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Taniec Z Gwiazdami (season 4)
The 4th season of Taniec z Gwiazdami, the Polish edition of Dancing With the Stars, started on 10 September 2006 and ended on 12 November 2006. It was broadcast by TVN. Katarzyna Skrzynecka and Hubert Urbański continued as the hosts, and the judges were: Iwona Szymańska-Pavlović, Zbigniew Wodecki, Beata Tyszkiewicz and Piotr Galiński. Couples Scores : indicate the lowest score for each week. : indicate the highest score for each week. : indicates the couple eliminated that week. : indicates the returning couple that finished in the bottom two. : indicates the winning couple of the week. : indicates the runner-up of the week. Notes: Week 1: Maria Wałęsa and Peter J. Lucas scored 32 out of 40 on their first dance (Waltz), making it the highest score in this episode. Michał Milowicz got 22 points for his Cha-cha-cha, making it the lowest score of the week and this season. There was no elimination this week. Week 2: Peter J. Lucas and Przemysław Cypryjański scored 36 out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
TVN (Poland)
TVN (Polish pronunciation: ) is a Polish free-to-air television station, network and a media and entertainment group in Poland. It was co-founded by Polish businessmen Mariusz Walter, Jan Wejchert and Swiss entrepreneur Bruno Valsangiacomo. It is owned by TVN Group, which as of April 2022, is a subsidiary of Warner Bros. Discovery. Current CEO is Kasia Kieli (who is also president and managing director of TVN Warner Bros. Discovery). TVN is available by satellite, cable television and digital terrestrial television. In 2004, with its debut on the Warsaw Stock Exchange, the company became a public limited company. In March 2015, U.S. broadcaster Scripps Networks Interactive bought a 52.7% majority stake in TVN for €584 million. In July 2015, SNI bought out TVN's remaining owners, ITI Group and Canal+ Group, for €584 million, giving it full ownership. On March 6, 2018, SNI was, in turn, acquired by Discovery, Inc. for US$14.6 billion. Liberty Global, which o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katarzyna Cichopek
Katarzyna Cichopek (born 7 October 1982 in Warsaw, Poland) is a Polish actress. She is best known to the Polish audience as Kinga Zduńska, starring in the series ''M jak miłość'' (L for Love) which is watched by nearly 10 million people. She is the winner of the popular TV show ''Taniec z Gwiazdami'' (Polish ''Dancing with the Stars''). She was the host of ''Jak oni śpiewają?'' (Polish version of ''Soapstar Superstar''). Career 1997 Cichopek acted in the serial ''Boża podszewka'' as Elżutka. 2000 She was in the serial ''M jak miłość'' as Kinga Zduńska. 2004 She took part in the serial ''Dziki'' as Zosia Walczakowa. 2005 She was on the Polish ''Dancing with the stars'': ''Taniec z Gwiazdami''. Cichopek became laureate of the award Viva! Najpiękniejsi. 2006 She became presenter of the festival "TOPTrendy". 2007 She became presenter on popular show '' Jak Oni Śpiewają?'' (''Soapstar Superstar'') and at the festival "TOPTrendy." In the ''Eurovision Dance Contes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (Shocking Blue Song)
"Venus" is a song by Dutch rock band Shocking Blue, initially released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries. The song has been covered dozens of times by many artists. In 1986, English girl group Bananarama covered "Venus" for their third studio album, '' True Confessions'', with the single reaching number one in six countries. The composition has been featured in numerous films, television shows and commercials. Composition and recording The song was written by Robbie van Leeuwen, Shocking Blue's guitarist, sitarist and background vocalist. Van Leeuwen wrote new lyrics set to music based on "The Banjo Song" by Tim Rose and the Big 3, which is in turn lyrically a modification of the 19th century song "Oh! Susanna" by Stephen Foster. Influences from other songs include the opening guitar riff that is similar to The Who's " Pinball Wizard". The song was recorded on a two-track machine in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba (ballroom Dance)
The international ballroom version of samba is a lively, rhythmical dance with elements from Brazilian samba. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique As a ballroom dance, the samba is a partner dance. Ballroom samba, even more than other ballroom dances, is very disconnected from the origins and evolution of the music and dance that gives it its name. Most steps are danced with a slight downward bouncing or dropping action. This action is created through the bending and straightening of the knees, with bending occurring on the beats of 1 and 2, and the straightening occurring between. However, unlike the bouncing of, e.g., Polka, there is no considerable bobbing. Also, Samba has a specific hip action, different from that in other ballroom Latin dances (Rumba and Cha-Cha-Cha). The ballroom samba is danced to music in or time. It uses several differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paso Doble
Pasodoble (Spanish language, Spanish: ''double step'') is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute (double the average of a regular unit, hence its name). This military march gave rise recently to a modern Spanish dance, a musical genre including both voice and instruments, and a genre of instrumental music often played during Bullfighting, bullfight. Both the dance and the non martial compositions are also called pasodoble. Structure All pasodobles have binary rhythm. Its musical structure consists of an introduction based on the dominant chord of the piece, followed by a first fragment based on the main tone and a second part, called "the trío", based on the sub-dominant note, based yet again on the dominant chord. Each change is preceded by a brieph. The last segment of the pasodoble is usually "the trío" strongly played. The different types of pasodoble- popular, taurino, militar- can vary in rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foxtrot
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango (dance)
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries as the result of a combination of Rioplatense Candombe celebrations, Spanish-Cuban Habanera, and Argentine Milonga. The tango was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. The tango then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in lower-class districts of Buenos Aires and Montev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jive (dance)
The jive is a dance style that originated in the United States from the African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing. History To the players of swing music in the 1930s and 1940s, "jive" was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop/jitterbug to Europe around 1940, where this dance swiftly found a following among the young. In the United States, "swing" became the most common word for the dance, and the term "jive" was adopted in the UK. Variations in technique led to styles such as boogie-woogie and swing boogie, with "jive" gradually emerging as the generic term in the UK.Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quickstep
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Black Americans. Its origins are in combination of slow foxtrot combined with the Charleston (dance), Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston (dance), Charleston, Collegiate shag (dance), shag, Peabody (dance), peabody, and One-Step, one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the lead and follow, leader often closes his feet, and syncopated steps are regular occurrences (as was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
