Tartuffe (1926 Film)
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Tartuffe (1926 Film)
''Tartuffe'' (''Herr Tartüff'') is a German silent film produced by Erich Pommer for UFA and released in 1926. It was directed by F. W. Murnau, photographed by Karl Freund and written by Carl Mayer from Molière's original play. It was shot at the Tempelhof Studios in Berlin. Set design and costumes were by Robert Herlth and Walter Röhrig. The film starred Emil Jannings as Tartuffe, Lil Dagover as Elmire and Werner Krauss as Orgon. Based on the play ''Tartuffe'', the film retains the basic plot, but Murnau and Mayer pared down Molière's play, eliminating most of the secondary characters and concentrating on the triangle of Orgon, Elmire and Tartuffe. They also introduced a framing device, whereby the story of Tartuffe becomes a film-within-a-film, shown by a young actor as a device to warn his grandfather about his unctuous but evil housekeeper. Cast Restoration and home video Like all Murnau's surviving films, ''Tartuffe'' is licensed by the Friedrich Wilhelm Murna ...
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Erich Pommer
Erich Pommer (20 July 1889 – 8 May 1966) was a German-born film producer and executive. Pommer was perhaps the most powerful person in the German and European film industries in the 1920s and early 1930s. As producer, Erich Pommer was involved in the German Expressionist film movement during the silent era. As the head of production at Decla Film, Decla-Bioskop, and, from 1924 to 1926, at UFA, Pommer was responsible for many of the best known movies of the Weimar Republic such as '' The Cabinet of Dr. Caligari'' (1920), '' Dr. Mabuse, the Gambler'' (1922), ''Die Nibelungen'' (1924), ''Michael'' (1924), '' Der Letzte Mann / The Last Laugh'' (1924), ''Variety'' (1925), ''Tartuffe'' (1926), ''Manon Lescaut'' (1926), ''Faust'' (1926), ''Metropolis'' (1927) and ''The Blue Angel'' (1930). He later worked in American exile before returning to Germany to help rebuild the German film industry after World War II. Early life and career Pommer was born in Hildesheim, Province of Hanover ...
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write thei ...
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Camilla Horn
Camilla Martha Horn (25 April 1903 – 14 August 1996) was a German dancer and a film star of the silent and sound era. She starred in several Hollywood films of the late 1920s and in a few British and Italian productions. Biography The daughter of a civil servant, Horn was educated as a dressmaker and worked at Erfurt. In 1925, together with Marlene Dietrich, she worked as an extra in the German film '' Madame Wants No Children'', and later she was seen in a musical review by director Alexander Korda. She made her great breakthrough in 1926, when she replaced Lillian Gish as "Gretchen" in F. W. Murnau's UFA production of ''Faust''. In 1928 she sailed for Hollywood, where she played opposite John Barrymore in ''Tempest'' and '' Eternal Love''. She returned to Europe, and in the 1930s refused to follow the official line of the Nazis and was prosecuted for a monetary offense. After the war the British tribunal at Delmenhorst convicted her for minor offenses (among them travelling ...
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André Mattoni
André Mattoni (born Andreas Leo Otto Edler von Mattoni; 24 February 1900 – 11 January 1985) was an Austrian actor. Mattoni was originally cast in Fritz Lang's ''Metropolis'' (1927) but was replaced by Gustav Fröhlich four weeks into shooting. Selected filmography * '' The Telephone Operator'' (1925) * ''Wood Love'' (1925) * ''The Found Bride'' (1925) * ''Why Get a Divorce?'' (1926) * ''Tartuffe'' (1926) * ''Svengali'' (1927) * '' Youth Astray'' (1927) * ''Light Cavalry'' (1927) * ''The Student Prince in Old Heidelberg'' (1927) * ''Charlotte Somewhat Crazy'' (1928) * '' Mary's Big Secret'' (1928) * ''The Veil Dancer'' (1929) * ''They May Not Marry'' (1929) * ''Beware of Loose Women'' (1929) * '' Street Acquaintances'' (1929) * '' Wenn Du noch eine Heimat hast'' (1930) * '' Ein süsses Geheimnis'' (1932) * '' Spies at Work'' (1933) * '' Her Highness Dances the Waltz'' (1935) * ''Red Tavern'' (1940) * ''Much Ado About Nixi'' (1942) * '' Abenteuer im Grand Hotel'' (1943) * ''V ...
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Housekeeper (domestic Worker)
A housekeeper (also called necessary woman) is an individual responsible for the supervision of a house's cleaning staff. The housekeeper may also perform the cleaning duties themself. History In the great houses of the eighteenth, nineteenth and early twentieth centuries, the housekeeper could be a woman of considerable power in the domestic arena. The housekeeper of times past had her room (or rooms) cleaned by junior staff, her meals prepared and laundry taken care of, and with the butler presided over dinner in the Servants' Hall. Unlike most other servants, she was addressed as Mrs regardless of her marital status. Today's head of household staff in a great house lives in much the same manner, although fewer households can afford large retinues of servants with an elaborate hierarchy. In some countries this is due to the minimum wage. The housekeeper is generally hired by and reports to the lady of the house. The extent to which the housekeeper supervises other staff vari ...
