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Tahtib
Tahtib ( arz, تحطيب, taḥṭīb) is the term for a traditional stick-fighting martial art originally named ''fan a'nazaha wa-tahtib'' ("the art of being straight and honest through the use of stick"). The original martial version of tahtib later evolved into an Egyptian folk dance with a wooden stick. It is commonly described in English as a "stick dance", "cane dance", "stick-dancing game", or as ritual mock combat accompanied by music. Nowadays, the word ''tahtib'' encompasses both martial practice and performance art. It is mainly practiced today in Upper Egypt. Tahtib is regularly performed for tourists in Luxor and Aswan. The stick used in tahtib is about four feet in length and is called an ''asa'', ''asaya'', ''assaya'', or ''nabboot''. It is often flailed in large figure-eight patterns across the body with such speed that the displacement of air is loudly discernible. History The oldest traces of tahtib were found on engravings from the archaeological site of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenjutsu
is an umbrella term for all ('' ko-budō'') schools of Japanese swordsmanship, in particular those that predate the Meiji Restoration. Some modern styles of kendo and iaido that were established in the 20th century also included modern forms of kenjutsu in their curriculum. Kenjutsu, which originated with the samurai class of feudal Japan, means "methods, techniques, and the art of the Japanese sword". This is opposed to kendo, which means "the way of the sword" and uses a bamboo sword ( shinai) and protective armour ( bōgu). The exact activities and conventions undertaken when practicing ''kenjutsu'' vary from school to school, where the word school here refers to the practice, methods, ethics, and metaphysics of a given tradition, yet commonly include practice of battlefield techniques without an opponent and techniques whereby two practitioners perform '' kata'' (featuring full contact strikes to the body in some styles and no body contact strikes permitted in others). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendo
is a modern Japanese martial art, descended from kenjutsu (one of the old Japanese martial arts, swordsmanship), that uses bamboo swords ( shinai) as well as protective armor ( bōgu). Today, it is widely practiced within Japan and has spread to many other nations across the world. History Swordsmen in Japan established schools of ''kenjutsu'' (the ancestor of kendo). These continued for centuries and form the basis of kendo practice today.. Formal kendo exercises known as '' kata'' were developed several centuries ago as ''kenjutsu'' practice for warriors. They are still studied today, in a modified form. The introduction of bamboo practice swords and armor to sword training is attributed to during the Shotoku Era (1711–1715). Naganuma developed the use of this armor and established a training method using bamboo swords. , third son of Naganuma and the 8th headmaster of the Kashima Shinden Jikishinkage-ryū Kenjutsu, is credited with improving the art with Japane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaripayattu
Kalaripayattu (; also known simply as Kalari) is an Indian martial art that originated in modern-day Kerala, a state on the southwestern coast of India. Kalaripayattu is known for its long-standing history within Indian martial arts, and is one of the oldest surviving martial arts in India. Kalaripayattu is mentioned in the Vadakkan Pattukal, a collection of ballads written about the Chekavar of the Malabar region of Kerala. In the Vadakkan Pattukal, it is stated that the cardinal principle of Kalaripayattu was that knowledge of the art be used to further worthy causes, and not for the advancement of one's own selfish interests. Kalaripayattu is a martial art designed for the ancient battlefield (the word "Kalari" meaning "battlefield"), with weapons and combative techniques that are unique to Kerala. Like most Indian martial arts, Kalaripayattu contains rituals and philosophies inspired by Hinduism. The art also bases medical treatments upon concepts found in the ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jūkendō
