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Tsui Hark
Tsui Hark (, vi, Từ Khắc, born 15 February 1950), born Tsui Man-kong, is a Hong Kong film director, producer and screenwriter. Tsui has directed several influential Hong Kong films such as ''Zu Warriors from the Magic Mountain'' (1983), the ''Once Upon a Time in China'' film series (1991–1997) and '' The Blade'' (1995). Tsui also has been a prolific writer and producer; his productions include ''A Better Tomorrow'' (1986), ''A Better Tomorrow II'' (1987), ''A Chinese Ghost Story'' (1987), '' The Killer'' (1989), ''The Legend of the Swordsman'' (1992), '' The Wicked City'' (1992), '' Iron Monkey'' (1993) and '' Black Mask'' (1996). He is viewed as a major figure in the Golden Age of Hong Kong cinema and is regarded by critics as "one of the masters of Asian cinematography". In the late 1990s, Tsui had a short-lived career in the United States, directing the Jean-Claude Van Damme–led films ''Double Team'' (1997) and ''Knock Off'' (1998). Both films were commercially unsucc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Asian Film Festival
The New York Asian Film Festival (NYAFF) is a critically acclaimed film festival held in New York City, dedicated to the display of Asian Film Culture. The New York Asian Film Festival generally features contemporary premieres and classic titles from Eastern Asia and Southeast Asia (particularly Japan, South Korea, Hong Kong, China, Philippines, and Thailand), though South Asian cinema has also been represented via films from India and Pakistan. The NYAFF displays many of its films as a first-and-only screening in the country, giving audiences the chance to see these films, although they would not be normally distributed in the United States. The up-and-coming actors and directors of the exhibited films are brought over as special guests of the NYAFF every year. Genres featured in the film festival includes Horror film, Gangster/Crime, Martial Arts, and Action. Film at Lincoln Center, previously known as the Film Society of Lincoln Center until 2019 is the festival's main ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Rooster Award For Best Director
Golden Rooster Award for Best Director (中国电影金鸡奖最佳导演) is the main category of Competition of Golden Rooster Awards The Golden Rooster Awards () are film awards given in mainland China. The awards were originally given annually, beginning in 1981. The name of the award came from the year of the Rooster in 1981. Award recipients receive a statuette in the shap ..., awarding to director who have outstanding achievement in direction for motion pictures. Award winners and nominees 1990s 2000s 2010s 2020s References {{Golden Rooster Award Best Director Golden Rooster, Best Director Director Best Awards for best director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Van Damme
Jean-Claude Camille François Van Varenberg (, ; born 18 October 1960), known professionally as Jean-Claude Van Damme (, ), is a Belgian actor, martial artist, filmmaker, and fight choreographer. Born and raised in Brussels, Belgium, at the age of ten his father enrolled him in martial arts classes, which led to Van Damme participating in several competitions. With the desire of becoming an actor, he moved to the United States in 1982, where he did odd jobs and worked on several films, until he got his break as the lead in the martial arts film ''Bloodsport'' (1988). Van Damme became a popular action film star and followed up with ''Cyborg'' (1989), ''Kickboxer'' (1989), '' Lionheart'' (1990), ''Death Warrant'' (1990), ''Double Impact'' (1991), '' Universal Soldier'' (1992), '' Nowhere to Run'' (1993), ''Hard Target'' (1993), ''Timecop'' (1994), ''Street Fighter'' (1994), '' Sudden Death'' (1995), '' The Quest'' (1996), ''Maximum Risk'' (1996), etc. After a decline, Van Damme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Mask (film)
''Black Mask'' () is a 1996 Hong Kong action superhero film starring Jet Li, Lau Ching-wan, Karen Mok and Anthony Wong. It was directed by Daniel Lee and produced by Tsui Hark and his production company Film Workshop. In 1999, the film was dubbed in English and released in the US by Artisan Entertainment. The film is an adaptation of the 1992 manhua ''Black Mask'' by Li Chi-Tak. In 2002, it was followed by a sequel, '' Black Mask 2: City of Masks'' starring Andy On. In homage to ''The Green Hornet'', Black Mask wears a domino mask and chauffeur's cap in the same style as Kato (played by Bruce Lee) from the television series. The Black Mask is even compared to Kato in a news reporter scene. Plot Tsui Chik (or Simon in the US version) tries to lead a quiet life as a librarian. However, he is really a former test subject for a highly secretive supersoldier project and the instructor of a special commando unit dubbed "701". The 701 squad is used for many government mission ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iron Monkey (1993 Film)
''Iron Monkey'' is a 1993 Hong Kong martial arts film written and produced by Tsui Hark and directed by Yuen Woo-ping, starring Donnie Yen, Yu Rongguang, Jean Wang, Angie Tsang and Yuen Shun-yi. It is not related to the 1977 Hong Kong film of the same title. The film is a fictionalised account of an episode in the childhood of the Chinese folk hero Wong Fei-hung and his father Wong Kei-ying, and their encounter with the "Iron Monkey". In 1996, a separate film titled ''Iron Monkey 2'' was released, but it is unrelated to the 1993 film. Plot The plot centers on a masked martial artist known as Iron Monkey. Iron Monkey is actually the alter ego of a traditional Chinese medicine physician called Yang Tianchun. During the day, Yang runs his clinic and provides free medical treatment for the poor, which he subsidises by charging his rich patients. At night, he dresses in black and travels around town to rob the rich and help the poor. Once, he breaks into the governor's residence a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wicked City (1992 Film)
