Triple Portrait Of Henrietta Maria
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Triple Portrait Of Henrietta Maria
The ''Triple Portrait of Henrietta Maria'' is a 1638 painting by Antony van Dyck showing Henrietta Maria, wife of Charles I of England. Charles had previously commissioned van Dyck to produce Triple portrait of Charles I, a triple portrait of himself to send to Italy so that Bernini could produce a Bust of King Charles I (Bernini), bust of him. When the bust arrived, the queen ordered a bust of herself by Bernini and commissioned van Dyck to produce a similar triple portrait. The left-facing profile and full-on view are in the Royal Collection, whilst the right-facing profile is probably the portrait of the queen now in the Memphis Brooks Museum of Art. See also * List of paintings by Anthony van Dyck Bibliography *Gian Pietro Bellori, ''Vite de' pittori, scultori e architecti moderni'', Torino, Einaudi, 1976. *Didier Bodart, ''Van Dyck'', Prato, Giunti, 1997. *Justus Müller Hofstede, ''Van Dyck'', Milano, Rizzoli/Skira, 2004. External links

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Triple Portrait Of Henrietta Maria Reconstruction
Triple is used in several contexts to mean "threefold" or a "Treble (other), treble": Sports * Triple (baseball), a three-base hit * A basketball three-point field goal * A figure skating jump with three rotations * In bowling terms, three strikes in a row * In cycling, a crankset with three chainrings Places * Triple Islands, an uninhabited island group in Nunavut, Canada * Triple Island, British Columbia, Canada * Triple Falls (other), four waterfalls in the United States & Canada * Triple Glaciers, in Grand Teton National Park, Wyoming * Triple Crossing, Richmond, Virginia, believed to be the only place in North America where three Class I railroads cross * Triple Bridge, a stone arch bridge in Ljubljana, Slovenia Transportation * Kawasaki triple, a Japanese motorcycle produced between 1969 and 1980 * Triumph Triple, a motorcycle engine from Triumph Motorcycles Ltd * A straight-three engine * A semi-truck with three trailers Science and technology * Triple ( ...
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Antony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ...
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Henrietta Maria
Henrietta Maria (french: link=no, Henriette Marie; 25 November 1609 – 10 September 1669) was Queen of England, Scotland, and Ireland from her marriage to King Charles I on 13 June 1625 until Charles was executed on 30 January 1649. She was mother of his sons Charles II and James II and VII. Contemporaneously, by a decree of her husband, she was known in England as Queen Mary, but she did not like this name and signed her letters "Henriette R" or "Henriette Marie R" (the "R" standing for ''regina'', Latin for "queen".) Henrietta Maria's Roman Catholicism made her unpopular in England, and also prohibited her from being crowned in a Church of England service; therefore, she never had a coronation. She immersed herself in national affairs as civil war loomed, and in 1644, following the birth of her youngest daughter, Henrietta, during the height of the First English Civil War, was compelled to seek refuge in France. The execution of Charles I in 1649 left her impoverished. ...
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Charles I Of England
Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until Execution of Charles I, his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life. He became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales. An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna of Spain, Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiation. Two years later, he married the House of Bourbon, Bourbon princess Henrietta Maria of France. After his 1625 succession, Charles quarrelled with the Parliament of England, English Parliament, which sought to curb his royal prerogati ...
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Triple Portrait Of Charles I
''Charles I in Three Positions'', also known as the ''Triple Portrait of Charles I'', is an oil painting of Charles I of England by Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. The colours of the costumes and pattern of the lace collars are different in each portrait, though the blue riband of the Order of the Garter is present in all three. The painting was probably begun in the latter part of 1635, and was sent to Rome in 1636 to be used as a reference work for the Italian sculptor Gian Lorenzo Bernini to create a marble bust of Charles I. Bernini famously exclaimed, upon seeing the painting, it was "the portrait of a doomed man". Pope Urban VIII sent the bust to Charles's queen Henrietta Maria in 1638 in the hope of encouraging a reconciliation of the Roman Catholic Church with the Church of England. The bust was presented in 163 ...
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Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ...
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Bust Of King Charles I (Bernini)
The ''Bust of Charles I'' was a sculptural bust produced by the Italian artist Gianlorenzo Bernini which according to one historian, "set the visual conventions for centuries … stablishing itself asthe official portrait of secular absolutism.". The sculpture was of the then king Charles I of England, who wrote to Bernini that the artist's name was "exalted above those of all men of talent who have exercised your profession.". Creation Bernini did not travel to London to undertake the work; rather he made use of a painted triple portrait of Charles I (i.e. a view of Charles from three points) created especially by the Flemish artist Anthony van Dyck for Bernini. Despite not meeting Charles I face-to-face, Bernini's bust was considered a success at the time, and the English king rewarded Bernini with jewellery worth over 4,000 Roman scudi (a figure over 60 times the average yearly salary of a worker in Rome). Pope Urban VIII sent the bust to Charles's queen Henrietta Ma ...
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Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences an ...
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Memphis Brooks Museum Of Art
Memphis Brooks Museum of Art is an art museum in Memphis, Tennessee. The Brooks Museum, which was founded in 1916, is the oldest and largest art museum in the state of Tennessee. The museum is a privately funded nonprofit institution located in Overton Park in Midtown Memphis. History and structure The original Beaux-Arts building, a registered U.S. National Landmark designed by James Gamble Rogers in 1913, was donated by Bessie Vance Brooks in memory of her husband, Samuel Hamilton Brooks. The cylindrical extension, opened in 1955, was designed by Memphis architect Everett Woods. The Brooks’ facilities also include the Brooks Museum Store, Cafe Brooks by City + State, the Holly Court garden, and a grand terrace that overlooks the greens and trees of Overton Park. In 1989, the building was expanded and reoriented by Askew Nixon Ferguson (ANF) Architects & Skidmore, Owings and Merrill. The expansion, which doubled the square footage of the existing building, included a new pu ...
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List Of Paintings By Anthony Van Dyck
The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641). