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The bouba/kiki effect is a non-arbitrary mapping between speech sounds and the visual shape of objects. It was first documented by Wolfgang Köhler in 1929 using nonsense words. The effect has been observed in American university students, Tamil speakers in India, young children, and infants, and has also been shown to occur with familiar names. It is absent in individuals who are congenitally blind and reduced in some autistic children. The effect was investigated using fMRI in 2018. The bouba/kiki effect is one form of sound symbolism. Research Discovery This effect was first observed by Georgian psychologist Dimitri Uznadze in a 1924 paper. He conducted an experiment with 10 participants who were given a list with nonsense words, shown 6 drawings for 5 seconds each, then had to pick a name for the drawing from the list of given words. He describes the different “strategies” participants developed to match words to drawings and quotes their reasoning. He also describes ...
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Sound Symbolism
In linguistics, sound symbolism is the resemblance between sound and meaning. It is a form of linguistic iconicity. For example, the English word ''ding'' may sound similar to the actual sound of a bell. Linguistic sound may be perceived as similar to not only sounds, but also to other sensory properties, such as size, vision, touch, or smell, or abstract domains, such as emotion or value judgment. Such correspondence between linguistic sound and meaning may significantly affect the form of spoken languages. History Plato and the Cratylus Dialogue In ''Cratylus'', Plato has Socrates commenting on the origins and correctness of various names and words. When Hermogenes asks if he can provide another hypothesis on how signs come into being (his own is simply 'convention'), Socrates initially suggests that they fit their referents in virtue of the sounds they are made of: However, faced by an overwhelming number of counterexamples given by Hermogenes, Socrates has to admit that " ...
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Autism
The autism spectrum, often referred to as just autism or in the context of a professional diagnosis autism spectrum disorder (ASD) or autism spectrum condition (ASC), is a neurodevelopmental condition (or conditions) characterized by difficulties in social interaction, verbal and nonverbal communication, and the presence of repetitive behavior and restricted interests. Other common signs include unusual responses to sensory stimuli. Autism is generally understood as a ''spectrum disorder'', which means that it can manifest differently in each person: any given autistic individual is likely to show some, but not all, of the characteristics associated with it, and the person may exhibit them to varying degrees. Some autistic people remain nonspeaking over the course of their lifespan, while others have relatively unimpaired spoken language. There is large variation in the level of support people require, and the same person may present differently at varying times. Historically ...
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Japanese Sound Symbolism
The Japanese language has a large inventory of sound symbolic or mimetic words, known in linguistics as ideophones. Such words are found in written as well as spoken Japanese. Known popularly as ''onomatopoeia'', these words are not just imitative of sounds but cover a much wider range of meanings; indeed, many sound-symbolic words in Japanese are for things that don't make any noise originally, most clearly demonstrated by , not to be confused with the religion ''Shintō''. Categories The sound-symbolic words of Japanese can be classified into four main categories: ; :words that mimic sounds made by living things, like a dog's bark: (wan-wan) ; :words that mimic sounds made by inanimate objects, like wind blowing or rain falling. ; :words that depict states, conditions, or manners of the external world (non-auditory senses), such as "damp" or "stealthily". ; :words that depict psychological states or bodily feelings. These divisions are not always drawn: sound-symbolism may ...
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Color Symbolism
Color symbolism in art and anthropology refers to the use of color as a symbol in various cultures. There is great diversity in the use of colors and their associations between cultures and even within the same culture in different time periods. The same color may have very different associations within the same culture at any time. Diversity in color symbolism occurs because color meanings and symbolism occur on an individual, cultural and universal basis. Color symbolism is also context-dependent and influenced by changes over time. Symbolic representations of religious concepts or articles may include a specific color with which the concept or object is associated. There is evidence to suggest that colors have been used for this purpose as early as 90,000 BC. Common associations Red Red is a primary color across all models of color space. It is often associated with love, passion, and lust but also danger. It is frequently used in relation to Valentine's Day. It can also ...
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Ideasthesia
Ideasthesia (alternative spelling ideaesthesia) is a neuropsychological phenomenon in which activations of concepts (inducers) evoke perception-like sensory experiences (concurrents). The name comes from the Ancient Greek () and (), meaning 'sensing concepts' or 'sensing ideas'. The notion was introduced by neuroscientist Danko Nikolić as an alternative explanation for a set of phenomena traditionally covered by synesthesia. While ''synesthesia'' meaning 'union of senses' implies the association of two sensory elements with little connection to the cognitive level, empirical evidence indicated that most phenomena linked to synesthesia are in fact induced by semantic representations. That is, the linguistic meaning of the stimulus is what is important rather than its sensory properties. In other words, while synesthesia presumes that both the trigger (inducer) and the resulting experience (concurrent) are of sensory nature, ideasthesia presumes that only the resulting experience ...
