Tametaka
   HOME
*





Tametaka
Tametaka (為隆) was a renowned ''netsuke'' carver from Nagoya is the largest city in the Chūbu region, the fourth-most populous city and third most populous urban area in Japan, with a population of 2.3million in 2020. Located on the Pacific coast in central Honshu, it is the capital and the most pop ..., Owari province, central Japan. He is considered the founder of the art of ''netsuke'' carving in Nagoya. He was mentioned in the '' Sōken Kishō'' (装劍奇賞), a compilation published in Osaka in 1781 by Inaba Tsūyrū, in which over 50 ''netsuke'' masters are listed. His exact biographical dates are not for certain, it is speculated he might have lived about 1730 to 1790, but could also have lived until 1830. Around 500-600 ''netsuke'' are known to exist by his hand. His works are known for their intricate details and dynamism. He also signed his works with "''Kinjōnan Tametaka''" (金城南為隆), ''Kinjōnan'' translated meaning "south of Nagoya Castle" ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Netsuke
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship. History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was a carved, button-like toggle called a . , like and , evolved over time from being strictly utilitarian into object ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Sōken Kishō
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship. History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener that secured the cord at the top of the sash was a carved, button-like toggle called a . , like and , evolved over time from being strictly utilitarian into object ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Ikkan
Ikkan (一貫) (1817–1893) was one of the most renowned ''netsuke'' artists in Japan during the Edo period. He was from Nagoya, Owari province, central Japan. His pieces can be found in many museum collections and achieve high prices at auctions. He was part of a group of carvers in Nagoya, amongst who were Masayuki (正行), Masatoshi, Masatami and Masamitsu. The Nagoya school was established earlier in the 18th century under Tametaka. See also * Tametaka Tametaka (為隆) was a renowned ''netsuke'' carver from Nagoya is the largest city in the Chūbu region, the fourth-most populous city and third most populous urban area in Japan, with a population of 2.3million in 2020. Located on the P ... * Gechū * Masanao (Kyoto) References Bibliography * Frederick Meinertzhagen, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, Alan R. Liss, Inc., New York, 1986, p.212. * Bandini, Rosemary (2019) The Larry Caplan Collection of Japan ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Nagoya
is the largest city in the Chūbu region, the fourth-most populous city and third most populous urban area in Japan, with a population of 2.3million in 2020. Located on the Pacific coast in central Honshu, it is the capital and the most populous city of Aichi Prefecture, and is one of Japan's major ports along with those of Tokyo, Osaka, Kobe, Yokohama, and Chiba. It is the principal city of the Chūkyō metropolitan area, which is the third-most populous metropolitan area in Japan with a population of 10.11million in 2020. In 1610, the warlord Tokugawa Ieyasu, a retainer of Oda Nobunaga, moved the capital of Owari Province from Kiyosu to Nagoya. This period saw the renovation of Nagoya Castle. The arrival of the 20th century brought a convergence of economic factors that fueled rapid growth in Nagoya, during the Meiji Restoration, and became a major industrial hub for Japan. The traditional manufactures of timepieces, bicycles, and sewing machines were followed by th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

History Of Nagoya
is the largest city in the Chūbu region, the fourth-most populous city and third most populous urban area in Japan, with a population of 2.3million in 2020. Located on the Pacific coast in central Honshu, it is the capital and the most populous city of Aichi Prefecture, and is one of Japan's major ports along with those of Tokyo, Osaka, Kobe, Yokohama, and Chiba. It is the principal city of the Chūkyō metropolitan area, which is the third-most populous metropolitan area in Japan with a population of 10.11million in 2020. In 1610, the warlord Tokugawa Ieyasu, a retainer of Oda Nobunaga, moved the capital of Owari Province from Kiyosu to Nagoya. This period saw the renovation of Nagoya Castle. The arrival of the 20th century brought a convergence of economic factors that fueled rapid growth in Nagoya, during the Meiji Restoration, and became a major industrial hub for Japan. The traditional manufactures of timepieces, bicycles, and sewing machines were followed by the prod ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Nagoya Castle
is a Japanese castle located in Nagoya, Japan. Nagoya Castle was constructed by the Owari Domain in 1612 during the Edo period on the site of an earlier castle of the Oda clan in the Sengoku period. Nagoya Castle was the heart of one of the most important castle towns in Japan, Nagoya-juku, a post station on the Minoji road linking two of the important Edo Five Routes, the Tōkaidō and the Nakasendō. Nagoya Castle became the core of the modern Nagoya and ownership was transferred to the city by the Imperial Household Ministry in 1930. Nagoya Castle was destroyed in 1945 during the bombing of Nagoya in World War II and the reconstruction and repair of the castle has been undergoing since 1957. ''Meijō'' (名城), another shortform way of pronouncing Nagoya Castle (名古屋城), is used for many Nagoya city institutions such as Meijō Park, the Meijō Line of the Nagoya Municipal Subway, and Meijo University, reflecting the cultural influence of this historic structure. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Culture In Nagoya
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

People From Nagoya
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]