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Trois Valses Romantiques
The Trois valses romantiques (Three Romantic Waltzes) are a set of three pieces for two pianos by Emmanuel Chabrier.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. History Chabrier began the composition in mid 1880, completing the first two; the third was not completed until the summer of 1883. Chabrier wrote his friend Paul Lacome that he was damned if he knew why he was writing them, as the Enochs (his publishers) will find them too long, too difficult; but that he thought they might sell well, particularly to young ladies who play the piano seriously. Myers notes the considerable demands made on players’ technique.Myers R. ''Emmanuel Chabrier and his circle''. J M Dent and Sons, London, 1973. To inform his publisher Georges Costallat that he had finally managed to finish the third waltz, on 3 September 1883 he wrote an acrostic postcard, thus: ''—Oiseau qui se pare des plumes du paon.'' ( geai) ''—Qualification de la nommée Carabosse.'' ( fée) ''—Note de la gamme. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España (Chabrier), España'' and ''Joyeuse marche'', Chabrier left a List of operas and operettas by Emmanuel Chabrier, corpus of operas (including ''L'étoile (opera), L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions For Piano Duo
This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers). Piano four hands * Anton Arensky (1861–1906) :: Twelve Pieces, Op. 66 (1903) * Johann Christian Bach (1735–1782) :: Sonata for keyboard 4-hands, Op. 15 No. 6 (1778) :: Sonata for keyboard 4-hands, Op. 18 No. 5 (1781) :: Sonata for keyboard 4-hands, Op. 18 No. 6 (1781) * Samuel Barber (1910–1981) :: ''Souvenirs'', Op. 28 (1951) * Ludwig van Beethoven (1770–1827) :: Sonata for Piano 4 hands in D major, Op. 6 (1797) :: 3 Marches, Op. 45 (1803) :: Fugue for Piano, four hands, Op. 134 (1826, arrangement of Große Fuge, Op. 133) * Luciano Berio (1925–2003) :: ''Touch'' (1991) :: ''Canzonetta'' (1991) * Georges Bizet (1838–1875) :: '' Jeux d'en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Préludes (Debussy)
Claude Debussy's '''' are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's ''The Well-Tempered Clavier'', Debussy's do not follow a strict pattern of tonal centers. Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913. Pieces Two of the titles were set in quotation marks by Debussy because they are, in fact, quotations: ''«Les sons et les parfums tournent dans l'air du soir»'' is from Charles Baudelaire's poem ''Harmonie du soir'' ("Evening Harmony"). ''«Les fées sont d'exquises danseuses»'' is from J. M. Barrie's book ''Peter Pan in Kensington Gardens'', which Debussy's daughter had received as a gift. Performance practice An important precedent was set on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prélude à L'après-midi D'un Faune
''Prélude à l'après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. The composition was inspired by the poem '' L'après-midi d'un faune'' by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music, as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music." Debussy's work later provided the basis for the ballet '' Afternoon of a Faun'' choreographed by Vaslav Nijinsky and a later version by Jerome Robbins. Background About his composition Debussy wrote:The music of this prelude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi Malgré Lui
''Le roi malgré lui'' (''King in Spite of Himself'' or ''The reluctant king'') is an opéra-comique in three acts by Emmanuel Chabrier of 1887 with an original libretto by Emile de Najac and Paul Burani. The opera is revived occasionally, but has not yet found a place in repertory. Eric Blom wrote that the tragic fate of the opera was to be written a quarter of a century too soon.Blom, Eric. ''Stepchildren of Music''. G T Foulis & Company Ltd, London, 1923. XVI. The Tragedy of a Comic Opera, p173-179. However, the music has been greatly admired by composers including d'Indy, Ravel and Stravinsky. Composition history Around May 1883 Chabrier wrote to his publishers that for his next stage work he was hoping to create something like Offenbach's successful 'grand fantaisie' ''Le roi Carotte''. According to Victorin de Joncières, Chabrier had confided to him that he was looking for an amusing book to set. Joncières had been sent ''Le roi malgré lui'', an old vaudeville of 1836 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carillon
A carillon ( , ) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 cast-bronze bells. The bells are hung in fixed suspension and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over . Most weigh between . To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called a chime. Standard-sized instruments have about 50, and the world's largest has 77 bells. The appearance of a carillon depends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wesendonck Lieder
, Wagner-Werk-Verzeichnis, WWV 91, is the common name of a set of five songs for female voice and piano by Richard Wagner, (''Five Poems for a Female Voice''). He set five poems by Mathilde Wesendonck while he was working on his opera ''Tristan und Isolde''. The songs, together with the ''Siegfried Idyll'', are the two non-operatic works by Wagner most regularly performed. History The songs are settings of poems by Mathilde Wesendonck, the wife of one of Richard Wagner's patrons. Wagner had become acquainted with Otto Wesendonck in Zürich, where he had fled on his escape from Saxony after the May Uprising in Dresden in 1849. For a time Wagner and his wife Minna Planer, Minna lived together in the (German for ''Asylum'' in the sense of "sanctuary"), a small cottage on the Wesendonck estate. It is sometimes claimed that Wagner and Mathilde had a love affair; in any case, the situation and mutual infatuation certainly contributed to the intensity in the conception of ''Tristan u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée Fantasque
"Bourrée fantasque" is a piece of music for solo piano by Emmanuel Chabrier (1841–1894), being one of his last major completed works. Background "Bourrée fantasque" is dedicated to the pianist Édouard Risler (1873–1929), who in fact did not play the work in public until after the composer's death. The first public performance was given by (Mme Henry Jossic, 1868–1905) on 7 January 1893 at the Société Nationale de Musique in Paris.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. It was composed around April 1891, following a visit to his native Auvergne the previous summer, when Chabrier's health was deteriorating. According to Alfred Cortot it is "one of the most exciting and original works in the whole literature of French piano music".Myers R. ''Emmanuel Chabrier and his circle''. J M Dent and Sons, London, 1973. Unlike much nineteenth century writing for the pianoforte, the instrument is treated almost like an orchestra, and "foreshadows innovations in pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mottl
right Felix Josef von Mottl (between 29 July/29 August 1856 – 2 July 1911) was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day. He composed three operas, of which ''Agnes Bernauer'' (Weimar, 1880) was the most successful, as well as a string quartet and numerous songs and other music. His orchestration of Richard Wagner's "Wesendonck Lieder" is still the most commonly performed version. He was also a teacher, and his pupils included Ernest van Dyck and Wilhelm Petersen. Career Mottl was born in Unter Sankt Veit, today Hietzing, Vienna in 1856. His date of birth has been reported variously as 29 July, 24 August, and 29 August. After early voice training at the Löwenburg Konvikt, a training school for the Imperial Court Chapel, he had a successful career at the Vienna Conservatory. He was soon recognized as a gifted conductor of Wagner's music, assisted Hans Richter in preparing the first complete Ring Cycle at Bayreuth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
