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Trumpet Africaine
''Trumpet Africaine: The New Beat from South Africa'' is the debut studio record (LP) by South African musician Hugh Masekela. It was recorded in New York City and released in August 1962 via Mercury Records. The album was released whilst Masekela was still in school. Reception A reviewer of Dusty Groove noted: "The jazz component of the album is quite high, and all the playing is fairly lively – which makes for a fresh album that stands out strongly in Hugh's early catalog." Track listing Personnel *Hugh Masekela – flugelhorn, trumpet, vocals *Hugo Montenegro Hugo Mario Montenegro (September 2, 1925 – February 6, 1981) was an American orchestra leader and composer of film soundtracks. His best-known work is interpretations of the music from Spaghetti Westerns, especially his cover version of Ennio M ... – arranging, conducting *Bob Simpson – engineer *Ed Begly – tape master *Peter Perri – cover, liner photos References External links * {{Authority contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Masekela
Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and " Bring Him Back Home". He also had a number-one US pop hit in 1968 with his version of "Grazing in the Grass". Early life Hugh Ramapolo Masekela was born in the township of KwaGuqa in Witbank (now called Emalahleni), South Africa, to Thomas Selena Masekela, who was a health inspector and sculptor and his wife, Pauline Bowers Masekela, a social worker. His younger sister Barbara Masekela is a poet, educator and ANC activist. As a child, he began singing and playing piano and was largely raised by his grandmother, who ran an illegal bar for miners. At the age of 14, after seeing the 1950 film '' Young Man with a Horn'' (in which Kirk Douglas plays a character modelled on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frantz Casseus
Frantz Casseus (14 December 1915 – 3 June 1993) was a Haitian-American guitarist and composer. Born and raised in Port-au-Prince, Haiti, he spent most of his adult life in the United States where he immigrated in 1946 hoping to meet pianist Fats Waller. Though influenced by jazz and European classical music, Casseus's compositions maintained a focus on Haitian folk forms, which he incorporated into his recordings and his published compositions. Casseus was a frequent collaborator with Harry Belafonte who recorded his song "Merci Bon Dieu". Casseus played on Belafonte's successful 1955 adaptation of " Day-O", a Jamaican folk song. Between 1953 and 1969, Casseus recorded three albums for Smithsonian Folkways. Casseus wrote music until the last years of his life, but from the 1970s tendonitis in his left hand curtailed his performance and recording career. Casseus was an early guitar teacher to the American musician Marc Ribot (b. 1954), whose aunt and uncle were friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1962 Debut Albums
Year 196 ( CXCVI) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the '' Jian'an era of the Chinese Han Dynasty. * Emperor Xian of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Montenegro
Hugo Mario Montenegro (September 2, 1925 – February 6, 1981) was an American orchestra leader and composer of film soundtracks. His best-known work is interpretations of the music from Spaghetti Westerns, especially his cover version of Ennio Morricone's main theme from the 1966 film ''The Good, the Bad and the Ugly''. He composed the score for the 1969 Western ''Charro!'', which starred Elvis Presley. Biography Montenegro was born in New York City in 1925. He served in the U.S. Navy for two years, mostly as an arranger for the Newport Naval Base band in Newport, Rhode Island. After the war he attended Manhattan College while studying composition and leading his own band for school dances. In the middle 1950s, he was directing, conducting, and arranging the orchestra for Eliot Glen and Irving Spice on their Dragon and Caprice labels. It was he who was directing the Glen-Spice Orchestra on Dion DiMucci's first release when Dion was backed by Dragon recording artists, the Timber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon Linda
Solomon Popoli Linda (19098 September 1962), also known as Solomon Ntsele ("Linda" was his clan name),Gilmore, Inigo"Penniless sisters fight record industry over father's hit song" ''The Telegraph'' (UK), 11 June 2000. was a South African musician, singer and composer best known as the composer of the song "Mbube", which later became the pop music success "The Lion Sleeps Tonight", and gave its name to the Mbube style of isicathamiya ''a cappella'' later popularized by Ladysmith Black Mambazo. Early years Solomon Popoli Linda was born near Pomeroy, on the labor reserve Msinga, Umzinyathi District Municipality in Ladysmith in Natal, where he was familiar with the traditions of ''amahubo'' and ''izingoma zomshado'' (wedding songs) music.Frith, Simon''Popular Music: critical concepts in media and cultural studies, Volume 4'' London: Routledge, 2004. p. 271/ref> He attended the Gordon Memorial mission school, where he learned about Western musical culture, hymns, and participated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wimoweh
