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Tu Che Di Gel Sei Cinta
"Tu che di gel sei cinta" ("You who are girdled with ice") is a soprano aria from act 3, scene 1, of Puccini's 1926 opera ''Turandot''. It is sung by Liù under torture, prior to her suicide. The words were written by Puccini himself while waiting for librettists Giuseppe Adami and Renato Simoni to deliver the next part of the libretto. When the librettists read them, they decided that they could not do better than that.Colin Kendell, ''The Complete Puccini'', Amberley Publishing 2012 In their work on ''Turandot'', Ashbrook and Powers suggest that Puccini's failure to complete the opera much beyond this point resulted mainly from inadequate dramatic build-up for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character ( i.e. Liù). Background Princess Turandot is taken aback by Liù's strong resolve by not revealing the name of the Prince, and asked her: Turandot: ''Chi pose tanta forza nel tuo cuore?'' Liù: ''Principessa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Renata Tebaldi
Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "" ("the voice of an angel"), and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera." Early years and education Born in Pesaro, Tebaldi was the daughter of cellist Teobaldo Tebaldi and Giuseppina Barbieri, a nurse. Her parents separated before her birth and Tebaldi grew up with her mother in her maternal grandparents' home in Langhirano. Stricken with polio at the age of three, Tebaldi became interested in music and sang with the church choir in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Excerpts
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arias By Giacomo Puccini
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel canto'' technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical ''opera seria'' to the ''bel canto'' operas of Gaetano Donizetti, Donizetti, Vincenzo Bellini, Bellini and Gioachino Rossini, Rossini and, further, to the works of Giuseppe Verdi, Verdi and Giacomo Puccini, Puccini; and, in her early career, to the music dramas of Richard Wagner, Wagner. Her musical and dramatic talents led to her being hailed as ''La Divina'' ("the Divine one"). Born in Manhattan, New York City, to Greek immigrant parents, she was raised by an overbearing mother who had wanted a son. Maria received her musical education in Greece at age 13 and later established her career in Italy. Forced to deal with the exigencies of 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leona Mitchell
Leona Pearl Mitchell (born October 13, 1949, Enid, Oklahoma) is an American operatic Grammy Award-winning soprano who sang for 18 seasons as a leading spinto soprano at the Metropolitan Opera in New York. In her home state of Oklahoma, she received many honors. These include the Oklahoma Hall of Fame, the Oklahoma Music Hall of Fame, the Oklahoma Women's Hall of Fame and the Oklahoma Jazz Hall of Fame. She received honorary doctorates from Oklahoma City University and the University of Oklahoma. In 1983, she was inducted into the Oklahoma Women's Hall of Fame. Her home town of Enid has a street named after her called Leona Mitchell Boulevard, as well as the Leona Mitchell Southern Heights Heritage Center and Museum. Governor Brad Henry of Oklahoma made her Oklahoma's State Cultural Ambassador. Early life and education Mitchell started singing at an early age in the choir of the Antioch Church of God in Christ in Enid, where her father, Reverend Dr. Hulon Mitchell, was the Min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Erede
Alberto Erede (8 November 190912 April 2001) was an Italian conductor, particularly associated with operatic work. Born in Genoa, Erede studied there before studying at the Verdi Conservatory in Milan, then with Felix Weingartner at Basle, and after this with Fritz Busch at Dresden.Alberto Erede. ''Opera'', Vol.14 No.9 September 1963, p600-601. He made his debut in Turin in 1935, conducting ''Der Ring des Nibelungen''. He also conducted at the Salzburg Festival. Fritz Busch invited him to Glyndebourne in England in 1934, where he conducted several performances before the war. In 1937 at the Schlosstheater Schönbrunn, he led a private performance of Mozart's ''Cosi fan tutte'' where among the audience were Sigmund Freud, Stefan Zweig, Franz Werfel, Weingartner and Oskar Kokoschka. He toured the United States in 1937 and 1938 with the Salzburg International Opera Guild, conducting ''Cosi fan tutte'', ''L'incoronazione di Poppea'' and ''La Cambiale di Matrimonio''. While in Ame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cortège
Many words in the English vocabulary are of French origin, most coming from the Anglo-Norman spoken by the upper classes in England for several hundred years after the Norman Conquest, before the language settled into what became Modern English. English words of French origin, such as ''art'', ''competition'', ''force'', ''machine'', and ''table'' are pronounced according to English rules of phonology, rather than French, and are commonly used by English speakers without any consciousness of their French origin. This article, on the other hand, covers French words and phrases that have entered the English lexicon without ever losing their character as Gallicisms: they remain unmistakably "French" to an English speaker. They are most common in written English, where they retain French diacritics and are usually printed in italics. In spoken English, at least some attempt is generally made to pronounce them as they would sound in French; an entirely English pronunciation is re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Powers
Harold Stone Powers (August 5, 1928 – March 15, 2007) was an American musicologist, ethnomusicologist, and music theorist. Career Born in New York City on August 5, 1928, he earned his B.Mus. in piano from Syracuse University in 1950 and an MFA in composition and musicology from Princeton University in 1952. As a Fulbright Fellow, he studied Indian music in Madras for two years before continuing at Princeton where he received a Ph.D. in musicology. His dissertation was on “The Background of the South Indian Raga System.” Powers taught at Harvard University from 1958 to 1960 and at the University of Pennsylvania from 1961 to 1973 before returning to Princeton where he was named the Scheide Professor of Music History in 1995 and in 2001 assumed Emeritus status. Powers returned to India several times to study music there on John D. Rockefeller III and Fulbright Senior fellowships. Powers was known for intensive study of both Renaissance music and music theory and several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
