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Txalaparta
The txalaparta ( or ) is a specialized Basque music device of wood or stone. In some regions of the Basque Country, (with ) means "racket", while in others (in Navarre) has been attested as meaning the trot of the horse, a sense closely related to the sound of the instrument. Communication During the last 150 years, txalaparta has been attested as a communication device used for funeral (), celebration () or the making of slaked lime (), or cider (). After the making of cider, the same board that pressed the apples was beaten to summon the neighbours. Then, a celebration was held and txalaparta played cheerfully, while cider was drunk. Evidence gathered in this cider-making context reveals that sound-emitting ox horns were sometimes blown alongside txalaparta. Actually, cider and cider houses are the only traditional context for the txalaparta we have got to know first-hand. The same background applies to a related Basque percussion instrument, the kirikoketa, a recreation o ...
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Kirikoketa
The kirikoketa ( or ) is a specialized Basque music wooden device akin to the txalaparta and closely related to working activities. It is classified as an idiophone (a percussion instrument). It has lately caught on with cultural circles from the Basque Country at a local level. Instrument The kirikoketa, named after the sound it emits, consists of a single board some 1.5m long and two or three strikers the height of a person, one per person, with a cone shaped wide base. Hammers may be used too by hitting them against the board. But for a small elevation, the board stands almost at the ground level sustained on two low and soft mounds at both ends. Origin and development Like many other Basque sound instruments and sport activities, the kirikoketa stems from and/or is linked to working activities. This specific instrument comes directly from the apple pressing process in which the fruits are ground down for making cider. Men used to work for some 8 days in this process and on ...
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Sagardotegi
A sagardotegi (pronounced ) is a type of cider house found in the Basque Country where Basque cider and traditional foods such as cod omelettes are served. Modern sagardotegis can broadly be described as a cross between a steakhouse and a cider house. Most Basque cider, like most cider varieties in Spain, is called "natural" because, unlike many other European varieties, it is still, instead of sparkling. It normally contains 4-6% alcohol and is served directly from the barrel in a sagardotegi. Etymology The word ''sagardotegi'' is composed of three elements: ''sagar'' "apple" and ''ardo'' "wine", yielding ''sagardo'' or "cider" and the suffix ''-tegi'' which denotes a building where an activity takes place. The word thus translates as "cider house". In some Northern Basque dialects cider is called ''sagarno'' or ''sagarano'' but that only reflects a different development of the Proto-Basque root ''*ardano'' "wine". Although the word ''ardo'' today exclusively means "win ...
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Basque Music
Basque music refers to the music made in the Basque Country, reflecting traits related to its society/tradition, and devised by people from that territory. While traditionally more closely associated to rural based and Basque language music, the growing diversification of its production during the last decades has tipped the scale in favour of a broad definition. Traditional music Basque traditional music is a product of the region's historic development and strategic geographical position on the Atlantic arch at a crossroads between mountains ( Cantabrian mountain range, Pyrenees) and plains (Ebro basin), ocean and inland, European continent and Iberian Peninsula. Its culture and music has thus been exposed to a wide number of influences throughout history, ranging from British and northern European to Mediterranean to Arabic. For example, traditional overseas commerce with England, or international pilgrimage on the Way of St James added greatly to leave an imprint in both i ...
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Basque Country (greater Region)
The Basque Country ( eu, Euskal Herria; es, País Vasco; french: Pays basque) is the name given to the home of the Basque people. Trask, R.L. ''The History of Basque'' Routledge: 1997 The Basque country is located in the western Pyrenees, straddling the border between France and Spain on the coast of the Bay of Biscay. ''Euskal Herria'' is the oldest documented Basque name for the area they inhabit, dating from the 16th century. It comprises the Autonomous Communities of the Basque Country and Navarre in Spain and the Northern Basque Country in France. The region is home to the Basque people ( eu, Euskaldunak), their language ( eu, Euskara), culture and traditions. The area is neither linguistically nor culturally homogeneous, and certain areas have a majority of people who do not consider themselves Basque, such as the south of Navarre. The concept is still highly controversial, and the Supreme Court of Navarre has ruled against scholarly books that include the Navarre c ...
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Semantron
The semantron ( el, σήμαντρον) is a percussion instrument used in Eastern and Oriental Orthodox monasteries to summon the monastics to prayer or at the start of a procession. It is also known as a semandron, semanteriom (σημαντήριον), simantra (σήμαντρα), xylon (ξύλον) and talanto (ταλαντο). In other languages, it is called as follows: ro, toacă; russian: било, ''bilo''; Bulgarian, Macedonian, Serbian: , ''klepalo''; ar, ناقوس, '' nāqūs''. Origins and use The instrument comes in three main varieties: portable, consisting of a long wooden plank held in the player's non-dominant hand and struck with a wooden mallet in the dominant; a larger, heavier, fixed timber block suspended by chains and struck by one or two mallets; and a fixed metal variety, often horseshoe-shaped and struck by a metal mallet. In the portable wooden form, at the centre of the instrument's length, each edge is slightly scooped out to allow the play ...
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Toacă
The semantron ( el, σήμαντρον) is a percussion instrument used in Eastern and Oriental Orthodox monasteries to summon the monastics to prayer or at the start of a procession. It is also known as a semandron, semanteriom (σημαντήριον), simantra (σήμαντρα), xylon (ξύλον) and talanto (ταλαντο). In other languages, it is called as follows: ro, toacă; russian: било, ''bilo''; Bulgarian, Macedonian, Serbian: , ''klepalo''; ar, ناقوس, '' nāqūs''. Origins and use The instrument comes in three main varieties: portable, consisting of a long wooden plank held in the player's non-dominant hand and struck with a wooden mallet in the dominant; a larger, heavier, fixed timber block suspended by chains and struck by one or two mallets; and a fixed metal variety, often horseshoe-shaped and struck by a metal mallet. In the portable wooden form, at the centre of the instrument's length, each edge is slightly scooped out to allow the play ...
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Xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use. The term ''xylophone'' may be used generally, to include all such instruments such as the marimba, balafon and even the semantron. However, in the orchestra, the term ''xylophone'' refers specifically to a chromatic instrument of somewhat higher pitch range and drier timbre than the marimba, and these two instruments should not be confused. A person who plays the xylophone is known as a ''xylophonist'' or simply a ''xylophone player''. The term is also popularly used to refer to ...
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Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz ...
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Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ...
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Bell (instrument)
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and instal ...
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Eastern Orthodox Church
The Eastern Orthodox Church, also called the Orthodox Church, is the second-largest Christian church, with approximately 220 million baptized members. It operates as a communion of autocephalous churches, each governed by its bishops via local synods. The church has no central doctrinal or governmental authority analogous to the head of the Roman Catholic Church—the Pope—but the Ecumenical Patriarch of Constantinople is recognized by them as '' primus inter pares'' ("first among equals"), which may be explained as a representative of the church. As one of the oldest surviving religious institutions in the world, the Eastern Orthodox Church has played a prominent role in the history and culture of Eastern and Southeastern Europe. The Eastern Orthodox Church officially calls itself the Orthodox Catholic Church. Eastern Orthodox theology is based on holy tradition, which incorporates the dogmatic decrees of the seven ecumenical councils, the Scriptures, and the teachin ...
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