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Two Hundred Fifty-sixth Note
In music, a two hundred fifty-sixth note (or occasionally demisemihemidemisemiquaver) is a note played for of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams. Since human pitch perception begins at 20 Hz (1200/minute), then a 256th-note tremolo becomes a single pitch in perception at quarter note ≈ 18.75 bpm. A single 256th note is always stemmed with flags, while two or more are usually beamed in groups. Notes this short are very rare in printed music but not unknown. One reason that notes with many beams are rare is that, for instance, a thirty-second note at =50 lasts the same amount of time as a sixteenth note at =100; every note in a piece may be notated as twice as long but last the same amount of time if the tempo is also doubled. They are principally used for brief, rapid sections in slow movements. For example ...
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Mozart 256th Notes
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Jan Ladislav Dussek
Jan Ladislav Dussek (baptized Jan Václav Dusík, Černušák, p. 271 with surname also written as Duschek or Düssek; 12 February 176020 March 1812) was a Czech classical composer and pianist. He was an important representative of Czech music abroad in the second half of the 18th century and the beginning of the 19th century. Some of his more forward-looking piano works have traits often associated with Romanticism. Dusík ( 1984), p. xxiii Dussek was one of the first piano virtuosos to travel widely throughout Europe. He performed at courts and concert venues from London to Saint Petersburg to Milan, and was celebrated for his technical prowess. During a nearly ten-year stay in London, he was instrumental in extending the size of the pianoforte, and was the recipient of one of John Broadwood's first 6-octave pianos, CC-c4. Harold Schonberg wrote that he was the first pianist to sit at the piano with his profile to the audience, earning him the appellation "le beau visage." A ...
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1073741824 (number)
A power of two is a number of the form where is an integer, that is, the result of exponentiation with number two as the base and integer  as the exponent. In a context where only integers are considered, is restricted to non-negative values, so there are 1, 2, and 2 multiplied by itself a certain number of times. The first ten powers of 2 for non-negative values of are: : 1, 2, 4, 8, 16, 32, 64, 128, 256, 512, ... Because two is the base of the binary numeral system, powers of two are common in computer science. Written in binary, a power of two always has the form 100...000 or 0.00...001, just like a power of 10 in the decimal system. Computer science Two to the exponent of , written as , is the number of ways the bits in a binary word of length can be arranged. A word, interpreted as an unsigned integer, can represent values from 0 () to  () inclusively. Corresponding signed integer values can be positive, negative and zero; see signed num ...
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LilyPond
LilyPond is a computer program and file format for music engraving. One of LilyPond's major goals is to produce scores that are engraved with traditional layout rules, reflecting the era when scores were engraved by hand. LilyPond is cross-platform, and is available for several common operating systems; released under the terms of the GNU General Public License, LilyPond is free software and part of the GNU Project. History The LilyPond project was started in 1996 by Han-Wen Nienhuys and Jan Nieuwenhuizen, after they decided to abandon work on MPP (MusiXTeX PreProcessor), a project they began collaborating on in 1995. Its name was inspired both by the Rosegarden project and an acquaintance of Nienhuys and Nieuwenhuizen named Suzanne, a name that means lily in Hebrew (). Version 1.0 LilyPond 1.0 was released on July 31, 1998, highlighting the development of a custom music font, Feta, and the complete separation of LilyPond from MusiXTeX. Version 2.0 LilyPond 2.0 was relea ...
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4096th Note
In music, a two hundred fifty-sixth note (or occasionally demisemihemidemisemiquaver) is a Musical note, note played for of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beam (music), beams. Since human hearing range, pitch perception begins at 20 Hz (1200/minute), then a 256th-note tremolo becomes a single pitch in perception at quarter note ≈ 18.75 beats per minute, bpm. A single 256th note is always stemmed with flags, while two or more are usually beamed in groups. Notes this short are very rare in printed music but not unknown. One reason that notes with many beams are rare is that, for instance, a thirty-second note at =50 lasts the same amount of time as a sixteenth note at =100; every note in a piece may be notated as twice as long but last the same amount of time if the tempo is also doubled. They are principally used f ...
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Finale (software)
Finale is a proprietary music notation software developed and released by MakeMusic for Microsoft Windows and macOS since 1988. Functionality Finale's tools are organized into multiple hierarchically organized palettes, and the corresponding tool must be selected to add or edit any particular class of score element. Voices are available in Finale as well. Several of Finale's tools provide an associated menu just to the left of the Help menu, available only when that particular tool is selected. In general, operation of Finale bears at least some surface similarities to Adobe Photoshop. On the screen, Finale provides the ability to color code several elements of the score as a visual aid; on the print-out all score elements are black (unless color print-out is explicitly chosen). With the corresponding tool selected, fine adjustment of each set of objects in a score are possible either by clicking and dragging or by entering measurements in a dialog box. A more generalized sele ...
