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Tsukuyomi-no-Mikoto
, or simply or , is the moon god in Japanese mythology and the Shinto religion. The name "Tsukuyomi" is a compound of the Old Japanese words and . The '' Nihon Shoki'' mentions this name spelled as , but this ''yumi'' is likely a variation in pronunciation of ''yomi''. An alternative interpretation is that his name is a combination of and . There is so little known about Tsukuyomi that even their sex is unknown. Still, in ''Man'yōshū'', Tsukuyomi's name is sometimes rendered as , implying that they are male. Text available onlinhere Tsukuyomi was the second of the born when Izanagi-no-Mikoto, the god who created the first land of Onogoroshima, was cleansing himself of his sins while bathing after escaping the underworld and the clutches of his enraged dead sister, Izanami-no-Mikoto. Tsukuyomi was born when he washed out of Izanagi's right eye. However, in an alternative story, Tsukuyomi was born from a mirror made of white copper in Izanagi's right hand. Tsukuyomi anger ...
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Ukemochi
, commonly known as , the daughter of the Shinto deities Izanagi and Izanami, is a goddess of food in the Shinto religion of Japan. In some differing interpretations, Ukemochi is referred to as both male and female. When shown in other forms, Ukemochi takes the shape of a fox. Ōgetsu-hime is the wife of Hayamato (羽山戸神, Hayamato-no-kami), who is the son of Toshigami through his wife Amechikarumizu-hime (天知迦流美豆比売) in the ''Kojiki''. In some legends, Ukemochi is also the wife of Inari and in others, she is Inari. When Ukemochi (Ōgetsu-hime) was visited by Tsukuyomi, she prepared a feast by facing the ocean and spitting out a fish, then she faced the forest and bountiful game spewed out of her mouth, finally turning to a rice paddy, she coughed up a bowl of rice. In the ''Kojiki'', it is stated that she pulled various foods from within her nose, rectum, and mouth to prepare a feast. Tsukuyomi was so disgusted he killed her. Her dead body also produced food: mil ...
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Ōgetsuhime
, commonly known as , the daughter of the Shinto deities Izanagi and Izanami, is a goddess of food in the Shinto religion of Japan. In some differing interpretations, Ukemochi is referred to as both male and female. When shown in other forms, Ukemochi takes the shape of a fox. Ōgetsu-hime is the wife of Hayamato (羽山戸神, Hayamato-no-kami), who is the son of Toshigami through his wife Amechikarumizu-hime (天知迦流美豆比売) in the ''Kojiki''. In some legends, Ukemochi is also the wife of Inari and in others, she is Inari. When Ukemochi (Ōgetsu-hime) was visited by Tsukuyomi, she prepared a feast by facing the ocean and spitting out a fish, then she faced the forest and bountiful game spewed out of her mouth, finally turning to a rice paddy, she coughed up a bowl of rice. In the ''Kojiki'', it is stated that she pulled various foods from within her nose, rectum, and mouth to prepare a feast. Tsukuyomi was so disgusted he killed her. Her dead body also produced food: mil ...
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Izanami
, formally known as , is the creator deity of both creation and death in Japanese mythology, as well as the Shinto mother goddess. She and her brother-husband Izanagi are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanami and Izanagi are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. Name Her name is given in the '' Kojiki'' (ca. 712 AD) both as ''Izanami-no-Kami'' (伊弉冉神) and ''Izanami-no-Mikoto'' (伊弉冉尊), while the '' Nihon Shoki'' (720 AD) refers to her as ''Izanami-no-Mikoto'', with the name written in different characters (伊邪那美命). The names ''Izanagi'' (''Izanaki'') and ''Izanami'' are often interpreted as being derived from the verb ( historical orthography ) or ''iⁿzanap''- from Western Old Japanese 'to invite' , with ''-ki'' / ''-gi'' ...
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Amaterasu
Amaterasu, also known as Amaterasu Ōmikami () or Ōhirume no Muchi no Kami (), is the goddess of the sun in Japanese mythology. One of the major deities (''kami'') of Shinto, she is also portrayed in Japan's earliest literary texts, the ''Kojiki'' (c. 712 CE) and the '' Nihon Shoki'' (720 CE), as the ruler (or one of the rulers) of the heavenly realm Takamagahara and the mythical ancestress of the Imperial House of Japan via her grandson Ninigi. Along with her siblings, the moon deity Tsukuyomi and the impetuous storm god Susanoo, she is considered to be one of the "Three Precious Children" (, ), the three most important offspring of the creator god Izanagi. Amaterasu's chief place of worship, the Grand Shrine of Ise in Ise, Mie Prefecture, is one of Shinto's holiest sites and a major pilgrimage center and tourist spot. As with other Shinto ''kami'', she is also enshrined in a number of Shinto shrines throughout Japan. Name The goddess is referred to as 'Amaterasu Ōmikami' ( ...