"The Lion Sleeps Tonight" is a song originally written and recorded by Solomon Linda under the title "Mbube" for the South African Gallo Record Company in 1939. Linda's original was written in isiZulu, while the English version's lyrics were written by George David Weiss. The song was adapted and covered internationally by many pop and folk revival artists in the 1950s and 1960s. It was recorded as "Wimoweh" by the Weavers in November 1951, and published by Folkways Music Publishers in December 1951. Artists who recorded various versions of the song included Henri Salvador, Jimmy Dorsey, Yma Sumac, Noro Morales, Miriam Makeba, and the Kingston Trio. In 1961, a version adapted into English with the title "The Lion Sleeps Tonight" by the doo-wop group the Tokens became a number-one hit in the United States. It went on to earn millions in royalties from cover versions and film licensing. The pop group Tight Fit had a number one hit in the UK with the song in 1982. This song is wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ross Jungnickel
Ross Jungnickel (1875-1962) was an American music publisher and arranger, and founder of a Baltimore Symphony Orchestra, a precursor to the modern organization of that name. He was a graduate of the Peabody Conservatory. He also composed an orchestral version of ''Adagio Pathetique'', by Benjamin Godard Benjamin Louis Paul Godard (18 August 184910 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera ''Jocelyn''. Godard composed eight operas, five symphonies, two piano and two violin concer ..., which was published in 1910. References * * 1875 births 1962 deaths American male composers American composers Musicians from Baltimore {{US-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Orpheus
''Black Orpheus'' (Portuguese: ''Orfeu Negro'' ) is a 1959 romantic tragedy film made in Brazil by French director Marcel Camus and starring Marpessa Dawn and Breno Mello. It is based on the play '' Orfeu da Conceição'' by Vinicius de Moraes, which is itself an adaptation of the Greek legend of Orpheus and Eurydice, set in the modern context of a ''favela'' in Rio de Janeiro during '' Carnaval''. The film was an international co-production among production companies in Brazil, France and Italy. The film is particularly noted for its soundtrack by two Brazilian composers: Antônio Carlos Jobim, whose song " A felicidade" opens the film; and Luiz Bonfá, whose "Manhã de Carnaval" and "Samba de Orfeu" have become classics of ''bossa nova''. The songs sung by the character Orfeu were dubbed by singer Agostinho dos Santos. Lengthy passages of the film were shot in the Morro da Babilônia, a ''favela'' in the Leme neighbourhood of Rio de Janeiro. ''Black Orpheus'' won the Palm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Click Song
''Qongqothwane'' is a traditional song of the Xhosa people of South Africa. It is sung at weddings to bring good fortune. In the western world it is mainly known as ''The Click Song''. The Xhosa title literally means "knock-knock beetle", which is a popular name for various species of darkling beetles that make a distinctive knocking sound by tapping their abdomens on the ground. These beetles are believed by the Xhosa to bring good luck and rain. The song is known world-wide thanks to the interpretation of South African singer Miriam Makeba (herself a Xhosa). In her discography the song appears in several versions, both with the title ''Qongqothwane'' and as ''The Click Song''. More information on the song can be found in Makeba's book ''The World of African Song'' (Chicago: Quadrangle Books, 1971), including the following translation: "The doctor of the road is the beetle / He climbed past this way / They say it is the beetle / Oh! It is the beetle." She explains the song as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Makeba
Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including African popular music, Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa. Born in Johannesburg to Swazi people, Swazi and Xhosa people, Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks (South African vocal group), the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
