Iko Iko
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Iko Iko
"Iko Iko" () is a much-covered New Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl group the Dixie Cups, who scored an international hit with "Iko Iko". In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko". In the UK, a version recorded by Scottish singer Natasha England in 1982 made it to the top 10. "Iko Iko" became an international hit twice more, the first being the Belle Stars in June 1982 and again with Captain Jack in 2001. An adaptation by Papua New Guinea artist Justin Wellington under the title "Iko Iko (My Bestie)" featuring the ...
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James "Sugar Boy" Crawford
James "Sugar Boy" Crawford, Jr. (October 12, 1934  – September 15, 2012) was an American R&B musician based in New Orleans. He was the author of "Jock-A-Mo" (1954), which was later rerecorded as "Iko Iko" by the Dixie Cups, and became a huge hit. The song was recorded by many other artists, including Dr. John, Belle Stars, the Grateful Dead, Cyndi Lauper, and (as "Geto Boys") by Glass Candy. Life and career Starting out on trombone, Crawford formed a band, which a local DJ, Doctor Daddy-O, named the Chapaka Shawee ( Creole for "We Aren't Raccoons"), the title of an instrumental that they played. Crawford recalled, "During high school we had a little band, nothing real organized at first. I was back playing piano... The other fellows in the band were Edgar "Big Boy" Myles, Warren Myles, Nolan Blackwell, Irving "Cat" Banister, and Alfred Bernard- just a bunch of youngsters having fun." The group was signed by Chess Records president Leonard Chess and was renamed Sugar B ...
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Lawdy Miss Clawdy
"Lawdy Miss Clawdy" is a song by New Orleans singer/songwriter Lloyd Price that "grandly introduced '' The New Orleans Sound''". It was first recorded by Price in 1952 with Fats Domino and Dave Bartholomew during his first session for Art Rupe and Specialty Records. The song became one of the biggest selling R&B records of 1952 and crossed over to other audiences. "Lawdy Miss Clawdy" inspired many songs and has been recorded by a variety of artists. Background While still in high school, Lloyd Price was working for New Orleans radio station WBOK. He provided jingles (music for radio advertisements) for various products, including those hawked by disc jockey James "Okey Dokey" Smith. One of Smith's catch phrases was "Lawdy Miss Clawdy", which he used in ad slogans such as "Lawdy Miss Clawdy, eat Mother's Homemade Pies and drink Maxwell House coffee!" Price's accompanying tune proved popular with the radio audience and he developed it into a full-length song. In 1952, Art ...
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The Dixie Cups
The Dixie Cups (formerly known as The Meltones) are an American pop music girl group of the 1960s. They are best known for a string of hits including their 1964 million-selling record "Chapel of Love", " People Say", and "Iko Iko". Career The group hit the top of the charts in 1964 with "Chapel of Love," a song that Phil Spector, Jeff Barry, and Ellie Greenwich had originally written for The Ronettes.Bronson, Fred (2003). ''The Billboard Book of Number One Hits: The Inside Story Behind Every Number One Single on Billboard's Hot 100 from 1955 to the Present'' (5 ed.). Billboard Books. p. 149. . The trio consisted of sisters Barbara Ann and Rosa Lee Hawkins, plus their cousin Joan Marie Johnson, from New Orleans.Betrock, Alan (1982). ''Girl Groups The Story of a Sound'' (1st ed.). New York: Delilah Books. pgs. 90–94. They first sang together in grade school. Originally, they were to be called Little Miss and the Muffets, but were named the Dixie Cups just prior to their fi ...
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Why Don't They Let Us Fall In Love
"Why Don't They Let Us Fall in Love" is a song written by Phil Spector, Ellie Greenwich, and Jeff Barry. It was first recorded by American singer Ronnie Spector, who was credited as Veronica. In 1964, it was released as an A-sided single backed with "Chubby Danny D". It did not chart. The song was originally intended for the Ronettes, and was recorded at Gold Star Studios in March 1963, but Spector withheld its release for the reason that he did not feel it to be a number-one record. Instead, "Be My Baby" was issued. "Why Don't They Let Us Fall in Love" was not placed on an LP until ''Phil Spector Wall of Sound Vol. 6 – Rare Masters Vol. 1'', a rarities compilation issued in the UK in 1976. In 1965, the New Orleans pop girl group the Dixie Cups released the single "Gee the Moon Is Shining Bright", an alternate version of the song with slightly reworked lyrics. Their version bubbled under the Hot 100 at number 102. It was the fourth and final single taken from their debut studio ...
