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Tristis Est Anima Mea
Tristis est anima mea (Sad is my soul) is the Latin phrase with which starts. It is Tristis est anima mea (responsory), the second responsory of the Tenebrae for Maundy Thursday which was often set to music. It may also refer to: *Movement XI of ''Christus'' (Liszt), an oratorium by Franz Liszt * Heu me, tristis est anima mea, attributed to Philippe de Vitry *Second part of '' Parasceve Suite'' by György Deák-Bárdos *Third of ''Quatre motets pour un temps de pénitence'' by Francis Poulenc *Tristis est anima mea (attributed to Kuhnau) ' (Sad is my soul) is a sacred motet for five voices attributed to Johann Kuhnau, Thomaskantor in Leipzig. The text is the second responsory at Tenebrae for Maundy Thursday, one of the Latin texts kept in the liturgy after the town converted to ..., motet attributed to Johann Kuhnau * Tristis est anima mea (Corsi), responsory, TriC 26ad, by Giuseppe Corsi da Celano * Tristis est anima mea (de Cristo) by Pedro de Cristo * Tristis est anima mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (responsory)
Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday. The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion (Christianity), Passion. Text The theme of the text of the second responsory for Maundy Thursday is Jesus in the garden Gethsemane, addressing his disciples. The first two lines of the responsory are . In the King James Version, the beginning of the Latin text, told in the first person, is translated as "My soul is exceeding sorrowful". While the first two lines are quoted from the bible, the last two lines of are free anonymous poetry, predicting they will see a crowd, they will flee, and Jesus will go to be sacrificed for them. Responsorium:Catholic Church]''The Complete Office of Holy Week According to the Roman Missal and Breviary, in Latin and English'', p. 200Benziger brothers, 1875 Versus: Translations are offered by the The Episcopal Church, Episcopal Church and the Roman Catholic Church: Respon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christus (Liszt)
''Christus'' ( S.3, composed 1862-1866) is an oratorio by the Hungarian composer and pianist Franz Liszt. The oratorio takes the traditional plot of Jesus Christ's life from his birth to his passion and resurrection, using Bible texts, and is thus somewhat reminiscent of another famous religious work, ''Messiah'' by George Frideric Handel. Composing When Liszt, after his prolific Weimar years, moved to Rome in 1861, the majority of his works for the next ten years would be religious music for choir. The composition of his most famous oratorio, ''Christus'', occupied Liszt from 1862 to 1866, with shorter or longer pauses. He finished the score by the end of September 1866, but he wished to make some revisions and corrections, and therefore the work was not completed until the December of that year. 'Christus' was published in 1872 and premiered in the Protestant church at Weimar on 29 May 1873. Structure of the work The oratorio is of around three hours in duration and requires ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heu Me, Tristis Est Anima Mea
Philippe de Vitry (31 October 1291 – 9 June 1361) was a French composer-poet, bishop and music theorist in the style of late medieval music. An accomplished, innovative, and influential composer, he was widely acknowledged as a leading musician of his day, with Petrarch writing a glowing tribute, calling him: "... the keenest and most ardent seeker of truth, so great a philosopher of our age." The important music treatise ''Ars nova notandi'' (1322) is usually attributed to Vitry. It is thought that very little of Vitry's compositions survive; though he wrote secular music, only his sacred works are extant. Life and career Details of his early life are vague. While some medieval sources claim that he was born in the Champagne region, more recent research indicates that he may have originated in Vitry-en-Artois near Arras.Anne Walters Robertson, "Which Vitry? The Witness of the Trinity Motet from the ''Roman de Fauvel''" in ''Hearing the Motet: Essays on the Motet of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parasceve Suite
