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Truth Claim (photography)
Truth claim, in photography, is a term Tom Gunning uses to describe the prevalent belief that traditional photographs accurately depict reality. He states that the truth claim relies on both the indexicality and visual accuracy of photographs. Indexicality Charles Peirce's term 'indexicality' refers to the physical relationship between the object photographed and the resulting image. Paul Levinson emphasises the ability of photography to capture or reflect "a literal energy configuration from the real world" through a chemical process. Light sensitive emulsion on the photographic negative is transformed by light passing through the lens and diaphragm of a camera. Levinson relates this characteristic of the photograph to its objectivity and reliability, echoing Andre Bazin's belief that photography is free from the "sin" of subjectivity. A similar argument has been made for motion pictures by Stephen Maguire. Lev Manovich labels cinema ''the art of the index'', its traditional iden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indexicality
In semiotics, linguistics, anthropology, and philosophy of language, indexicality is the phenomenon of a ''sign'' pointing to (or ''indexing'') some object in the context in which it occurs. A sign that signifies indexically is called an index or, in philosophy, an indexical. The modern concept originates in the semiotic theory of Charles Sanders Peirce, in which indexicality is one of the three fundamental sign modalities by which a sign relates to its referent (the others being iconicity and symbolism). Peirce, C.S., "Division of Signs" in ''Collected Papers'', 1932 897 Peirce's concept has been adopted and extended by several twentieth-century academic traditions, including those of linguistic pragmatics, linguistic anthropology, and Anglo-American philosophy of language. Words and expressions in language often derive some part of their referential meaning from indexicality. For example, ''I'' indexically refers to the entity that is speaking; ''now'' indexically refers to a ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Photography
''On Photography'' is a 1977 collection of essays by Susan Sontag. It originally appeared as a series of essays in the ''New York Review of Books'' between 1973 and 1977. Contents In the book, Sontag expresses her views on the history and present-day role of photography in capitalist societies as of the 1970s. Sontag discusses many examples of modern photography. Among these, she contrasts Diane Arbus's work with that of Depression-era documentary photography commissioned by the Farm Security Administration. She also explores the history of American photography in relation to the idealistic notions of America put forth by Walt Whitman and traces these ideas through to the increasingly cynical aesthetic notions of the 1970s, particularly in relation to Arbus and Andy Warhol. Sontag argues that the proliferation of photographic images had begun to establish within people a "chronic voyeuristic relation to the world." Among the consequences of this practice of photography is that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vintage Books
Vintage Books is a trade paperback publishing imprint of Penguin Random House originally established by Alfred A. Knopf in 1954. The company was purchased by Random House in April 1960, and a British division was set up in 1990. After Random House merged with Bantam Doubleday Dell, Doubleday's Anchor Books trade paperback line was added to the same division as Vintage. Following Random House's merger with Penguin, Vintage was transferred to Penguin UK. In addition to publishing classic and contemporary works in paperback under the Vintage brand, the imprint also oversees the sub-imprints Bodley Head, Jonathan Cape, Chatto and Windus, Harvill Secker, Hogarth Press, Square Peg, and Yellow Jersey. Vintage began publishing some titles in the mass-market paperback format in 2003. Notable authors * William Faulkner * Vladimir Nabokov * Cormac McCarthy * Albert Camus * Ralph Ellison * Dashiell Hammett * William Styron * Philip Roth * Toni Morrison * Dave Eggers * Robert Caro * Har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Surrender Of Culture To Technology
Neil Postman (March 8, 1931 – October 5, 2003) was an American author, educator, media theorist and cultural critic, who eschewed digital technology, including personal computers, mobile devices, and cruise control in cars, and was critical of uses of technology, such as personal computers in school. He is best known for twenty books regarding technology and education, including ''Amusing Ourselves to Death'' (1985), ''Conscientious Objections'' (1988), '' Technopoly: The Surrender of Culture to Technology'' (1992), ''The Disappearance of Childhood'' (1982) and '' The End of Education: Redefining the Value of School'' (1995). Biography Postman was born in New York City, where he spent most of his life. In 1953, he graduated from the State University of New York at Fredonia and enlisted in the military but was released less than five months later. At Teachers College, Columbia University, he was awarded a master's degree in 1955 and an Ed.D (Doctor of Education) degree in 1958. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Journal Of Forensic Sciences
