Tydeus Painter
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Tydeus Painter
The Tydeus Painter was an ancient Greek vase painter working in the Corinthian black-figure style. His real name is unknown. He was active during the Late Corinthian phase (''ca.'' 575 to 550 BC); his works are dated to about 560 BC. The Tydeus Painter was one of the most important and probably the last significant vase painter of the late phase of the black-figure in Corinth. He mainly painted amphorae, kraters, ''lekythoi'' and ''oinochoai''. His most important works are on red-ground neck amphorae; they include a depiction of the killing of the nude Ismene by Tydeus on his name vase, which is now on display in the Louvre. On a second amphora, also in ParisInventory E 651 he painted the fight between Theseus and the Minotaur. Otherwise, he painted no scenes from Greek mythology, but preferred battle scenes and komasts, as well as animals and hybrid creatures. Striking feature of his works is the copious use of white and red paints, as well as the many inscriptions naming his fi ...
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Tydeus Ismene Louvre E640
Tydeus (; Ancient Greek: Τυδεύς ''Tūdeus'') was an Aetolian hero in Greek mythology, belonging to the generation before the Trojan War. He was one of the Seven against Thebes, and the father of Diomedes, who is frequently known by the patronymic ''Tydides''. Life Tydeus was a son of Oeneus and either Periboea, Oeneus's second wife, or Gorge, Oeneus's daughter. He was the husband of Deipyle, the mother of Diomedes. Tydeus was banished from Calydon by his uncle Agrius, because he killed either his brother or a different uncle or six of his cousins. He travelled to Argos, where he married Deipyle, daughter of king Adrastus. Seven against Thebes Gathering of the Seven While housing Tydeus, King Adrastus of Argos also lodged Polynices, the exiled son of Oedipus who had shared the rule of Thebes with his brother Eteocles before he was expelled by the latter. Late one night, the two young exiles got into a fierce dispute over the guest room in Adrastus's palace. Awakened by th ...
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Tydeus
Tydeus (; Ancient Greek: Τυδεύς ''Tūdeus'') was an Aetolian hero in Greek mythology, belonging to the generation before the Trojan War. He was one of the Seven against Thebes, and the father of Diomedes, who is frequently known by the patronymic ''Tydides''. Life Tydeus was a son of Oeneus and either Periboea, Oeneus's second wife, or Gorge, Oeneus's daughter. He was the husband of Deipyle, the mother of Diomedes. Tydeus was banished from Calydon by his uncle Agrius, because he killed either his brother or a different uncle or six of his cousins. He travelled to Argos, where he married Deipyle, daughter of king Adrastus. Seven against Thebes Gathering of the Seven While housing Tydeus, King Adrastus of Argos also lodged Polynices, the exiled son of Oedipus who had shared the rule of Thebes with his brother Eteocles before he was expelled by the latter. Late one night, the two young exiles got into a fierce dispute over the guest room in Adrastus's palace. Awakened by ...
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List Of Greek Vase Painters
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ...
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Komos
The Kōmos ( grc, κῶμος; pl. kōmoi) was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, ''kōmastaí''). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting. The earliest reference to the komos is in Hesiod's '' Shield of Herakles'', which indicates it took place as part of wedding festivities (line 281). And famously Alcibiades gate-crashes the ''Symposium'' while carousing in a komos. However, no one kind of event is associated with the komos: Pindar describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while Demosthenes mentions them taking place after the '' ''pompe'''' and '' choregoi'' on the first day of the Greater Dionysia (Speeches 21.10), which may indicate the komos might have been a competitive event. The komos must be distinguished from the '' pompe'', or ritual pro ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Minotaur
In Greek mythology, the Minotaur ( , ;. grc, ; in Latin as ''Minotaurus'' ) is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus. Etymology The word ''minotaur'' derives from the Ancient Greek , a compound of the name ( Minos) and the noun "bull", translated as "(the) Bull of Minos". In Crete, the Minotaur was known by the name Asterion, a name shared with Minos' foster-father. "Minotaur" was originally a proper noun in reference to this mythical figure. That is, there was only the one Minotaur. In contrast, the use of "minotaur" as a common noun to refer to members of a generic "species" of bull- ...
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Theseus
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the ''synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias reports that after ''synoikismos'', Theseus established a cult of Aphrodite ('Aphrodite of all the People' ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Name Vase
In classical archaeology, a name vase is a specific "vase"In the study of ancient Greek pottery a "vase" is a general term covering all pottery shapes. whose painter's name is unknown but whose workshop style has been identified. The painter is conventionally named after the selected "name vase" that embodies his characteristic style, or for one of its distinctive painted subjects, or for other attributes. The allocation of such names is necessary because the majority of ancient Greek and South Italian vase painters did not sign their works. For discussion and analysis of the work and career of individual artists conventional names were needed in order to designate them. The name can refer to a vase's motif (the Meleager Painter), former owner (the Shuvalov Painter), present location (the Baltimore Painter), find location (the Dipylon Master), inscription, habitual potter (the Kleophrades Painter), shape, and so on. For Athenian vases, the majority of such names were introduced ...
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Ismene
In Greek mythology, Ismene (; grc, Ἰσμήνη, ''Ismēnē'') is the daughter and half-sister of Oedipus, daughter and granddaughter of Jocasta, and sister of Antigone, Eteocles, and Polynices. She appears in several plays of Sophocles: at the end of ''Oedipus Rex'', in ''Oedipus at Colonus'' and in ''Antigone''. She also appears at the end of Aeschylus' ''Seven Against Thebes''. In Sophocles Oedipus Rex Ismene is not named, but is seen at the end of Oedipus Rex as her father/brother laments the "shame" and "sorrow" he is leaving her and her sister to. Oedipus begs Creon to watch over them, but in his grief reaches to take them with him as he is led away. Creon prevents him from taking his daughters out of the city with him. Oedipus at Colonus Ismene appears in Oedipus at Colonus to tell her father of the situation in Thebes and the rivalry of his sons. She explains that Eteocles has taken the throne from Polynices and driven him out of the city. As a result of this, ...
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Greek Vase Painting
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ...
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Neck Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple small ...
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