Paraskevi may refer to: People * Saint Paraskevi (other) * Parashqevi Qiriazi, a.k.a. Paraskevi D. Kirias (1880–1970), Albanian teacher * Voula Zouboulaki (1924–2015), Egyptian-Greek actress * Evi Christofilopoulou (born 1956), Greek politician * Voula Patoulidou (born 1965), Greek hurdler and long jumper * Paraskevi Tsiamita (born 1972), Greek jumper * Paraskevi Papachristou (born 1989), Greek athlete Places in Greece *Paraskevi, Achaea, a village in Achaea * Paraskevi, Grevena, a village in Grevena See also * List of saints named Paraskevi * Agia Paraskevi (other), for places and churches in Greece * Sveta Petka (other), Bulgarian, Macedonian and Serbian name for Parascheva of the Balkans * Paraskevas (given name) * Paraskevas (surname) * Praskovya Praskovya or Praskovia (russian: Прасковья) is an old Russian feminine given name. It derives from the Greek female name Paraskeve, meaning "preparation" or "Friday" (Friday being the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatre Motets Pour Un Temps De Pénitence
' (''Four Penitential Motets''), FP 97, are four sacred motets composed by Francis Poulenc in 1938–39. He wrote them on Latin texts for penitence, scored for four unaccompanied voices. Structure and texts The four motets are: # Timor et tremor # Vinea mea electa # Tenebrae factae sunt # Tristis est anima mea The text for the first motet, Timor et tremor (Great fear and trembling), combines verses from psalms 54 and 30, which Orlando de Lassus had also set as a motet. The other three motets are based on three responsories for the Holy Week: "Vinea mea electa" (Vine that I loved as my own), a responsory for the matins of Good Friday, "Tenebrae factae sunt" (Darkness fell upon the Earth), a responsory for the matins of Holy Saturday, and " Tristis est anima mea" (Sad is my soul and sorrowful), a responsory for the matins of Maundy Thursday. A performance of the work will last for approximately 13 minutes. History Poulenc returned to sacred music first in 1937 when h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (attributed To Kuhnau)
' (Sad is my soul) is a sacred motet for five voices attributed to Johann Kuhnau, Thomaskantor in Leipzig. The text is the second responsory at Tenebrae for Maundy Thursday, one of the Latin texts kept in the liturgy after the town converted to Lutheranism. Kuhnau's successor at the Thomaskirche, Johann Sebastian Bach, adapted the music to a German text, '','' and added an instrumental accompaniment. History Johann Kuhnau was Johann Sebastian Bach's predecessor as Thomaskantor in Leipzig. Philipp Spitta's 19th century biography of the latter contains the following: Spitta, Philipp. '' Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750'', translated by Clara Bell and John Alexander Fuller-Maitland, In Three VolumesVol. II, pp. 333–334.London, Novello & Co, 1884. More recently the attribution to Kuhnau has been doubted. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (Corsi)
{{Use dmy dates, date=September 2014 The compositions by Giuseppe Corsi are listed in ''Catalogo della produzione musicale di Giuseppe Corsi'', also abbreviated as TriCo, published by Giovanni Tribuzio in 2014 (Florestano Edizioni). The catalog is organized thematically and contains 83 works between authentic and attributed. Sacred Vocal Music Masses * TriCo 1: ''Mass for four voices''; * TriCo 2: ''Mass for eight voices a Luna Piena or Divo Juvenali'; * TriCo 3: ''Mass for ten voices''. Parts of mass, motets and other compositions * TriCo 4: ''Credo''; * TriCo 5: ''Requiem mass''; * TriCo 6: ''Cantate Domino''; * TriCo 7: ''Exaudi Domine''; * TriCo 8: ''Dum medium silentium''; * TriCo 9: ''Caro mea''; * TriCo 10: ''Domine Deus''; * TriCo 11: ''Ego sum Pastor Bonus''; * TriCo 12: ''O dulcissime Jesu''. Canticles * TriCo 13: ''Benedictus''. Psalms * TriCo 14: ''Miserere'' salm 50 * TriCo 15: ''Miserere'' salm 50 * TriCo 16: ''Miserere for Ferdinando de' Medici'' sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (de Cristo)
Pedro de Cristo (1545/1550 – 12 December 1618) was a Portuguese composer of Renaissance music. He is one of the most important Portuguese polyphonists of the 16th and 17th centuries. Life Pedro de Cristo was born in Coimbra, and in 1571 entered Santa Cruz monastery at Coimbra. He spent time at Monastery of São Vicente de Fora in Lisbon. He died in Coimbra. Works (alphabetical order - incomplete) *Ave Maria à 8 *Ave maris stella *Ay mi Dios *Beata viscera Mariae *Beate martir *Dum complerentur dies Pentecostes *Es nascido *Hodie nobis *In manus tuas *Magnificat à 8 *O magnum mysterium *Osanna filio David *Quaeramus cum pastoribus *Regina coeli *Salva nos Domine *Sanctissimi quinque martires *Sanctorum meritis *Tristis est anima mea Tristis est anima mea (Sad is my soul) is the Latin phrase with which starts. It is Tristis est anima mea (responsory), the second responsory of the Tenebrae for Maundy Thursday which was often set to music. It may also refer to: *Movement XI ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (Gesualdo)
