular organist of Saint-Ouen Abbey from 1911 til his death and a friend of Aristide Cavaillé-Coll, who built an organ in the family house when Marcel was 10 years old. His mother Marie-Alice Dupré-Chauvière was a cellist who also gave music lessons, and his paternal uncle Henri Auguste Dupré was a violinist and violist. Both of his grandfathers, Étienne-Pierre Chauvière (maître de chapelle at Saint-Patrice in Rouen and an operatic bass) and Aimable Auguste-Pompée Dupré (who was also a friend of Cavaillé-Coll) were also organists. Having already taken lessons from Alexandre Guilmant (due to him appealing to his father), he entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy (piano), Guilmant an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Marenzio
Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the ''Musica Transalpina'', the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome. Early years According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was born at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Victoria was born in Sanchidrián in the province of Ávila, Castile, around 1548 and died in 1611. Victoria's family can be traced back for generations. Not only are the names of the members in his immediate family known, but even the occupation of his grandfather. Victoria was the sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indulgence
In the teaching of the Catholic Church, an indulgence (, from , 'permit') is "a way to reduce the amount of punishment one has to undergo for sins". The '' Catechism of the Catholic Church'' describes an indulgence as "a remission before God of the temporal punishment due to sins whose guilt has already been forgiven, which the faithful Christian who is duly disposed gains under certain prescribed conditions through the action of the Church which, as the minister of redemption, dispenses and applies with authority the treasury of the satisfactions of Christ and all of the saints". The recipient of an indulgence must perform an action to receive it. This is most often the saying (once, or many times) of a specified prayer, but may also include a pilgrimage, the visiting of a particular place (such as a shrine, church or cemetery) or the performance of specific good works. Indulgences were introduced to allow for the remission of the severe penances of the early church and gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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