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Trouble In Tahiti
''Trouble in Tahiti'' is a one-act opera in seven scenes composed by Leonard Bernstein with an English libretto by the composer. It is the darkest among Bernstein's "musicals", and one of only two for which he wrote the words and the music. (He also wrote the lyrics for the 1950 production of ''Peter Pan''.) ''Trouble in Tahiti'' received its first performance on 12 June 1952 at Bernstein's Festival of the Creative Arts on the campus of Brandeis University in Waltham, Massachusetts, to an audience of nearly 3,000 people. The NBC Opera Theatre subsequently presented the opera on television in November 1952, a production which marked mezzo-soprano Beverly Wolff's professional debut in the role of Dinah. Wolff later reprised the role in the New York City Opera's first staging of the work in 1958. The original work is about 40 minutes long. Background Bernstein was working on the opera during his honeymoon with Felicia Montealegre. The story is based on the relationship of Bernstein ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Milliner
Hat-making or millinery is the design, manufacture and sale of hats and other headwear. A person engaged in this trade is called a milliner or hatter. Historically, milliners, typically women shopkeepers, produced or imported an inventory of garments for men, women, and children and sold these garments in their millinery shop. Many milliners worked as both milliner and fashion designer, such as Rose Bertin, Jeanne Lanvin, and Coco Chanel. The millinery industry benefited from industrialization during the nineteenth century. In 1889 in London and Paris, over 8,000 women were employed in millinery, and in 1900 in New York, some 83,000 people, mostly women, were employed in millinery. Though the improvements in technology provided benefits to milliners and the whole industry, essential skills, craftsmanship, and creativity are still required. Since the mass-manufacturing of hats began, the term milliner is usually used to describe a person who applies traditional hand-craftsmanshi ...
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Claude Heater
Claude Heater (October 25, 1927 – May 28, 2020) was an American opera singer. He is also known for portraying the role of Jesus Christ (uncredited in the titles) in the 1959 classic film '' Ben-Hur''. Biography Born in Oakland, California, Heater grew up in a family who were members of the Church of Jesus Christ of Latter-day Saints (LDS Church). When Heater was nineteen years old, he served as a missionary of the LDS Church in the Eastern United States. He began his career on Broadway as a baritone in New York City in 1950. In 1952, he decided to focus on opera and left to study as a baritone in Italy. This led to a tour of Spain with an Italian opera company and eventually with opera houses in Europe ending his baritone career after three years at the Vienna State Opera and the San Francisco Opera in California from 1953 to 1961. He returned to Europe in 1956 to sing in Basel, Switzerland, with Montserrat Caballé in ''Tosca'', ''Pagliacci'' and '' Tiefland'', along with ''Un ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Constance Brigham
Constance may refer to: Places *Konstanz, Germany, sometimes written as Constance in English *Constance Bay, Ottawa, Canada *Constance, Kentucky *Constance, Minnesota *Constance (Portugal) * Mount Constance, Washington State People *Constance (given name), female given name, also includes list of people with the name *Andrew Constance (born 1973), Australian politician *Angela Constance (born 1970), Scottish politician *Ansley Constance (born 1966), Seychelles politician *Lincoln Constance (1909–2001), American botanist *Nathan Constance (born 1979), English actor Other * ''Constance'' (album), a 2000 album by Southpacific * ''Constance'' (film), a 1998 erotic film directed by Knud Vesterskov * ''Constance'' (magazine), arts and literature magazine based in New Orleans * ''Constance'' (novel), 1982 novel by Lawrence Durrell *Constance Billard School for Girls, a fictional private school in ''Gossip Girl'' * HMS ''Constance'', six ships of the British Royal Navy *, later USS ' ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Nell Tangeman
Nell Tangeman (21 December 1914 – 15 February 1965) was an American mezzo-soprano. Life and career Tangeman was born in Columbus, Ohio. After earning a degree in violin performance from Ohio State University, she pursued vocal studies at the Cleveland Institute of Music. She studied with Friedrich Schorr, Margaret Matzenaur, and Nadia Boulanger. In 1946, she made her New York debut singing the role of Jocasta in Igor Stravinsky's '' Oedipus rex'' with the New York Philharmonic under conductor Leonard Bernstein. In 1947, she sang the New York premiere of Aaron Copland's ''In the Beginning'' with the Collegiate Chorale and conductor Robert Shaw. In 1951, Tangeman created the role of Mother Goose in the world premiere of Stravinsky's ''The Rake's Progress'' at La Fenice in Venice. The following year, she performed the role of Dinah in the world premiere of Bernstein's ''Trouble in Tahiti'' at Berstein's Festival of the Creative Arts on the campus of Brandeis University ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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David Atkinson (baritone)
David Anthony Stuart Atkinson (born David Burke; October 20, 1921 – October 4, 2012) was a Canadian baritone and New York Broadway actor/singer. Most of his career was spent performing in musical theatre, musicals and operettas in New York City from the late 1940s through the early 1970s, although he did appear in some operas and made a few television appearances. In 1952 he created the role of Sam in the world premiere of Leonard Bernstein's ''Trouble in Tahiti''. From 1956-1962 he was a leading performer at the New York City Opera where he starred in several musicals and appeared in the world premieres of several English language operas. His greatest success on the stage came late in his career: the role of Cervantes in ''Man of La Mancha'' which he portrayed in the original Broadway production (replacing Richard Kiley), the 1968 national tour, and in the 1972 Broadway revival. Life and career Born David Burke in Montreal, Atkinson grew up in Saint-Romuald, Quebec. While his pa ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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On The Town (musical)
''On the Town'' is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins' idea for his 1944 ballet ''Fancy Free'', which he had set to Bernstein's music. The musical introduced several popular and classic songs, among them "New York, New York", " Lonely Town", "I Can Cook, Too" (for which Bernstein also wrote the lyric), and "Some Other Time". The story concerns three American sailors on a 24-hour shore leave in New York City during World War II, 1944. Each of the three sailors meets and quickly connects with a woman. ''On the Town'' was first produced on Broadway in 1944 and was made into a film in 1949, although the film replaced all but four of the original Broadway numbers with Hollywood-written substitutes. The show has enjoyed several major revivals. The musical integrates dance into its storytelling: Robbins made several ballets and extended dance sequences for the show, including the "Imaginary Coney Island ...
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