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Sibelius (software)
Sibelius is a scorewriter program developed and released by Sibelius Software Limited (now part of Avid Technology). It is the world's largest selling music notation program. Beyond creating, editing and printing music scores, Sibelius can also play the music back using sampled or synthesised sounds. It produces printed scores, and can also publish them via the Internet for others to access. Less advanced versions of Sibelius at lower prices have been released, as have various add-ons for the software. Named after the Finnish composer Jean Sibelius, the company was founded in April 1993 by twin brothers Ben and Jonathan Finn to market the eponymous music notation program they had created. It went on to develop and distribute various other music software products, particularly for education. In addition to its head office in Cambridge and subsequently London, Sibelius Software opened offices in the US, Australia and Japan, with distributors and dealers in many other coun ...
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Tuplets
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ...
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Brian Ferneyhough
Brian John Peter Ferneyhough (; born 16 January 1943) is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987. Life Ferneyhough was born in Coventry and received formal musical training at the Birmingham School of Music and the Royal Academy of Music from 1966 to 1967, where he studied with Lennox Berkeley. Ferneyhough was awarded the Mendelssohn Scholarship in 1968 and moved to mainland Europe to study with Ton de Leeuw in Amsterdam, and later with Klaus Huber in Basel. Between 1973 and 1986 he taught composition at the Hochschule für Musik Freiburg, Germany,Richard Toop, "Ferneyhough, Brian", '' Grove Music Online'' (Updated 22 October 2008), edited ...
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Anthony Philip Heinrich
Anthony Philip Heinrich (March 11, 1781 – May 3, 1861) was the first "full-time" American composer, and the most prominent before the American Civil War. He did not start composing until he was 36, after losing his business fortune in the Napoleonic Wars. For most of his career he was known as "Father Heinrich," an emeritus figure of America's small classical music community. He chaired the founding meeting of the New York Philharmonic Society in 1842. Life Born in modest circumstances in Schönbüchel (now Krásný Buk, part of Krásná Lípa), Bohemia, Heinrich was given into the care of a rich uncle, whose thriving business empire he inherited in 1800. In 1810 he became stranded in Boston by the loss of his entire fortune in the Napoleonic Wars and the ensuing economic crash. Penniless, he resolved to take up his long-time avocation and become a professional violinist and conductor. A formative experience for him was a 700-mile journey, on foot and by boat, into the wild ...
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Heinrich 1024th Notes
Heinrich may refer to: People * Heinrich (given name), a given name (including a list of people with the name) * Heinrich (surname), a surname (including a list of people with the name) *Hetty (given name), a given name (including a list of people with the name) Places * Heinrich (crater), a lunar crater * Heinrich-Hertz-Turm, a telecommunication tower and landmark of Hamburg, Germany Other uses * Heinrich event, a climatic event during the last ice age * Heinrich (card game), a north German card game * Heinrich (farmer), participant in the German TV show a ''Farmer Wants a Wife'' * Heinrich Greif Prize, an award of the former East German government * Heinrich Heine Prize, the name of two different awards * Heinrich Mann Prize, a literary award given by the Berlin Academy of Art * Heinrich Tessenow Medal, an architecture prize established in 1963 * Heinrich Wieland Prize, an annual award in the fields of chemistry, biochemistry and physiology * Heinrich, known as Haida in Ja ...
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L'art De Toucher Le Clavecin
''L'art de toucher le clavecin'' (English: ''The Art of Playing the Harpsichord'') is a didactic treatise by the French composer François Couperin. It was first published in 1716, and was followed by a revised edition in 1717. The treatise was written to instruct keyboard players in performance practice, particularly for Couperin's ''Pièces de Clavecin''; Couperin, upon its publication, noted that it was "absolutely indispensable for playing my ''Pièces'' in the style most suitable to them". With the early music revival, it became one of the primary sources for the keyboard fingering system which prevailed in Europe during the Baroque era. It also sheds light on the ornamentation used at the time. It is considered one of the most significant surviving treatises of the period. Publication history and contents There are no known autograph copies of the treatise, but copies survive of the two versions published during Couperin's lifetime. The 1716 edition of the work included ...
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