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Trova
''Trova'' is a style of Music of Cuba, Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as ''trovadores'' who travelled around Cuba's Oriente Province, Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. According to nueva trova musician Noel Nicola, Cuban trovadors sang original songs or songs written by contemporaries, accompanied themselves on guitar, and aimed to feature music that had a poetic sensibility. This definition fits best the singers of boleros, and less well the Afrocubans singing funky Son (music), sones (El Guayabero) or even guaguancós and abakuá (Chicho Ibáñez). It rules out, perhaps unfairly, singers who accompanied themselves on the piano. ''Trova'' musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th century, Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindo Garay
Sindo Garay (born Antonio Gumersindo Garay García; Santiago de Cuba, 12 April 1867 – Havana, 17 July 1968) was a Cuban trova musician. He was taught by Pepe Sánchez. Garay was one of the ''four greats of the trova''. He was of Spanish and Arawakan descent. Life & work Garay was the most outstanding composer of trova songs, and his best have been sung and recorded many times. ''Perla marina'', ''Adios a La Habana'', ''Mujer bayamesa'', ''El huracan y la palma'', ''Guarina'' and many others are now part of Cuba's heritage. Garay was also musically illiterate – in fact, he only taught himself the alphabet at 16 – but in his case not only were scores transcribed by others, but there are recordings as well. For a long period he sang in a duo with his eldest son Guarionex; he had two other sons and a daughter, and gave them all Indigenous names. In the 1890s Garay got involved in the Cuban War of Independence, and decided a stay in Hispaniola (Haiti and Domini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Guayabero
Faustino Oramas Osorio (4 June 1911 – 27 March 2007), better known as El Guayabero, was a Cuban trova singer, tres guitarist and composer. Most of his repertoire consisted of sones and guaracha-sones, many with double entendres in the lyrics. His composition "Candela" gained international fame due to its inclusion in the ''Buena Vista Social Club'' album. Career When he was 15 years old he began playing the maracas as part of a septet of sones known as ''La Tropical'' made up by some friends with the purpose of enjoying and performing at the country dances. During the 1940s, he began his career as composer with "Tumbaíto", a song that was included in Libertad Lamarque's repertoire and title he used as an alias for some time. Afterwards, he composed two sones, "Como vengo este año" and "El Guayabero". He composed the latter when he was performing as tres player in the ''Trovadores Holguineros'' ensemble. Pacho Alonso, the well-known Cuban musician, first heard the song and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pepe Sánchez (trova)
José "Pepe" Sánchez (Santiago de Cuba, 19 March 1856 – 3 January 1918), was a Cuban musician, singer and composer. He is known as the father of the ''trova'' style and the creator of the Cuban bolero. Sánchez was originally a tailor, and later the co-owner of a copper mine, and the representative in Santiago de Cuba of a cloth manufacturer in Kingston, Jamaica. He moved in upper and middle class circles in Santiago despite being a mulatto; his work as a businessman and musician brought him recognition and acceptance. Pepe had some experience in ''bufo'' theatre, but had no formal training in music. With remarkable natural talent, he composed numbers in his head and never wrote them down. As a result, most of these numbers are now lost for ever, though some two dozen or so survive because friends and disciples wrote them down. His first bolero, ''Tristezas'', is still remembered today. He also created advertisement jingles before radio was born. He was the model and teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nueva Trova
Nueva Trova (, "new trova") is a movement in Cuban music that emerged around 1967–1968 after the Cuban Revolution of 1959, and the consequent political and social changes. Nueva Trova has its roots in the traditional trova, but differs from it because its content is, in the widest sense, political. It combines traditional folk music idioms with 'progressive' and often politicized lyrics. It is related to nueva canción in Latin America, especially Chile and Argentina. Some of the Nueva Trova musicians were also influenced by rock and pop of that time. Nueva Trova is defined by its connection with the Cuban revolution, and by its lyrics, which tried to escape the banalities of life by concentrating on socialism, injustice, sexism, colonialism, racism and similar issues. Haydée Santamaría was the creator and sponsor of this movement. Influences Nueva Trova was one aspect of the Pan-Latin American "new song movement" which tended to use lyrics that were self-consciously liter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicho Ibáñez
Chicho Ibáñez, born José Ibáñez Noriega (Corral Falso, 22 November 1875 – Havana, 18 May 1981), was the longest-lived and one of the most important members of the Cuban trova. He was significant because, unlike most of the others, he specialized in Afro-Cuban genres. He was a disciple of the tresero Eduardo Fusté, and a member of early groups in Cárdenas, such as ''Peonia'' and that of Benito Tumborombo. Later he moved to Havana, where he joined ''Los Veintiuno'', directed by Alejandro Sotolongo, which used claves, maracas, marimbula, bongó and pianito (a wooden instrument with hemp cords). He worked in other groups, and in the '' Sans-Souci'', formerly the leading cabaret in Havana.Giro, Radamés 2007. ''Diccionario encyclopédico de la música en Cuba''. vol 2, La Havana. p250 Ibáñez was the first trovador that we know of to specialize in the son and also on guaguancós and afrocuban rhythms from the abakuá. He played the Cuban tres rather than the Spanish guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tres (instrument)
The tres (Spanish language, Spanish for ''three'') is a three-Course (music), course chordophone of Cuban origin. The most widespread variety of the instrument is the original Cuban tres with six strings. Its sound has become a defining characteristic of the son cubano, Cuban son and it is commonly played in a variety of Afro-Cuban genres. In the 1930s, the instrument was adapted into the Puerto Rican tres, which has nine strings and a body similar to that of the Puerto Rican cuatro, cuatro. The tres developed in the second half of the 19th century in the eastern region of Guantánamo Province, Guantánamo, where it was used to play changüí, a precursor of son cubano. Its exact origins are not known, but it is assumed to have developed from the 19th century Classical guitar, Spanish guitar, which it resembles in shape, as well as the laúd and bandola, two instruments used in punto cubano since at least the 18th century. Tres playing revolves around the ''guajeo'', an ''ostinato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santiago De Cuba
Santiago de Cuba is the second-largest city in Cuba and the capital city of Santiago de Cuba Province. It lies in the southeastern area of the island, some southeast of the Cuban capital of Havana. The municipality extends over , and contains the communities of Antonio Maceo, Bravo, Castillo Duany, Daiquirí, El Caney, El Cobre, Cuba, El Cobre, El Cristo, Guilera, Leyte Vidal, Moncada and Siboney, Cuba, Siboney. Historically Santiago de Cuba was the second-most important city on the island after Havana, and remains the second-largest. It is on a bay connected to the Caribbean Sea and an important sea port. In the 2022, the city of Santiago de Cuba recorded a population of 507,167 people. History Santiago de Cuba was the seventh village founded by Spanish conquistador Diego Velázquez de Cuéllar on 25 July 1515. The settlement was destroyed by fire in 1516, and was immediately rebuilt. This was the starting point of the expeditions led by Juan de Grijalba and Hernán Cort� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noel Nicola
Noel Nicola (*October 7, 1946 - †August 7, 2005 in Havana, Cuba) was a Cuban singer-songwriter and founder of the Cuban nueva trova, along with Silvio Rodríguez, Pablo Milanés, Vicente Feliú Miranda and Sara Rosa González Gómez. He authored several songs of great significance within the Cuban music. The first contact Noel Nicola had with music was in bosom of his family, because his father Isaac Nicola Romero was a guitar player and teacher, while his mother Eva Reyes was a violinist in the ''Orquesta Sinfónica Nacional'' (Cuba’s National Symphonic Orchestra) and a singer. Between the years 1954 and 1956, he studied under the guidance of Douane Voth (piccolo), and Martín Quiñones (singing lessons). In the late 1960s and early 1970s, he was a student of Leo Brouwer Juan Leovigildo Brouwer Mezquida (born March 1, 1939) is a Cubans, Cuban composer, conducting, conductor, and classical guitarist. He is a Member of Honour of the International Music Council. Early years B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Puebla
Carlos Manuel Puebla (; 11 September 1917 – 12 July 1989) was a Cuban singer, guitarist and composer. He was a member of the Trova movement, who specialized in boleros and patriotic songs. Biography Born into a modest family, he did several types of manual jobs during his youth (carpenter, mechanic, sugarcane worker, shoemaker), but quickly became interested in music, and especially in the guitar. He learned how to play the instrument by himself, but he did study harmony and theory of music. He began composing during the 1930s, and met with a certain amount of popularity in his native city. He recorded with his group Los Tradicionales, formed in 1953. From 1962 he was a regular performer in La Bodeguita del medio, a bar-restaurant in Old Havana which was a favourite haunt of Cuban and foreign intellectuals. Politically he stood beside Fidel Castro before the 1959 Revolution. In 1961, he went on tour in several countries with his musicians. His music, as well as his po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
