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Trova
''Trova'' is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as ''trovadores'' who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. According to nueva trova musician Noel Nicola, Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on guitar, and aimed to feature music that had a poetic sensibility. This definition fits best the singers of boleros, and less well the Afrocubans singing funky sones ( El Guayabero) or even guaguancós and abakuá (Chicho Ibáñez). It rules out, perhaps unfairly, singers who accompanied themselves on the piano. ''Trova'' musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in larger groupings. Socially, they reached ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nueva Trova
Nueva Trova (, "new trova") is a movement in Cuban music that emerged around 1967/68 after the Cuban Revolution of 1959, and the consequent political and social changes. Nueva Trova has its roots in the traditional trova, but differs from it because its content is, in the widest sense, political. It combines traditional folk music idioms with 'progressive' and often politicized lyrics. It is related to nueva canción in Latin America, especially Chile and Argentina. Some of the Nueva Trova musicians were also influenced by rock and pop of that time. Nueva Trova is defined by its connection with the Cuban revolution, and by its lyrics, which tried to escape the banalities of life by concentrating on socialism, injustice, sexism, colonialism, racism and similar 'serious' issues. Haydée Santamaría was the creator and sponsor of this movement. Influences Nueva Trova was one aspect of the Pan-Latin American "new song movement" which tended to use lyrics that were self-consciously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Guayabero
Faustino Oramas Osorio (4 June 1911 – 27 March 2007), better known as El Guayabero, was a Cuban trova singer, tres guitarist and composer. Most of his repertoire consisted of sones and guaracha-sones, many with double entendres in the lyrics. His composition "Candela" gained international fame due to its inclusion in the ''Buena Vista Social Club'' album. Career When he was 15 years old he began playing the maracas as part of a septet of sones known as ''La Tropical'' made up by some friends with the purpose of enjoying and performing at the country dances. During the 1940s, he began his career as composer with "Tumbaíto", a song that was included in Libertad Lamarque's repertoire and title he used as an alias for some time. Afterwards, he composed two sones, "Como vengo este año" and "El Guayabero". He composed the latter when he was performing as tres player in the ''Trovadores Holguineros'' ensemble. Pacho Alonso, the well-known Cuban musician, first heard the song and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosendo Ruiz
Rosendo Ruiz Suárez (1 March 1885 – 1 January 1983) was a Cuban singer, guitarist and composer, considered one of the founders of the trova. He wrote over 200 songs in a variety of styles ranging from canción and bolero to guajira and bambuco. Although he was a popular performer, founding several successful groups, he made very few recordings. He lived for almost a century, having a great influence on the music of his country. Career Rosendo Ruiz Suárez was born in Santiago de Cuba on 1 March 1885. He became a tailor, but soon became interested in music. Like Sindo Garay, Ruiz had a humble background and he taught himself the guitar. Pepe Sánchez gave him lessons to improve his guitar technique and took him into a group of musicians who were brightening up ''fiestas'' for wealthy whites in the environs of Santiago de Cuba. Short of money, he moved first to Cienfuegos, then to Havana. His first composition was "Venganza de amor", written in 1902. He later composed "Mares y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son (music)
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Puebla
Carlos Manuel Puebla (; 11 September 1917, Manzanillo – 12 July 1989, Havana) was a Cuban singer, guitarist, and composer. He was a member of the old trova movement who specialized in boleros and patriotic songs. Biography Born into a modest family, he did several types of manual jobs during his youth (carpenter, mechanic, sugarcane worker, shoemaker), but quickly became interested in music, and especially in the guitar. He learned how to play the instrument by himself, but he did study harmony and theory of music. He began composing during the 1930s, and met with a certain amount of popularity in his native city. He recorded with his group ''Los Tradicionales'', formed in 1953. From 1962 he was a regular performer in ''La Bodeguita del medio'', a bar-restaurant in Old Havana which was a favourite haunt of Cuban and foreign intellectuals. Politically he stood beside Fidel Castro before the 1959 Revolution. In 1961, he went on tour in several countries with his musician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Corona (musician)
Manuel Corona Raimundo (17 June 1880, in Caibarién – 9 January 1950 in Marianao, Havana) was a Cuban trova musician, and a long-term professional rival of Sindo Garay Sindo Garay (born Antonio Gumersindo Garay García; Santiago de Cuba, 12 April 1867 – Havana, 17 July 1968) was a Cuban trova musician. He was taught by Pepe Sánchez. Garay was one of the ''four greats of the trova''. He was of Spanish a .... He came to Havana when the Cuban War of Independence broke out, and worked as a bootblack and a cigar-roller. His supervisor at the cigar factory taught him the guitar, and in 1905 he set up in a café in the red-light district of ''San Isidro''. The district was controlled by the chulo (pimp) Alberto Yarini (1882–1910), who became famous for introducing French prostitutes (putas francesas) willing to perform more salacious acts than even the Cubans were used to. The francesas cut heavily into the profits of the Cuban putas, and the result was a gang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hispaniola
Hispaniola (, also ; es, La Española; Latin and french: Hispaniola; ht, Ispayola; tnq, Ayiti or Quisqueya) is an island in the Caribbean that is part of the Greater Antilles. Hispaniola is the most populous island in the West Indies, and the region's second largest in area, after the island of Cuba. The island is divided into two separate nations: the Spanish-speaking Dominican Republic (48,445 km2, 18,705 sq mi) to the east and the French/ Haitian Creole-speaking Haiti (27,750 km2, 10,710 sq mi) to the west. The only other divided island in the Caribbean is Saint Martin, which is shared between France ( Saint Martin) and the Netherlands (Sint Maarten). Hispaniola is the site of one of the first European settlements in the Americas, La Navidad (1492–1493), as well as the first proper town, La Isabela (1493–1500), and the first permanent settlement, the current capital of the Dominican Republic, Santo Domingo (est. 1498). These settlements were founded succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Betancourt
Pedro Betancourt, sometimes shortened as Betancourt, is a municipality and town in the Matanzas Province of Cuba. It is located in the center of the province, west of Jagüey Grande and east of Unión de Reyes. It was founded in 1833. History Its original name was Corral Falso de Macurijes. Pedro Betancourt's name comes from a famous Spanish-Cuban patriot, Pedro Estanislao Betancourt Dávalos, who was one of the Major-General in the independence war, waged by the Cuban natives against the Spanish Crown. Geography The municipality was historically divided into the barrios of Cabecera Norte, Cabecera Sur (both constituting the town), Ciego, Linche, Navajas, Platanal, Punta Brava, Torriente and Tramojos. Nowadays it counts the town itself and 7 popular councils (''consejos populares'', i.e. villages): The main town of Betancourt and the villages of Bolondrón, Camilo, Güira de Macurijes, Manolito, Navajas and Pedroso-Socorro. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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