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Susanoo-no-Mikoto
__FORCETOC__ Susanoo (; historical orthography: , ) is a in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease. Susanoo, alongside Amaterasu and the earthly Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the ( CE) and the (720 CE). One of the gazetteer reports () commissioned by the imperial court during the same peri ...
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Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices. Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record being the one made in 620 under ...
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Kamiumi
In Japanese mythology, the story of the occurs after the creation of Japan (''Kuniumi''). It concerns the birth of the divine (''kami'') descendants of Izanagi and Izanami. Story According to the Kojiki, various gods were born from the relationship between Izanagi and Izanami until the fire deity, Kagu-tsuchi, at birth burned Izanami's genitals and wounded her fatally. Izanagi, witnessing the death of his beloved wife, in rage took the ten-graspA "grasp" is the breadth of four fingers when the hand is clenched. sabre and crushed his child, Kagutsuchi. A number of gods were born from the blood and remains of Kagutsuchi. Subsequently, Izanagi went to the land of Yomi (the world of the dead) to find Izanami, however when he found her, she had become a rotting corpse and from her parts other gods had arisen, causing the flight of Izanagi to the world of the living. Then Izanagi performed the misogi ritual purification through which more gods are born. The last of these are the three ...
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Japanese Deities
This is a list of divinities native to Japanese beliefs and religious traditions. Many of these are from Shinto, while others were imported via Buddhism or Taoism and were "integrated" into Japanese mythology and folklore. Major kami * Amaterasu-Ōmikami (), she is the goddess of the sun as well as the purported ancestress of the Imperial Household of Japan. Her name means "Shines from Heaven" or "the great kami who shine Heaven". For many reasons, one among them being her ties to the Imperial family, she is often considered (though not officially) to be the "primary god" of Shinto. * Ame-no-Uzume ( or ) Commonly called Uzume, she is the goddess of dawn and revelry in Shinto. * Fūjin () Also known as , he is the Japanese god of the wind and one of the eldest Shinto gods, said to have been present at the creation of the world. He is often depicted as an oni with a bag slung over his back. * Hachiman () is the god of war and the divine protector of Japan and its people. Originall ...
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Matsunoo-taisha
, formerly , is a Shinto shrine located at the far western end of Shijō Street, approximately 1.3 kilometers south of the Arashiyama district of Kyoto. It is home to a spring at the base of the mountain, Arashiyama, that is believed to be blessed. It is said that during the move of the capital from Nara to Kyoto, a noble saw a turtle bathing under the spring's waterfall and created a shrine there. It is one of the oldest shrines in the Kyoto area, its founding extending back to 700 CE. The restorative properties of the spring bring many local sake and miso companies to the shrine for prayers that their product will be blessed. The shrine also serves a ''kinpaku miki'' (gold leaf filled blessed sake) during ''hatsumōde''. History The shrine became the object of Imperial patronage during the early Heian period. In 965, Emperor Murakami ordered that Imperial messengers were sent to report important events to the guardian ''kami'' of Japan. These ''heihaku'' were initially present ...
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Izanagi
Izanagi (イザナギ/伊邪那岐/伊弉諾) or Izanaki (イザナキ), formally known as , is the creator deity (''kami are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the sp ...'') of both creation and life in Japanese mythology. He and his sister-wife Izanami are the last of the Kamiyonanayo, seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo-no-Mikoto, Susanoo. Name His name is given in the ''Kojiki'' (ca. 712 AD) both as ''Izanagi-no-Kami'' (伊邪那岐神) and ''Izanagi-no-Mikoto'' (伊邪那岐命), while the ''Nihon Shoki'' (720 AD) ...
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Moon
The Moon is Earth's only natural satellite. It is the fifth largest satellite in the Solar System and the largest and most massive relative to its parent planet, with a diameter about one-quarter that of Earth (comparable to the width of Australia). The Moon is a planetary-mass object with a differentiated rocky body, making it a satellite planet under the geophysical definitions of the term and larger than all known dwarf planets of the Solar System. It lacks any significant atmosphere, hydrosphere, or magnetic field. Its surface gravity is about one-sixth of Earth's at , with Jupiter's moon Io being the only satellite in the Solar System known to have a higher surface gravity and density. The Moon orbits Earth at an average distance of , or about 30 times Earth's diameter. Its gravitational influence is the main driver of Earth's tides and very slowly lengthens Earth's day. The Moon's orbit around Earth has a sidereal period of 27.3 days. During each synodic period ...
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Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The contains 20 volumes and more than 4,500 poems, and is divided into three genres: , songs at banquets and trips; , songs about love between men and women; and songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ( songs), ...
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