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Turkish Culture
The culture of Turkey ( tr, Türkiye Kültürü) combines a heavily diverse and heterogeneous set of elements that have been derived from the various cultures of the Eastern Mediterranean, Eastern Europe, Caucasia, Middle East and Central Asia traditions. Many of these traditions were initially brought together by the Ottoman Empire, a multi-ethnic and multi-religious state. During the early years of the Republic of Turkey, the government invested a large amount of resources into fine arts such as paintings, sculpture and architecture. This was done as both a process of modernization and of creating a cultural identity. People History The Ottoman system was a multi-ethnic state that enabled people within it not to mix with each other and thereby retain separate ethnic and religious identities within the empire (albeit with a dominant Turkish and Southern European ruling class). Upon the fall of the empire after World War I the Turkish Republic adopted a unitary approach, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heterogeneous
Homogeneity and heterogeneity are concepts often used in the sciences and statistics relating to the uniformity of a substance or organism. A material or image that is homogeneous is uniform in composition or character (i.e. color, shape, size, weight, height, distribution, texture, language, income, disease, temperature, radioactivity, architectural design, etc.); one that is heterogeneous is distinctly nonuniform in at least one of these qualities. Heterogeneous Mixtures, in chemistry, is where certain elements are unwillingly combined and, when given the option, will separate. Etymology and spelling The words ''homogeneous'' and ''heterogeneous'' come from Medieval Latin ''homogeneus'' and ''heterogeneus'', from Ancient Greek ὁμογενής (''homogenēs'') and ἑτερογενής (''heterogenēs''), from ὁμός (''homos'', “same”) and ἕτερος (''heteros'', “other, another, different”) respectively, followed by γένος (''genos'', “kind”); - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
İncili Çavuş
İncili ÇavuşWarren S. Walker, Ahmet Edip Uysal, ''More Tales Alive in Turkey'', Texas Tech University Press, 1992, p. 305./ref> Çavuş means: 1. a title given to the officials who engaged in various services provided of in the organizations of the Ottoman State, 2. a rank of officers who were responsible for transmitting down orders of senior commanders subordinate commanders in the Ottoman Armyçavuşin BSTS / ''Tarih Terimleri Sözlüğü'', 1974. or Mustafa Çavuş was a figure of comic wisdom during the Ottoman era. He may possibly have been a real person. His birth date is not known. There are several theories about his birthplace. According to ''Kayseri Ansiklopedisi'', he was born in the village of Tırafşın, now called İncili of Tomarza District in Kayseri Province.Abdullah Satoğlu, ''Kayseri Ansiklopedisi'', Kültür Bakanlığı, 2002, , p. 185. His fıkras (jokes) were collected by Süleyman Tevfik (Zorluoğlu) at the first time in the early Republican period, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Poetry
Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type. Some narrative poetry takes the form of a novel in verse. An example of this is ''The Ring and the Book'' by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the ''Romance of the Rose'' or Tennyson's ''Idylls of the King''. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into interrel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathnawi
Mathnawi ( ar, مثنوي ''mathnawī'') or masnavi ( fa, مثنوی) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. Typical mathnawi poems consist of an indefinite number of couplets, with the rhyme scheme aa/bb/cc. Mathnawī poems have been written in Persian, Arabic, Turkish, Kurdish and Urdu cultures. Certain Persian mat̲h̲nawī poems, such as Rumi’s '' Masnavi-e Ma’navi'', have had a special religious significance in Sufism. Arabic mat̲h̲nawī Arabic mathnawi poetry, also known as ''muzdawidj'' ( ar, مزدوج, literally "doubled," referring to the internal rhyme scheme of the lines), emerged and was popularized during the Abbasid era. Unlike the older poetic styles in Arabic, mathnawi verses are not monorhymes. Instead, they include an internal rhyme scheme within each bayt wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry Of The Ottoman Empire
The poetry of the Ottoman Empire, or Ottoman ''Divan'' poetry, is little known outside modern Turkey, which forms the heartland of what was once the Ottoman Empire. It is, however, a rich and ancient poetic tradition that lasted for nearly 700 years, and one whose influence can still be felt in the modern Turkish poetic tradition. Even in modern Turkey, however, Ottoman Divan poetry is a highly specialist subject. Much of this has to do with the fact that Divan poetry is written in Ottoman Turkish, which was written using a variant of the Arabic script and made extensive use of Arabic and Persian words, making the language vastly different from modern Turkish. In its own time, knowledge of this form of literary Turkish was largely limited to the educated classes. History The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Literature
Turkish literature ( tr, Türk edebiyatı) comprises oral compositions and written texts in Turkic languages. The Ottoman and Azerbaijani forms of Turkish, which forms the basis of much of the written corpus, were highly influenced by Persian and Arabic literature,Bertold Spuler''Persian Historiography & Geography''Pustaka Nasional Pte Ltd p 69 and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic are the Orhon inscriptions, found in the Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of oral epics, such as the '' Book of Dede Korkut'' of the Oghuz Turks— ancestors of the modern Turkish people—and the Manas epic of the Kyrgyz people. Beginning with the victory of the Seljuks at the Battle of Manzikert in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of Köroğlu
The ''Epic of Koroghlu'' ( az, , tr, ; tk, , uz, ) is a heroic legend prominent in the oral traditions of the Turkic peoples, mainly the Oghuz Turks. The legend typically describes a hero who seeks to avenge a wrong. It was often put to music and played at sporting events as an inspiration to the competing athletes. Koroghlu is the main hero of epic with the same name in Azerbaijani, Turkmen and Turkish as well as some other Turkic languages. The epic tells about the life and heroic deeds of Koroghlu as a hero of the people who struggled against unjust rulers. The epic combines the occasional romance with Robin Hood-like chivalry. Due to the migration in the Middle Ages of large groups of Oghuz Turks within Central Asia, South Caucasus and Asia Minor, and their subsequent assimilation with other ethnic groups, Epic of Koroghlu spread widely in these geographical regions leading to emergence of its Turkmen, Kazakh, Uzbek, Tajik, Azerbaijani, Turkish, Crimean Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dede Korkut
The ''Book of Dede Korkut'' or ''Book of Korkut Ata'' ( az, Kitabi-Dədə Qorqud, ; tk, Kitaby Dädem Gorkut; tr, Dede Korkut Kitabı) is the most famous among the epic stories of the Oghuz Turks. The stories carry morals and values significant to the social lifestyle of the nomadic Turkic peoples and their pre-Islamic beliefs. The book's mythic narrative is part of the cultural heritage of the peoples of Oghuz Turkic origin, mainly of Turkey, Azerbaijan, and Turkmenistan. Only two manuscripts of the text, one in the Vatican and one in Dresden, were known until 2018, when the Gonbad manuscript was discovered. The epic tales of ''Dede Korkut'' are some of the best-known Turkic dastans from among a total of well over 1,000 recorded epics among the Mongolian and Turkic language families. Origin and synopsis of the epic ''Dede Korkut'' is a heroic dastan (legend), also known as ''Oghuz-nameh'' among the Oghuz Turkic people, which starts out in Central Asia, continues in Anat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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