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Jeff Barry
Jeff Barry (born Joel Adelberg; April 3, 1938) is an American pop music songwriter, singer, and record producer. Among the most successful songs that he has co-written in his career are " Do Wah Diddy Diddy", " Da Doo Ron Ron", " Then He Kissed Me", " Be My Baby", " Chapel of Love", and "River Deep - Mountain High" (all written with his then-wife Ellie Greenwich and Phil Spector); " Leader of the Pack" (written with Greenwich and Shadow Morton); " Sugar, Sugar" (written with Andy Kim); "Without Us" (written with Tom Scott). Early career Barry was born in Brooklyn to a Jewish family. His parents divorced when he was seven, and his mother moved him and his sister to Plainfield, New Jersey, where they resided for several years before returning to New York. After graduating from Erasmus Hall High School, Barry served in the Army, then returned to New York where he attended City College. Although he leaned toward a degree in engineering, his main aspiration was to become a ...
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Ellie Greenwich
Eleanor Louise Greenwich (October 23, 1940 – August 26, 2009) was an American pop music singer, songwriter, and record producer. She wrote or co-wrote "Da Doo Ron Ron", "Be My Baby", "Maybe I Know", " Then He Kissed Me", "Do Wah Diddy Diddy", "Christmas (Baby Please Come Home)", " Hanky Panky", "Chapel of Love", "Leader of the Pack", and "River Deep – Mountain High", among others. Early years Eleanor Louise Greenwich was born in Brooklyn, Brooklyn, New York to painter turned electrical engineer William Greenwich, a Catholic, and department store manager (later medical secretary), Rose Baron Greenwich, who was Jewish. Both parents were of Russian descent. She was not raised in either religion. She was reportedly named for Eleanor Roosevelt. Her musical interest was sparked as a child when her parents played music in their home and she listened to artists including Teresa Brewer, The Four Lads and Johnnie Ray, and she learned how to play the accordion at a young age. At age ...
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Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ...
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Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Red Bird Records
Red Bird Records was a record label founded by American pop music songwriters Jerry Leiber, Mike Stoller, and George Goldner in 1964. Though often thought of as a "girl-group" label, female-led acts made up only 40% of the artist roster on Red Bird and its associated labels (including Blue Cat Records, Tiger and Daisy). However, female-led acts also accounted for more than 90% of the label's charting records. The label's first release was "Chapel of Love" by the Dixie Cups, which quickly reached number one on the ''Billboard'' Hot 100, a feat matched later that year by the Shangri-Las' "Leader of the Pack". Eleven of the first 30 singles released by Red Bird reached the Top Forty. History After closing Spark Records (in 1955) and working for Atlantic (1955–1961) then United Artists (1961–1963) and starting Red Bird, Leiber and Stoller brought in George Goldner, a veteran record promoter and former owner of Gee Records, Gone Records and Rama Records. They used the skill ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Minimal Music
Minimal music (also called minimalism)"Minimalism in music has been defined as an aesthetic, a style, and a technique, each of which has been a suitable description of the term at certain points in the development of minimal music. However, two of these definitions of minimalism—aesthetic and style—no longer accurately represent the music that is often given that label." Johnson 1994, 742. is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non- representational approach, and calls attention to the activity of listening by focu ...
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Bubblegum Pop
Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is considered disposable, contrived, or marketed for children and adolescents. The term also refers to a rock and pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. Producers Jerry Kasenetz and Jeffry Katz claimed credit for coining "bubblegum", saying that when they discussed their target audience, they decided it was "teenagers, the young kids. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'." The term was then popularized by ...
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