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TG24
''TG24'' is a box set by industrial music pioneers Throbbing Gristle. Cassette set TG24 was originally released as a cassette boxed set in 1980. The set contained the first of Throbbing Gristle's 24 shows in addition to two C90 cassettes taken from a Throbbing Gristle radio interview. The set was presented in a small attache case with a personalised handmade collage and various autographed pictures. CD set The box set originally was planned to be released with 24 CDs, however orders from Mute.com included an extra CD. The set contains a total of 26 Throbbing Gristle live performances (IRCD03 has two shows on it). The follow-up boxset, '' TG+'' contains an additional 10 live performances. Box set includes the following items: certificate of authenticity, wax sealed envelope, two patches, three stickers, four pictures of Throbbing Gristle, four collage prints (1 of 2 made by each member of the band specifically for this release), three button badges and a newsletter with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throbbing Gristle Live
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition ''Prostitution'', and released their debut single "United/Zyklon B Zombie" and debut album ''The Second Annual Report'' the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language. The band released several subsequent studio and live albums—including '' D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), ''20 Jazz Funk Greats'' (1979), and ''Heathen Earth'' (1980)—on their own record label Industrial Records, building a reputation with their tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throbbing Gristle
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter (British musician), Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition ''Prostitution'', and released their debut single "United/Zyklon B Zombie" and debut album ''The Second Annual Report'' the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language. The band released several subsequent studio and live albums—including ''D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), ''20 Jazz Funk Greats'' (1979), and ''Heathen Earth'' (1980)—on their own record label Industrial Records, buildin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Binaural Recording
Binaural recording is a method of recording sound that uses two microphones, arranged with the intent to create a 3-D stereo sound sensation for the listener of actually being in the room with the performers or instruments. This effect is often created using a technique known as dummy head recording, wherein a mannequin head is fitted with a microphone in each ear. Binaural recording is intended for replay using headphones and will not translate properly over stereo speakers. This idea of a three-dimensional or "internal" form of sound has also translated into useful advancement of technology in many things such as stethoscopes creating "in-head" acoustics and IMAX movies being able to create a three-dimensional acoustic experience. The term "binaural" has frequently been confused as a synonym for the word "stereo", due in part to systematic misuse in the mid-1950s by the recording industry, as a marketing buzzword. Conventional stereo recordings do not factor in natural ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pro Tools
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes. Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of aud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Nick Cave and the Bad Seeds, Yazoo, and M83. History Beginnings During 1978, Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute - Documentary Evidence - Biba Kopf 1986 He recorded the tracks "T.V.O.D." and "Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response - Daniel Miller Interview - E&MM 1984 "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed as well as Rose McDowell. After meetin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Film-Makers' Co-op
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX. It grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane, then sharing offices with John 'Hoppy' Hopkins' BIT information service and then, with the breakaway group that formed the New Arts Lab, to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. For most of its life the LFMC was based in Gloucester Avenue in Camden in a run down building which for a number of years also housed the London Musicians Collective. In 1997 the LFMC moved together with London Video Arts to the new Lux Centre, Hoxton Square. Founded by, amongst others, Stephen Dwoskin and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centro Iberico
Centro Iberico, London, in the 1970s was a Spanish anarchist support centre, which after moving into a squatted school building in Notting Hill, London became a self-managed social centre, a live venue and a studio. Origins Centro Iberico was initially established at Chalk Farm early in the 1970s by Spanish Civil War veterans, principal among them Miguel García García, twenty years a prisoner of Franco. Garcia and his comrades were active in the prisoner-aid group, the Anarchist Black Cross. Later, when also known as the Anarchy or Alternative ‘A’ Centre, it met in a parish hall in Holborn, before moving in 1982 to the school building, 421 Harrow Road, Notting Hill. Its original political activity would have wound down following the restoration of parliamentary government in Spain, and Garcia's death in 1981. Bands The centre in Notting Hill put on anarcho-punk gigs by the Mob, Conflict, Poison Girls and the Subhumans. Throbbing Gristle played and recorded at the cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage
Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art. History Early precedents Techniques of collage were first used at the time of the invention of paper in China, around 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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