is the Japanese martial art of bayonet fighting,Stevens, J. (1985): "The Founder, Ueshiba Morihei." In R. Strozzi-Heckler (Ed.): ''Aikido and the new warrior'' (pp. 5–22). Berkeley, CA: North Atlantic. ()Mather, J. (1990): "A Sensei's story: Karate's Takayuki Kubota." ''Black Belt'', 28(6):40–44.Steele, D. E. (1991): "Training to fight Saddam's army: US troops prepared for hand-to-hand combat against Iraqis." ''Black Belt'', 29(5):33–36.Lowry, D. (2009): ''The Karate way: Discovering the spirit of practice'' (p. 76). Boston, MA: Shambhala. () and has been likened to kendo (but with bayonets instead of swords).Clayton, B. D., Horwitz, R., & Pollard, E. (2004): ''Shotokan's secret: The hidden truth behind Karate's fighting origins'' (p. 148). Black Belt Books. () According to Tanaka Fumon, jūkendō techniques are based on Japanese sojutsu (spear fighting)Tanaka, F. (2003): ''Samurai fighting arts: The spirit and the practice'' (p. 222). Tokyo: Kodansha International. () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gatka
Gatka (; ; hi, गतका; ur, ) is a form of martial art associated primarily with the Sikhs of the Punjab and other related ethnic groups, such as Hindkowans. It is a style of stick-fighting, with wooden sticks intended to simulate swords. The Punjabi name, , refers to the wooden stick used and this term might have originated as a diminutive of a Sanskrit word, , meaning "mace". The stick used in Gatka is made of wood and is usually long, with a thickness of around . It comes with a fitted leather hilt, and is often decorated with Punjabi-style multi-coloured threads. The other weapon used in the sport is a shield, natively known as . It is round in shape, measuring , and is made of dry leather. It is filled with either cotton or dry grass to protect the hand of player in case of full contact hit by an opponent. Gatka originated in the Punjab in the 15th century. There has been a revival during the later 20th century, with an International Gatka Federation wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bōjutsu
, translated from Japanese as "staff technique", is the martial art of stick fighting using a bō, which is the Japanese word for staff. Staffs have been in use for thousands of years in Asian martial arts like Silambam. Some techniques involve slashing, swinging, and stabbing with the staff. Others involve using the staff as a vaulting pole or as a prop for hand-to-hand strikes. Today ''bōjutsu'' is usually associated either with Okinawan ''kobudō'' or with Japanese '' koryū budō''. Japanese ''bōjutsu'' is one of the core elements of classical martial training. Thrusting, swinging, and striking techniques often resemble empty-hand movements, following the philosophy that the ''bō'' is merely an "extension of one’s limbs".Weapons Consequently, bōjutsu is often incorporated into other styles of empty-hand fighting, like traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bataireacht
In Irish martial arts, (; meaning 'stick-fighting') (also called ''boiscín'' and ''ag imirt na maidí'' ) refers to the various forms of stick-fighting from Ireland. Definition ''Bataireacht'' is a category of stick-fighting martial arts of Ireland. The concept of people swinging sticks at each other, in anger, dates far into pre-history. It is likely to have started with the hominids that existed before homo sapiens. Neanderthals are known to have crafted heavy sticks into tools that were multi-purpose and resembled many modern Batas. Although stick-fighting is pre-historic, the vocabulary of Bataireacht can be traced back to Old Irish, one of the oldest languages in Europe. Wooden Sticks & clubs were very significant in Bronze age warfare The Bronze Age battlefield of Tollense, in Northern Germany contained Batas made from Ash and Sloe (which is a shrub related to Blackthorn). It is believed that peasant soldiers fought largely without metal as bronze was often prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banshay
Banshay ( my, ဗန်ရှည်, ) is a weapon-based martial art from Myanmar focusing primarily on the sword, staff and spear. Influenced by both Indian and Chinese sources, it is closely related to similar Southeast Asian systems such as Thai krabi krabong, Cambodian kbach kun boran and Malay silat. Banshay makes extensive use of the dha (sword) in pairs. Sword-fencing demonstrations and performances often begin with a pre-fight war dance in which the swordsman spins one or two swords very close to the body without cutting themselves. There are 37 sword forms. Sword training is conducted with the weapon still sheathed. Traditionally when a master first presents the student with a sword, the scabbard would be fixed on so that the trainee is discouraged from killing opponents. Under extreme conditions when the sword must be unsheathed, the scabbard may be broken with a rock or other object. Image:defense contre sabre.jpg, Defense with the staff Image:Panther_danse.jpg, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angampora