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Synesthesia
Synesthesia (American English) or synaesthesia (British English) is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway. People who report a lifelong history of such experiences are known as synesthetes. Awareness of synesthetic perceptions varies from person to person. In one common form of synesthesia, known as grapheme–color synesthesia or color–graphemic synesthesia, letters or numbers are perceived as inherently colored. In spatial-sequence, or number form synesthesia, numbers, months of the year, or days of the week elicit precise locations in space (''e.g.,'' 1980 may be "farther away" than 1990), or may appear as a three-dimensional map (clockwise or counterclockwise). Synesthetic associations can occur in any combination and any number of senses or cognitive pathways. Little is known about how synesthesia develops. It has been suggested that synesthesia dev ...
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Voiced Bilabial Stop
The voiced bilabial plosive or stop is a type of consonantal sound used in many spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , and the equivalent X-SAMPA symbol is b. The voiced bilabial stop occurs in English, and it is the sound denoted by the letter in ''obey'' (obeI). Features Features of the voiced bilabial stop: Varieties Occurrence See also * Betacism * List of phonetics topics A * Acoustic phonetics * Active articulator * Affricate * Airstream mechanism * Alexander John Ellis * Alexander Melville Bell * Alfred C. Gimson * Allophone * Alveolar approximant () * Alveolar click () * Alveolar consonant * Alveolar ej ... Notes References * * * * * * * * * * * * * * * * External links * {{DEFAULTSORT:Voiced Bilabial stop Voiced oral consonants Bilabial stops Pulmonic consonants Labial–coronal consonants ...
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Labial Consonant
Labial consonants are consonants in which one or both lips are the active articulator. The two common labial articulations are bilabials, articulated using both lips, and labiodentals, articulated with the lower lip against the upper teeth, both of which are present in English. A third labial articulation is dentolabials, articulated with the upper lip against the lower teeth (the reverse of labiodental), normally only found in pathological speech. Generally precluded are linguolabials, in which the tip of the tongue contacts the posterior side of the upper lip, making them coronals, though sometimes, they behave as labial consonants. The most common distribution between bilabials and labiodentals is the English one, in which the nasal and the stops, , , and , are bilabial and the fricatives, , and , are labiodental. The voiceless bilabial fricative, voiced bilabial fricative, and the bilabial approximant do not exist as the primary realizations of any sounds in English, bu ...
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Voiceless Velar Stop
The voiceless velar plosive or stop is a type of consonantal sound used in almost all spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , and the equivalent X-SAMPA symbol is k. The sound is a very common sound cross-linguistically. Most languages have at least a plain , and some distinguish more than one variety. Most Indo-Aryan languages, such as Hindi and Bengali, have a two-way contrast between aspirated and plain . Only a few languages lack a voiceless velar plosive, e.g. Tahitian and Mongolian. Some languages have the voiceless pre-velar plosive, which is articulated slightly more front compared with the place of articulation of the prototypical velar plosive, though not as front as the prototypical palatal plosive. Conversely, some languages have the voiceless post-velar plosive,Instead of "post-velar", it can be called "retracted velar", "backed velar", "pre-uvular", "advanced uvular" or "fronted uvular". which is artic ...
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Dorsal Consonant
Dorsal consonants are consonants articulated with the back of the tongue (the dorsum). They include the palatal, velar and, in some cases, alveolo-palatal and uvular consonants. They contrast with coronal consonants, articulated with the flexible front of the tongue, and laryngeal consonants, articulated in the pharyngeal cavity. Function The dorsum of the tongue can contact a broad region of the roof of the mouth, from the hard palate (palatal consonants), the flexible velum behind that (velar consonants), to the uvula at the back of the mouth cavity (uvular consonants). These distinctions are not clear cut, and sometimes finer gradations such as ''pre-palatal, pre-velar,'' and ''post-velar'' will be noted. Because the tip of the tongue can curl back to also contact the hard palate for retroflex consonants (''subapical-palatal''), consonants produced by contact between the dorsum and the palate are sometimes called ''dorso-palatal.'' Examples See also *Place of articulation ...
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Coronal Consonant
Coronals are consonants articulated with the flexible front part of the tongue. Among places of articulation, only the coronal consonants can be divided into as many articulation types: apical (using the tip of the tongue), laminal (using the blade of the tongue), domed (with the tongue bunched up), or subapical (using the underside of the tongue) as well as different postalveolar articulations (some of which also involve the back of the tongue as an articulator): palato-alveolar, alveolo-palatal and retroflex. Only the front of the tongue (coronal) has such dexterity among the major places of articulation, allowing such variety of distinctions. Coronals have another dimension, grooved, to make sibilants in combination with the orientations above. Places of articulation Coronal places of articulation include the dental consonants at the upper teeth, the alveolar consonants at the upper gum (the alveolar ridge), the various postalveolar consonants (including domed palato-alv ...
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