''The Wicked City'' () is a 1992 science fiction film directed by Peter Mak and produced by Tsui Hark. It is a live-action film adaptation of the Japanese anime of the same name, which in turn is based on the first novel of the series of the same name by Hideyuki Kikuchi. The film stars Jacky Cheung, Leon Lai, Yuen Woo-ping, Roy Cheung, Tatsuya Nakadai, Michelle Reis, and Carman Lee. (Michelle Reis said that Tsui Hark actually directed many scenes himself. ) It tells fictional story of conflicts and relationship between demon-like creatures and humans in 1990s' Hong Kong. The film was one of the most popular Tsui Hark productions in the USA and Europe, and still plays in festivals and midnight screenings around the USA and Europe. Plot The story takes place in Hong Kong in a conflict between worlds of Humans and "Rapters" ("Reptoids" in some dubbed versions) before the handover. A special police unit in the city are investigating a mysterious drug named "Happiness". Taki, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Legend Of The Swordsman
''Swordsman II'', also known as ''The Legend of the Swordsman'', is a 1992 Hong Kong ''wuxia'' film very loosely adapted from Louis Cha's novel ''The Smiling, Proud Wanderer''. It was the second part of a trilogy: preceded by '' The Swordsman'' (1990) and followed by '' The East Is Red'' (1993). Directed by Ching Siu-tung, ''Swordsman II'' starred Jet Li, Brigitte Lin, Rosamund Kwan and Michelle Reis in the leading roles. None of the original cast from the previous film return except Fennie Yuen. Plot Linghu Chong, Yue Lingshan and members of the Mount Hua Sect are planning to retire from the ''jianghu'' (martial artists' community). They learn that Dongfang Bubai has seized control of the Sun Moon Holy Cult and is secretly plotting with some Japanese ''rōnin'' to rebel against the Ming Empire and dominate China. Dongfang Bubai had castrated himself in order to master the skills in the ''Sunflower Manual'', and his appearance has become more feminine, even though he is now a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Killer (1989 Film)
''The Killer'' () is a 1989 Hong Kong action thriller film written and directed by John Woo. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays the assassin Ah Jong, who accidentally damages the eyes of the singer Jennie (Sally Yeh) during a shootout. He later discovers that if Jennie does not undergo an expensive operation, she will go blind. To get the money for Jennie, Ah Jong decides to perform one last hit. After the financial backing from Tsui Hark became problematic following the release of Woo's film '' A Better Tomorrow 2'', Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming ''The Killer'' with a rough draft whose plot was influenced by the films '' Le Samouraï'', '' Mean Streets'', and ''Narazumono''. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to ''The Killer'' as a tribute to directors Jean-Pierre Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Chinese Ghost Story
''A Chinese Ghost Story'' ( zh, t=倩女幽魂, w=Ch'ien-nü Yu-hun, l=The Ethereal Spirit of a Beauty) is a 1987 Hong Kong romantic comedy horror film starring Leslie Cheung, Joey Wong and Wu Ma, directed by Ching Siu-tung and produced by Tsui Hark. The plot is loosely based on a short story about Nie Xiaoqian from Qing dynasty writer Pu Songling's ''Strange Stories from a Chinese Studio'' and is also inspired by the 1960 Shaw Brothers Studio film '' The Enchanting Shadow''. The film was popular in Hong Kong and several Asian countries, including South Korea and Japan. Although the film could not gain access to movie theaters in mainland China when it was first released, it became a cult film among young people in the mainland. At that time the film generated a phenomenal cult following among audiences, especially the generation born in the 1980s. In 2011, the Hong Kong producers screened a restored version officially in mainland China. Most notably it boosted the stardom of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Better Tomorrow II
''A Better Tomorrow 2'' is a 1987 Hong Kong action film written and directed by John Woo. A follow-up to its popular predecessor, ''A Better Tomorrow'', the film stars returning cast members Chow Yun-fat, Ti Lung and Leslie Cheung alongside new cast member Dean Shek. The film was released in Hong Kong on 17 December 1987. Due to the popularity of Chow's break-out performance in the previous instalment, he was cast in a new character as the twin brother of "Mark", who was killed in the previous film. ''A Better Tomorrow 2'' is known for its over the top violence, exaggerated blood and gore, and body counts nearing the hundreds. Film director John Woo and producer Tsui Hark had disagreements over the focus of this film. Tsui felt that the film should focus more on Dean Shek's character. This led to the film being edited by both Tsui and Woo. Their disagreements would lead to a split after this film, with Hark directing ''A Better Tomorrow 3'' and Woo moving on to create '' The K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
