|
Trumpetent
''Trumpetent'' is a quartet for four trumpets by the German composer Karlheinz Stockhausen, written in 1995. It is Number 73 in his catalogue of works and one of four independent compositions related to his opera, ''Mittwoch aus Licht''. A performance lasts about 16 minutes. History ''Trumpetent'' was written in October 1995 for Markus Stockhausen, Achim Gorsch, Andreas Adam, and Marco Blaauw, who gave the first performance on 31 May 1996 at the Philharmonic Hall in Cologne. The score is dedicated to these four performers, and to "all trumpeters who play in the spirit of Michael". Analysis The work is based on the Formula composition, superformula for ''Mittwoch aus Licht'', which is played at the end of ''Trumpetent'' in its simplest form from inside the tent, starting in bar 34. It is one of several independent works built in various ways from the Mittwoch superformula. The others are ''Europa-Gruss'', ''Klavierstücke (Stockhausen) #Klavierst.C3.BCck_XVIII, Klavierstück XVII ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mittwoch Aus Licht
(English: Wednesday from Light) is an opera by Karlheinz Stockhausen in a greeting, four scenes, and a farewell. It was the sixth of seven to be composed for the opera cycle (Light: The Seven Days of the Week), and the last to be staged. It was written between 1995 and 1997, and first staged in 2012. History The four component scenes were separately commissioned and premiered: * ''Welt-Parlament'' (World Parliament) was commissioned by the South German Radio Stuttgart and was composed from 29 December 1994 to 5 March 1995. It received its premiere on 3 February 1996, at the Hegelsaal of the Liederhalle in Stuttgart, sung by the Choir of the South German Radio, conducted by , with sound projection by Karlheinz Stockhausen. * ''Orchester-Finalisten'' (Orchestra Finalists) was commissioned by Jan van Vlijmen, director of the Holland Festival, and was premiered on 14 June 1996, at the Carré Theatre, Amsterdam, by the Asko Ensemble. * ''Helikopter-Streichquartett'' (Helicopter Strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Stephens
Suzanne Stephens (born July 28, 1946) is an American clarinetist, resident in Germany, described as "an outstanding performer and tireless promoter of the clarinet and basset horn". Biography Suzanne Stephens was born in Waterloo, Iowa, the daughter of an American military officer, and grew up in the US, Heidelberg in Germany, and Saumur sur Loire in France. She studied clarinet initially with Ralph Hills in Fairfax, Virginia, and Sidney Forrest in Washington, D.C. She then studied in Paris with Ulysses Delecluse and Marcel Jean, before enrolling at Northwestern University in Evanston, Illinois, where she studied with Jerome Stowell, second clarinetist of the Chicago Symphony Orchestra, receiving the degrees Bachelor of Music Education and Master of Music. She won a Fulbright Scholarship in 1969–70, with which she pursued further studies under Hans Deinzer at the Academy of Music and Theater in Hanover. After passing the Konzertexamen there, she won the Kranichsteiner Musikpr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathinka Pasveer
Kathinka Pasveer (born 11 June 1959) is a Dutch flautist. Biography Kathinka Pasveer was born in Zaandam, The Netherlands, daughter of the conductor Jan Pasveer, who also taught at the Conservatorium van Amsterdam, Amsterdam Conservatory. She studied with Frans Vester at the Royal Conservatory of The Hague, where she received her performer's diploma, with the distinction of the Nicolai Prize in 1983. During her final year of studies she was the principal flutist of the Gewestelijk Orkest Zuid-Holland. In December 1982 Karlheinz Stockhausen was invited to the Royal Conservatory for a series of concerts, master classes, and lectures, at which time Pasveer worked with the composer and with Suzanne Stephens on his compositions ''Zeitmaße'', ''Amour (Stockhausen), Amour'', and ''In Freundschaft''. Stockhausen invited her to work with him on a new work for flute and six percussionists, which was composed in February and March 1983 and premiered at the Donaueschingen Festival, Donauesc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Blaauw
Marco Blaauw is a Dutch trumpet soloist known for his work in the field of new music and with Cologne-based contemporary music group Ensemble Musikfabrik. He plays a double bell trumpet, an invention that has allowed for numerous new compositions for trumpet, including those by Ernst von Siemens Music Prize winner, Rebecca Saunders. Blaauw is a consistent faculty member at the Darmstadt Summer Course, the Stockhausen Courses Kürten, the Lucerne Festival, and the Chosen Vale International Trumpet Seminar. Biography Marco Blaauw was born September 23, 1965 in Lichtenvoorde, the Netherlands, and began playing trumpet at a young age in the local band. As a young student, Blaauw attended the Sweelinck Conservatorium in Amsterdam and later studied with Pierre Thibaud and Markus Stockhausen. Blaauw has an extensive solo career, particularly in the contemporary, new, and improvised music scenes. He has collaborated on and premiered several pieces for trumpet solo and ensemble and is wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serial Compositions
Serial may refer to: Arts, entertainment, and media The presentation of works in sequential segments * Serial (literature), serialised literature in print * Serial (publishing), periodical publications and newspapers * Serial (radio and television), series of radio and television programs that rely on a continuing plot * Serial film, a series of short subjects, with a continuing story, originally shown in theaters, in conjunction with feature films, particularly in the 1930s and 1940s * Indian serial, a type of Indian television program Other uses in arts, entertainment, and media * ''Serial'' (1980 film), based on McFadden's novel, starring Martin Mull and Tuesday Weld * ''Serial'' (podcast), a podcast spinoff of the radio series ''This American Life'' * ''The Serial: A Year in the Life of Marin County'', a 1977 novel by Cyra McFadden Computing and technology * SerDes, a Serializer/Deserializer (pronounced sir-deez) * Serial ATA * Serial attached SCSI * Serial bus, e.g., **IÂ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Trumpet
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Quartets , the ability to perceive music or to create music
*
{{Music disambiguation ...
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1995 Compositions
File:1995 Events Collage V2.png, From left, clockwise: O.J. Simpson is acquitted of the murders of Nicole Brown Simpson and Ronald Goldman from the year prior in "The Trial of the Century" in the United States; The Great Hanshin earthquake strikes Kobe, Japan, killing 5,000-6,000 people; The Unabomber Manifesto is published in several U.S. newspapers; Gravestones mark the victims of the Srebrenica massacre near the end of the Bosnian War; Windows 95 is launched by Microsoft for PC; The first exoplanet, 51 Pegasi b, is discovered; Space Shuttle Atlantis docks with the Space station Mir in a display of U.S.-Russian cooperation; The Alfred P. Murrah Federal Building in Oklahoma City is bombed by domestic terrorists, killing 168., 300x300px, thumb rect 0 0 200 200 O. J. Simpson murder case rect 200 0 400 200 Kobe earthquake rect 400 0 600 200 Unabomber Manifesto rect 0 200 300 400 Oklahoma City bombing rect 300 200 600 400 Srebrenica massacre rect 0 400 200 600 Space Shuttle Atlanti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Karlheinz Stockhausen
Chamber or the chamber may refer to: In government and organizations * Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics * Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men * Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stockhausen Studio (1996)
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