Australian(s) may refer to: Australia * Australia, a country * Australians, citizens of the Commonwealth of Australia ** European Australians ** Anglo-Celtic Australians, Australians descended principally from British colonists ** Aboriginal Australians, indigenous peoples of Australia as identified and defined within Australian law * Australia (continent) ** Indigenous Australians * Australian English, the dialect of the English language spoken in Australia * Australian Aboriginal languages * ''The Australian'', a newspaper * Australiana, things of Australian origins Other uses * Australian (horse), a racehorse * Australian, British Columbia, an unincorporated community in Canada See also * The Australian (other) * Australia (other) * * * Austrian (other) Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Someth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflections On Photography
Reflections may refer to: Books and magazines * ''Reflections; or Sentences and Moral Maxims'', a series of books (1665–1678) by François de La Rochefoucauld * ''Reflections'' (Sufi literature), by Idries Shah * ''Reflections'', an alumni publication of Lubbock Christian University * ''Reflections'', a publication of Yale Divinity School * ''Reflections'', an academic journal on writing and public rhetoric published by New City Community Press Film and television Film * ''Reflections'' (1964 film) or ''Dry Summer'', a Turkish film directed by Metin Erksan * ''Reflections'' (1984 film), a British drama film directed by Kevin Billington * ''Reflections'' (1987 film), a Yugoslavian psychological horror film directed by Goran Marković * ''Reflections'' (1999 film), a British documentary film directed by Pogus Caesar * ''Reflections'' (2005 film), an Indian short silent film by Bejoy Nambiar Television * ''Reflections'' (TV series), a 1962 Canadian classical-music televisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Barthes
Roland Gérard Barthes (; ; 12 November 1915 – 26 March 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture. His ideas explored a diverse range of fields and influenced the development of many schools of theory, including structuralism, anthropology, literary theory, and post-structuralism. Barthes is perhaps best known for his 1957 essay collection ''Mythologies'', which contained reflections on popular culture, and 1967 essay "The Death of the Author," which critiqued traditional approaches in literary criticism. During his academic career he was primarily associated with the École des Hautes Études en Sciences Sociales (EHESS) and the Collège de France. Biography Early life Roland Barthes was born on 12 November 1915 in the town of Cherbourg in Normandy. His father, naval officer Louis Barthes, was killed in a battle during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photorealism
Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium. Although the term can be used broadly to describe artworks in many different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early 1970s. History Origins As a full-fledged art movement, Photorealism evolved from Pop ArtLindey (1980), pp. 27–33.Meisel and Chase (2002), pp. 14–15. Nochlin, Linda, "The Realist Criminal and the Abstract Law II", ''Art In America.'' 61 (November–December 1973), p. 98. and as a counter to Abstract Expressionism as well as Minimalist art movementsBattock, Gregory. Preface to Meisel, Louis K. (1980), ''Photorealism''. New York:Abrams. pp. 8–10 in the late 1960s and early 1970s in the United States. Photorealists use a photograph o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Camera
A digital camera is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras (which are still available). High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs. Digital and digital movie cameras share an optical system, typically using a lens with a variable diaphragm to focus light onto an image pickup device. The diaphragm and shutter admit a controlled amount of light to the image, just as with film, but the image pickup device is electronic rather than chemical. However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory. Many digital cameras can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Photography
Digital photography uses cameras containing arrays of electronic photodetectors interfaced to an analog-to-digital converter (ADC) to produce images focused by a lens, as opposed to an exposure on photographic film. The digitized image is stored as a computer file ready for further digital processing, viewing, electronic publishing, or digital printing. Digital photography spans a wide range of applications with a long history. In the space industry, where much of the technology originated, it pertains to highly customized, embedded systems combined with sophisticated remote telemetry. Any electronic image sensor can be digitized; this was achieved in 1951. The modern era in digital photography is dominated by the semiconductor industry, which evolved later. An early semiconductor milestone was the advent of the charge-coupled device (CCD) image sensor, first demonstrated in April 1970; the field has advanced rapidly and continuously ever since, paced by concurrent advances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
