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Te Deum (Bruckner)
The Te Deum in C major, WAB 45, is a setting of the Te Deum hymn, composed by Anton Bruckner for choir and soloists, orchestra, and organ ''ad libitum''. History Bruckner started work on his Te Deum from 3 to 17 May 1881,U. Harten, pp. 439–441 when he was finalising his Symphony No. 6.C. van Zwol, pp. 694–695 After finishing his next Symphony No. 7, Bruckner resumed work on his Te Deum on 28 September 1883. The vocal and orchestral score was completed on 7 March 1884. The ''ad lib.'' organ part was added on a separate score on 16 March 1884. The composer dedicated the piece A.M.D.G. "in gratitude for having safely brought me through so much anguish in Vienna."L. Nowak, pp. iii–iv The Te Deum was premiered in the Kleiner Musikvereinssaal in Vienna on 2 May 1885, with soloists Frau Ulrich-Linde, Emilie Zips, Richard Exleben, and Heinrich Gassner, with the choir of the Wiener Akademischer Richard Wagner Verein, and Robert Erben and Joseph Schalk substituting for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alma Mahler-Werfel
Alma Maria Mahler Gropius Werfel (born Alma Margaretha Maria Schindler; 31 August 1879 – 11 December 1964) was an Austrian composer, author, editor, and socialite. At 15, she was mentored by Max Burckhard. Musically active from her early years, she was the composer of nearly fifty songs for voice and piano, and works in other genres as well. Only 17 songs are known to survive. In her early years, she had an affair with composer and conductor Alexander von Zemlinsky, but their relationship did not last long. She became the wife of composer Gustav Mahler, who was not interested in her compositions. Eventually she fell into depression from being artistically stifled. While her marriage was struggling, she had an affair with Walter Gropius. Gustav started to encourage Alma's composing and helped prepare some of her compositions for publication, but died soon after this attempted reconciliation in 1911. Alma married Gropius in 1915 and the couple had a daughter together, Manon Grop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BBâ™ contrabass to the Eâ™ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austro-Hungarian Florin
The florin (german: Gulden, hu, forint, hr, forinta/florin, cs, zlatý) was the currency of the lands of the House of Habsburg between 1754 and 1892 (known as the Austrian Empire from 1804 to 1867 and the Austro-Hungarian Monarchy after 1867), when it was replaced by the Austro-Hungarian crown as part of the introduction of the gold standard. In Austria, the florin was initially divided into 60 kreutzers (german: Kreuzer, hu, krajcar, hr, krajczár cs, krejcar). The currency was decimalized in 1857, using the same names for the unit and subunit. Name The name ''Gulden'' was used on the pre-1867 Austrian banknotes and on the German language side of the post-1867 banknotes. In southern Germany, the word Gulden was the standard word for a major currency unit. After 1867 Austrian coins used the name ''Florin''. "Florin" is derived from the city of Florence, Italy where the first florins were minted, from 1252 to 1533. History The florin (German: ''Gulden'') first emerged as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Nowak
Leopold Nowak (17 August 1904 – 27 May 1991) was an Austrian musicologist chiefly known for editing the works of Anton Bruckner for the International Bruckner Society.Bruckner Problems, in Perpetuity, Margaret Notley ''19th-Century Music'', Vol. 30, No. 1 (Summer, 2006), pp. 81–93 He reconstructed the original form of some of those works, most of which had been revised and edited many times. Nowak was born in Vienna, Austria. He studied piano and organ at the Imperial Academy of Music in Vienna. He studied musicology with Guido Adler and Robert Lach at the Vienna University, where he later taught from 1932 to 1973. He succeeded Robert Haas as music director of the music collection of the Austrian National Library in 1946, and is credited with helping preserve documents about Bruckner. Nowak's approach to editing Bruckner's music was much more scientific than Haas's. Whereas Haas, for instance, combined passages from the 1887 and 1890 versions of Bruckner's Symphony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Österreichische Nationalbibliothek
The Austrian National Library (german: Österreichische Nationalbibliothek) is the largest library in Austria, with more than 12 million items in its various collections. The library is located in the Neue Burg Wing of the Hofburg in center of Vienna. Since 2005, some of the collections have been relocated within the Baroque structure of the Palais Mollard-Clary. Founded by the Habsburgs, the library was originally called the Imperial Court Library (german: Kaiserliche Hofbibliothek); the change to the current name occurred in 1920, following the end of the Habsburg Monarchy and the proclamation of the Austrian Republic. The library complex includes four museums, as well as multiple special collections and archives. Middle Ages The institution has its origin in the imperial library of the Middle Ages. During the Medieval period, the Austrian Duke Albert III (1349–1395) moved the books of the Viennese vaults into a library. Albert also arranged for important works from Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kremsmünster Abbey
Kremsmünster Abbey (german: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria. History The monastery was founded in 777 AD by Tassilo III, Duke of Bavaria. According to the foundation legend, Tassilo founded the monastery on the site where his son, Gunther, had been attacked and killed by a wild boar during a hunting trip. The first colony of monks came from Lower Bavaria, under Fateric, the first abbot. The new foundation received generous endowments from the founder and also from Charlemagne and his successors. The position and reputation of the abbey soon became such that its abbots, in the absence of the bishop of the diocese (Passau), exercised the episcopal jurisdiction. In the 10th century the abbey was destroyed in a raid by the Hungarians, and its possessions were divided among the Duke of Bavaria and other nobles and the bishops. It was restored, however, and recovered its property, under the emperor Henry II, when Saint Gotthard bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lloyd (tenor)
Edward Lloyd (7 March 1845 – 31 March 1927) was a British tenor singer who excelled in concert and oratorio performance, and was recognised as a legitimate successor of John Sims Reeves as the foremost tenor exponent of that genre during the last quarter of the nineteenth century. Early training in choral tradition Edward Lloyd was born in London, into a musical family. His father had, by invitation, assisted as a counter-tenor on 'Show Sundays' at Worthing when choral concerts were directed by the fourteen-year-old Sims Reeves. Young Lloyd began singing as a chorister at Westminster Abbey, and in 1866 became a member of both Trinity College and King's College chapels in the University of Cambridge. In 1869 he joined the choir of St Andrew's, Wells Street (under Barnby) and was engaged for the Chapel Royal in 1869–71. In 1871 he sang in the St Matthew Passion at the Gloucester Festival, and came prominently to public attention. He never sang in the theatre, possibly becau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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