Angampora is a Sinhalese martial art that combines combat techniques, self-defense, sport, exercise, and meditation. A key component of angampora is the namesake ''angam'', which incorporates hand-to-hand fighting, and ''illangam'', involving the use of indigenous weapons such as the ethunu kaduwa, staves, knives and swords. Another component known as ''maya angam'', which uses spells and incantations for combat, is also said to have existed. Angampora's distinct feature lies in the use of pressure point attacks to inflict pain or permanently paralyze the opponent. Fighters usually make use of both striking and grappling techniques, and fight until the opponent is caught in a submission lock that they cannot escape. Usage of weapons is discretionary. Perimeters of fighting are defined in advance, and in some of the cases is a pit. With the advent of colonial rule over the entirety of the island in 1815, Angampora fell into disuse and was very nearly lost as a part of the country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna
Amarna (; ar, العمارنة, al-ʿamārnah) is an extensive Egyptian archaeological site containing the remains of what was the capital city of the late Eighteenth Dynasty. The city was established in 1346 BC, built at the direction of the Pharaoh Akhenaten, and abandoned shortly after his death in 1332 BC. The name that the ancient Egyptians used for the city is transliterated in English as Akhetaten or Akhetaton, meaning " the horizon of the Aten".David (1998), p. 125 The site is on the east bank of the Nile River, in what today is the Egyptian province of Minya. It is about south of the city of al-Minya, south of the Egyptian capital, Cairo, and north of Luxor (site of the previous capital, Thebes). The city of Deir Mawas lies directly to its west. On the east side of Amarna there are several modern villages, the chief of which are l-Till in the north and el-Hagg Qandil in the south. Activity in the region flourished from the Amarna Period until the later Roman e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizmar (instrument)
In Arabic music, a ''mizmār'' ( ar, ; plural مَزَامِير ''mazāmīr'') is any single or double reed wind instrument. In Egypt, the term ''mizmar'' usually refers to the conical shawm that is called '' zurna'' in Turkey and Armenia. ''Mizmar'' is also a term used for a group of musicians, usually a duo or trio, that play a ''mizmar'' instrument along with an accompaniment of one or two double-sided bass drums, known in Arabic as '' tabl baladi'' or simply '' tabl.'' Mizmars are usually played in Egypt at either weddings or as an accompaniment to belly dancers. In Lebanon, the Palestinian Territories, and Syria, it is influenced by the Anatolian/Armenian '' zurna,'' a higher-pitched version of the ''mizmar'', and may also be known in those countries as a ''zamr'' (زمر) or ''zamour'', as well as ''mizmar''. In Algeria a similar instrument is called ''ghaita'' or '' rhaita'' (غيطة).Brown, DavidOriental Oboes and Shawmslarkinam.com Along with belly dancing, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raqs Sharqi
Raqs sharqi ( ar, رقص شرقي, ; literally "oriental dancing") is the classical Egyptian style of belly dance that developed during the first half of the 20th century. Based on the ancient Egyptian women solo dancing with almost nude-outfits, rural Egyptian folk styles and also to modernize it with western influences, such as marching bands, Latin dance, etc., this hybrid style was performed in the cabarets of interbellum period Egypt and in early Egyptian cinema. The style is often considered the classical style of belly dance, although that term historically referred to the Awalem style (low-class dancers), and today covers a much wider range of Middle Eastern dance as well as Western styles developed from them. History Raqs sharqi was developed by Samia Gamal, Tahiya Karioka, Naima Akef Naima Akef ( ar, نعيمة عاكف, ; 7 October 1929 – 23 April 1966) was a famous Egyptian belly dancer during the Egyptian cinema's golden age and starred in man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
