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Tadd Dameron Turnaround
In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom",Coker, et al (1982). ''Patterns for Jazz: A Theory Text for Jazz Composition and Improvisation'', p.118. . derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major: rather than the more conventional: The Tadd Dameron turnaround may feature major seventh chords, and derive from the following series of substitutions, each altering the chord quality:Bahha and Rollins (2005). ''Jazzology'', p.103. .Richard Lawn, Jeffrey L. Hellmer (1996). ''Jazz: Theory and Practice'', p.118-19. . The last step, changing to the major seventh chord, is optional. Dameron was the first composer to use the turnaround in his standard " Lady Bird", which contains a modulation down a major third (from C to A). This key relation is also implied by the first and third chord of the turnaround, CM7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron Turnaround With Resolution
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Tadd is a given name. Notable people with the name include: *Tadd Dameron (1917–1965), American jazz composer, arranger, and pianist *Tadd Fujikawa (born 1991), American golfer *Tadd Roosevelt (1879–1958), American heir and automobile worker See also *Tad (given name) *Tedd (given name) Tedd is a given name. It is often a re-spelling of "Ted (other), Ted" which, in turn, is a traditional nickname for people named Theodore (name), Theodore or Edward. Those bearing the given name include: * Tedd (1904–1991), American edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Bird (jazz)
"Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, and released in 1948. Featuring, "a suave, mellow theme,"Giddins, Gary (2004). ''Weather Bird: Jazz at the Dawn of Its Second Century'', p.468. . it is the origin of the Tadd Dameron turnaround (in C: CM7 E7 AM7 D7 CM7).Coker, et al (1982). ''Patterns for Jazz: A Theory Text for Jazz Composition and Improvisation'', p.118. . An example of Dameron's interest in keys and/or roots related by thirds, the piece is in binary form ( AABC) and features, through the use of ii-V turnarounds, movement toward three keys other than the tonic; E, A, and G. The first three four-measure phrases end with secondary ii-V's, while the last ends instead with the Tadd Dameron turnaround resolving to the tonic. : IM7 , IM7 , ii7/III , V7/III , IM7 , IM7 , ii7/VI , V7/VI , VIM7 , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Techniques
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel (jazz)
"''Israel ''" is a composition by John Carisi, which has become a jazz standard. Described as a "minor blues", it was originally recorded in 1949 by Miles Davis as part of the "Birth of the Cool" sessions. It is considered to be an "early use of the perfect fourth interval", which "arpeggiates a pair of three ascending fourths at mm. 9–10". "Israel" has since become most associated with jazz pianist Bill Evans, and features on several of the Bill Evans Trio recordings. According to Joe Utterback, Marty Morell's solo work for the Trio on songs such as "Israel" and "Peri's Scope" is "evidence that a drummer can play strongly and fluently without ever losing the melodic line or disrupting the playing of the other musicians". "Israel" was later covered by Gerry Mulligan with his Concert Jazz Band for their 1961 album ''Gerry Mulligan Presents a Concert in Jazz ''Gerry Mulligan Presents a Concert in Jazz'' is an album recorded by American jazz saxophonist and bandleader Gerry Mullig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Carisi
John E. Carisi (February 23, 1922 – October 3, 1992) was an American trumpeter and composer. Early life and career Carisi was born in Hasbrouck Heights, New Jersey on February 22, 1922,Larkin, Colin (1992). The Guinness Encyclopedia of Popular Music'. Enfield, Middlesex, England: Guinness Publishing. pp. 414–415. . the youngest of three children born to John G. and Philomena Carisi. Raised in Jamaica, Queens, Carisi attended Jamaica High School, where he taught himself trumpet while playing in dance bands in 1937.Macero, Teo (1960) "Liner notes, ''The New Jazz Sound of SHOW BOAT''". Internet Archive. Early in his career, Carisi was a member of Herbie Fields's Orchestra (1938–1943) and Glenn Miller's 'Army Air Force Band'. After the war he worked with Ray McKinley, Claude Thornhill, Charlie Barnet, Urbie Green, and Benny Goodman, among others and studied with acclaimed composer Stefan Wolpe. His minor-blues composition "Israel" was quickly recognized as a unique jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Workin' With The Miles Davis Quintet
''Workin' with the Miles Davis Quintet'' is a studio album by the Miles Davis quintet recorded in 1956 and released circa January 1960. Two sessions on May 11, 1956, and October 26 in the same year resulted in four albums—this one, '' Relaxin' with the Miles Davis Quintet'', '' Steamin' with the Miles Davis Quintet'' and ''Cookin' with the Miles Davis Quintet''. Track 2 is a composition written for Davis by Eddie Vinson (see ''Blue Haze'' for more details). "Trane's Blues" (also known as "Vierd Blues", a tongue-in-cheek reference to Blue Note founder Francis Wolff's heavily accented verdict on it), also credited to Davis, is in fact a John Coltrane composition (originally titled "John Paul Jones", and from an earlier session led by bassist Paul Chambers; before the closing statement of theme, Coltrane and Davis play a bit of Charlie Parker's "The Hymn"). Background As his star rose in 1955, Davis formed a new quintet, featuring saxophonist John Coltrane, pianist Red Garland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coltrane Changes
Coltrane changes (Coltrane Matrix or cycle, also known as chromatic third relations and multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions. These substitution patterns were first demonstrated by jazz musician John Coltrane on the albums ''Bags & Trane'' (on the track "Three Little Words") and '' Cannonball Adderley Quintet in Chicago'' (on "Limehouse Blues"). Coltrane continued his explorations on the 1960 album ''Giant Steps'' and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation. Function The changes serve as a pattern of chord substitutions for the ii–V–I progression (supertonic– dominant– tonic) and are noted for the tonally unusual root movement by major thirds (either up or down by a major third int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Third
In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third () is a third spanning four semitones. Forte, Allen (1979). ''Tonal Harmony in Concept and Practice'', p.8. Holt, Rinehart, and Winston. Third edition . "A large 3rd, or ''major 3rd'' (M3) encompassing four half steps." Along with the minor third, the major third is one of two commonly occurring thirds. It is qualified as ''major'' because it is the larger of the two: the major third spans four semitones, the minor third three. For example, the interval from C to E is a major third, as the note E lies four semitones above C, and there are three staff positions from C to E. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron Turnaround Line
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Tadd is a given name. Notable people with the name include: *Tadd Dameron (1917–1965), American jazz composer, arranger, and pianist *Tadd Fujikawa (born 1991), American golfer *Tadd Roosevelt (1879–1958), American heir and automobile worker See also *Tad (given name) *Tedd (given name) Tedd is a given name. It is often a re-spelling of "Ted (other), Ted" which, in turn, is a traditional nickname for people named Theodore (name), Theodore or Edward. Those bearing the given name include: * Tedd (1904–1991), American edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
