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Tara's Song
''Tara's Song'' is an album by trumpeter Ahmed Abdullah. It was recorded on May 10, 2004, at Loho Studios in New York City, and was released in 2005 by TUM Records. On the album, Abdullah is joined by members of his band Ebonic Tones: saxophonist Alex Harding, violinist Billy Bang, bassist Alex Blake, and drummer Andrei Strobert. Reception In a review for AllMusic, Scott Yanow wrote: "This is a surprising date, one that rewards repeated listenings." Jeff Stockton of ''All About Jazz'' called the album "marvelous," and described Ebonic Tones as "a supergroup, like when Eric Clapton played with Stevie Winwood in Blind Faith." He stated: "One can only imagine how joyous this band is live." Writing for ''JazzTimes'', Chris Kelsey commented: "Abdullah... is a wonderfully lyrical, spirited improviser and gifted arranger. Remindful of pianist Abdullah Ibrahim's various small groups, this band exudes an authentically joyful intelligence." The authors of ''The Penguin Guide to Jazz Rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmed Abdullah
Ahmed Abdullah (born Leroy Bland; May 10, 1946) is an American jazz trumpeter who was a prominent member of Sun Ra's band. Biography He began playing the trumpet at age 13 in his native New York City. One of the first groups he performed with was the Master Brotherhood. By the 1970s, he was performing in New York's loft scene with various groups including the Melodic Art-Tet (Charles Brackeen, Roger Blank and Ronnie Boykins, later William Parker) and joined the Sun Ra Arkestra. Ahmed Abdullah formed his own band in 1972 ,and joined the Sun Ra Arkestra in 1975, working there on and off until 1993, when Sun Ra died. He stayed on with the Arkestra after Sun Ra's demise working under the leadership of John Gilmore and then Marshall Allen. During his time with the Arkestra, Abdullah participated in more than 25 recordings and traveled extensively with Sun Ra.Ahmed Abdullah with Louis Reyes Rivera"Excerpts from A Strange Celestial Road (Traveling the Spaceways)" Ahmedian.com; accessed M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iko Iko
"Iko Iko" () is a much-covered New Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl group the Dixie Cups, who scored an international hit with "Iko Iko". In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko". In the UK, a version recorded by Scottish singer Natasha England in 1982 made it to the top 10. "Iko Iko" became an international hit twice more, the first being the Belle Stars in June 1982 and again with Captain Jack in 2001. An adaptation by Papua New Guinea artist Justin Wellington under the title "Iko Iko (My Bestie)" featuring the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Monk
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Ra
Le Sony'r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony'r Ra, shortened to Sun Ra (after Ra, the Egyptian god of the Sun). Claiming to be an alien from Saturn on a mission to preach peace, he developed a mythical persona and an idiosyncratic credo that made him a pioneer of Afrofuturism. Throughout his life he denied ties to his prior identity saying, "Any name that I use other than Ra is a pseudonym." His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Lowe
Frank Lowe (June 24, 1943 – September 19, 2003) was an American avant-garde jazz saxophonist and composer. Biography Born and brought up in Memphis, Tennessee, Lowe took up the tenor saxophone at the age of 12. As an adult he moved to San Francisco, where he met Ornette Coleman. Coleman suggested Lowe visit to New York City, which Lowe did, and he began playing with Sun Ra and then Alice Coltrane, with whom he recorded in 1971. Unusually for the jazz culture at the time, Lowe had had no extended apprenticeship or slow paying-of-dues: one moment he was an amateur, and the next he was playing with the late John Coltrane's rhythm section. With Alice Coltrane he recorded ''World Galaxy'' in 1971. Lowe began recording with his own group in 1973, with his album ''Black Beings'', on ESP-Disk. Lowe was a tenor saxophonist who was extremely influenced by the first and second waves of free jazz throughout the 1960s. His composition "Spirits in the Field" was performed on Arthur Blythe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonely Woman (composition)
"Lonely Woman" is a jazz composition by Ornette Coleman. Coleman's recording of it was the opening track on his 1959 Atlantic Records album ''The Shape of Jazz to Come''. Alongside Coleman's alto saxophone, the recording featured Don Cherry on cornet, Charlie Haden on double bass and Billy Higgins on drums. Origin In an interview with Jacques Derrida, Coleman spoke of the origin of the composition: Other versions Haden and Cherry revisited the song on ''Old and New Dreams'' (ECM, 1979), Haden doing so again on '' Etudes'' (1987) and '' In Angel City'' (1988). Pianist John Lewis first recorded the song in January 1962 with the Modern Jazz Quartet for their album of the same name which was one of the earliest recorded covers of a Coleman number.jazzdisco.org entry for Lonely Woman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigi Gryce
Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 14, 1983), later Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator. While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (" Minority", "Social Call", "Nica's Tempo") and have become minor jazz standards. Gryce's compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron and Horace Silver. Gryce's playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a job ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loho Studios
Loho Studios is a New York City recording studio. Founded in 1983 by brothers Edward and Victor Luke, it began as a rehearsal studio but, with the addition of recording equipment, over time became a full-fledged recording studio. Loho's Lafayette Street location quickly became a home for New York-area recording artists. The studio is now located at 48 Clinton Street in the Lower East Side of the borough of Manhattan. Loho has recorded music for artists such as Ryan Adams, Blues Traveler, Rosanne Cash, The Heroine Sheiks, The Everly Brothers, Art Garfunkel, John Mayer, O.A.R., Lindsay Lohan, Joan Jett, Speedsters and Dopers, Gina Gershon, Yo La Tengo, Billy Squier, Patti Smith, Phish, Joey Ramone and a host of many more, both mainstream and independent artists. In 1996, Loho Studios privately purchased the Rolling Stones Mobile Studio for recording use in the United States. In 2006, Willie Nelson released his newest album, ''Songbird'', which was recorded at Loho Studios. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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