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Framing Device
Framing may refer to: * Framing (construction), common carpentry work * Framing (law), providing false evidence or testimony to prove someone guilty of a crime * Framing (social sciences) * Framing (visual arts), a technique used to bring the focus to the subject * Framing (World Wide Web), a technique using multiple panes within a web page * Pitch framing, a baseball concept * Timber framing, a traditional method of building with heavy timbers See also * Frame synchronization, in telecommunications * Frame of reference, a coordinate system * Frame (other) * Framed (other) * Framing device, a narrative tool * Framework (other) * Inertial frame of reference, describes time and space homogeneously, isotropically, independent of time * Picture frame * Verb framing In linguistics, verb-framing and satellite-framing are typological descriptions of a way that verb phrases in a language can describe the ''path'' of motion or the ''manner'' of motion, respective ...
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Walter Röhrig
Walter Röhrig (13 April 1897 – 1945) was a German art director.Stephens p.163 Selected filmography * '' The Cabinet of Dr. Caligari'' (1920) * ''Masks'' (1920) * ''Parisian Women'' (1921) * '' Island of the Dead'' (1921) * ''Miss Julie'' (1922) * ''Kaddish'' (1924) * ''Luther'' (1928) * ''The Flute Concert of Sanssouci'' (1930) * '' Hocuspocus'' (1930) * '' The Immortal Vagabond'' (1930) * ''Calais-Dover'' (1931) * ''In the Employ of the Secret Service'' (1931) * '' The Countess of Monte Cristo'' (1932) * ''Congress Dances'' (1932) * ''Waltz War'' (1933) * ''Refugees'' (1933) * ''Court Waltzes'' (1933) * ''The Empress and I'' (1933) * ''Season in Cairo'' (1933) * ''Night in May'' (1934) * ''The Young Baron Neuhaus'' (1934) * '' The Csardas Princess'' (1934) * '' The Royal Waltz'' (1935) * ''Savoy Hotel 217'' (1936) * ''Under Blazing Heavens'' (1936) * ''Diamonds'' (1937) * ''My Son the Minister'' (1937) * ''Rembrandt'' (1942) * ''A Salzburg Comedy ''A Salzburg Comedy'' or '' ...
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Robert Herlth
Robert Herlth (2 May 1893 – 6 January 1962) was a German art director. He was one of the leading designers of German film sets during the 1920s and 1930s.Reimer & Reimer p.146 Filmography * ''Masks'' (1920) * '' Island of the Dead'' (1921) * '' The Secret of Bombay'' (1921) * ''The Devil's Chains'' (1921) * ''Destiny'' (1921) * '' Playing with Fire'' (1921) * ''Wandering Souls'' (1921) * ''Parisian Women'' (1921) * ''Miss Julie'' (1922) * ''Madame de La Pommeraye's Intrigues'' (1922) * '' Luise Millerin'' (1922) * '' The Earl of Essex'' (1922) * '' The Treasure'' (1923) * '' Comedy of the Heart'' (1924) * '' The Last Laugh'' (1924) * '' The Chronicles of the Gray House'' (1925) * ''Tartuffe'' (1926) * ''Faust'' (1926) * ''Luther'' (1928) * ''Looping the Loop'' (1928) * ''Whirl of Youth'' (1928) * '' Four Devils'' (1928) * ''Asphalt'' (1929) * ''The Wonderful Lies of Nina Petrovna'' (1929) * '' Manolescu'' (1929) * ''The Flute Concert of Sanssouci'' (1930) * ''The Temporary Widow ...
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Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constituent states, Berlin is surrounded by the State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions. Berlin straddles the banks of the Spree, which flows into the Havel (a tributary of the Elbe) in the western borough of Spandau. Among the city's main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel and Dahme, the largest of which is Lake Müggelsee. Due to its l ...
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Tempelhof Studios
The Tempelhof Studios are a film studio located in Tempelhof in the German capital of Berlin. They were founded in 1912, during the silent era, by German film pioneer Alfred Duskes, who built a glass-roofed studio on the site with financial backing from the French company Pathé. The producer Paul Davidson's PAGU then took control and constructed a grander structure. The First World War propaganda drama '' The Yellow Passport'', the historical comedy ''Madame DuBarry'' and the expressionist 1920 silent film '' The Golem'' were made there by PAGU. During the 1920s the site came into the hands of the dominant German company UFA which also controlled the Babelsberg and Staaken Studios in the city. It was used for several of the company's major productions during the Weimar Republic including '' The Last Laugh''. It was partly used by Terra Film during the Nazi era. In 1945 the studios were captured by Soviet Army troops during the Battle of Berlin while the shooting of the comed ...
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Tartuffe
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to heave ...
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Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ...
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