''Responsoria et alia ad Officium Hebdomadae Sanctae spectantia'' is a collection of music for Holy Week by Italian composer Carlo Gesualdo, published in 1611. It consists of three sets of nine short pieces, one set for each of Maundy Thursday, Good Friday and Holy Saturday, and a psalm and a hymn. The work was written for unaccompanied voices: two soprano parts, alto, two tenor parts, and bass. The texts of the Responsories for Holy Week are related to Jesus's Passion and are sung in between the lessons at Tenebrae. Gesualdo's settings are stylistically ''madrigali spirituali'' - madrigals on sacred texts. As in Gesualdo's later books of madrigals, he uses particularly sharp dissonance and shocking chromatic juxtapositions, especially in the parts highlighting text passages having to do with Christ's suffering, or the guilt of St. Peter in having betrayed Jesus. Content #Tenebrae Responsories for Maundy Thursday ##In monte Oliveti ##Tristis est anima mea ##:Alex Ross writes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (Heinichen)
A catalogue of known compositions by Johann David Heinichen was published in 1913 by Gustav Adolph Seibel. However, this is not a complete list, as another catalogue of instrumental works was published later by Günther Hausswald Günther, Guenther, Ginther, Gunther, and the variants Günter, Guenter, Guenther, Ginter, and Gunter, are Germanic names derived from ''Gunthere, Gunthari'', composed of '' *gunþiz'' "battle" (Old Norse '' gunnr'') and ''heri, hari'' "army". Gu ..., and discrepancies exist between the two. Orchestral works Orchestral suites * Seibel 205 \ Suite for 2 oboes & bassoon in G major (Hwv II:1) * Seibel 206 \ Suite for strings in G major (Hwv II:2) * Seibel 267 \ Tafelmusik in F major Symphonies * Seibel 207 \ Sinfonia in D major (Hwv IV:1) * Seibel 208 \ Sinfonia in A major (Hwv IV:3) * Seibel 209 \ Sinfonia in F major (Hwv IV:4) * Seibel 210 \ Sinfonia in F major (Hwv IV:5) Concerti grossi * Seibel 211 \ Concerto grosso in C major (Hwv I:1) * Seibel 213 \ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (Lassus)
Tristis est anima mea is the second responsory of the Tenebrae for Maundy Thursday. The Latin text refers to Christ's Agony in the Garden of Gethsemane, a part of his Passion. Text The theme of the text of the second responsory for Maundy Thursday is Jesus in the garden Gethsemane, addressing his disciples. The first two lines of the responsory are . In the King James Version, the beginning of the Latin text, told in the first person, is translated as "My soul is exceeding sorrowful". While the first two lines are quoted from the bible, the last two lines of are free anonymous poetry, predicting they will see a crowd, they will flee, and Jesus will go to be sacrificed for them. Responsorium: Catholic Churchbr>''The Complete Office of Holy Week According to the Roman Missal and Breviary, in Latin and English'', p. 200Benziger brothers, 1875 Versus: Translations are offered by the Episcopal Church and the Roman Catholic Church: Responsorium: Versus: Settings M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristis Est Anima Mea (Nenna)
Pomponio Nenna (baptized 13 June 1556 – 25 July 1608) was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously published as Sacrae Hebdomadae Responsoria in 1622. Life Pomponio Nenna was born in Bari, in Apulia at the Kingdom of Naples. His father, Giovanni Battista Nenna, was a city official in Bari and was the author of "''Il Nennio : nel quale si ragiona di nobiltà''", a book about nobility and virtuous character, published in 1542. Pomponio Nenna probably studied with Stefano Felis in Bari. In 1574 his first pieces of music to be published were four villanelle which were included in the collections of "''Villanelle alla Napolitana''", edited by Giovanni Jacopo de Antiquis, who may also have been one of Nenna's teachers. In 1582 Nenna dedicated his first book of madrigals to Fabrizio Carafa, the Duke of Andria, near Bari. Carafa had nom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
