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Triple Threat (Jimmy Heath Album)
''Triple Threat'' is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.Riverside Records discography
accessed October 23, 2012


Recording

''Triple Threat'' was a follow-up of Heath's 1961 album ''The Quota'' and used the same band. '''' considers the lineup, which features Heath's brothers Percy and Albert, a "dry-run" for their later Heath Brothers records. The album was recorded over two sessions in January 1962. Freddie Hubbard and Julius Watkins we ...
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Jimmy Heath
James Edward Heath (October 25, 1926 – January 19, 2020), nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ... leader. He was the brother of bassist Percy Heath and drummer Albert Heath. Biography Heath was born in Philadelphia on October 25, 1926.[ Allmusic biography] His father, an auto mechanic, played the clarinet, performing on the weekends. His mother sang in a church choir. The family frequently played recordings of big band jazz groups around the house. Heath's sister was a pianist, while his brothers were bassist Percy Heath (older) and drummer Albert Heath (his youngest sibling). During World War II, Heath was rejected for the draft for being below the minimum weight. Heath origin ...
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Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ...
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Cedar Walton
Cedar Anthony Walton Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D". Early life Walton was born and grew up in Dallas, Texas."Pianist-Composer Cedar Walton Dies at Age 79"
, ''DownBeat'', August 20, 2013.
His mother Ruth, an aspiring concert pianist, was his first teacher, and took him to jazz performances around Dallas. Walton cited

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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Julius Watkins
Julius Watkins (October 10, 1921 – April 4, 1977) was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the ''Down Beat'' critics poll in 1960 and 1961 for Miscellaneous Instrument. Life and career Watkins was born in Detroit, Michigan, United States. He began playing the French horn when he was nine years old. Watkins began his career in jazz playing the trumpet in the Ernie Fields Orchestra from 1943 to 1946. By the late 1940s, he had played some French horn solos on recording sessions led by Kenny Clarke and Babs Gonzales. After moving to New York City, Watkins studied for three years at the Manhattan School of Music. He started appearing in small-group jazz sessions, including two led by Thelonious Monk, featuring on "Friday the 13th" on the album ''Thelonious Monk and Sonny Rollins'' (1954). Watkins recorded with many other jazz musicians, including John Coltrane, Freddie Hubbard, Charle ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ...
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Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ...
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The More I See You
"The More I See You" is a popular song composed by Harry Warren, with lyrics by Mack Gordon. The song was first published in 1945. Other recordings "The More I See You" has been subsequently recorded by many artists, notably by: * Bing Crosby recorded a version of the song on his 1977 album ''Beautiful Memories''. * Chet Baker sings the song on his 1958 LP '' (Chet Baker Sings) It Could Happen to You''. *In 1966, Chris Montez released the most commercially successful and well-known recording of the song, his version went to number sixteen on the ''Billboard'' Hot 100 and spent four weeks at number two on the Easy Listening chart. It also went to number three on the UK Singles Chart. *Nancy Sinatra recorded a version of the song on her 1966 album '' Nancy in London''. *Andy Williams recorded a version of the song on his 1967 album ''Love, Andy''. *Joy Marshall recorded a version in 1966 *Ella Fitzgerald recorded a live version in 1967, accompanied by the Jimmy Jones Trio, whic ...
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Adolph Green
Adolph Green (December 2, 1914 – October 23, 2002) was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for some of the most beloved film musicals, particularly as part of Arthur Freed's production unit at Metro Goldwyn Mayer, during the genre's heyday. Many people thought the pair were married, but in fact they were not a romantic couple at all. Nevertheless, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership that produced some of Hollywood (film industry), Hollywood and Broadway theatre, Broadway's greatest hits. Biography Green was born in the Bronx to Hungary, Hungarian Jewish immigrants Helen (née Weiss) and Daniel Green. He was the youngest of three sons and had two older brothers, Louis (circa 1907-?) and William (circa 1910-?). After high school, he worked as a runner on Wall Street while he tried to make it as an actor. He met Comden throu ...
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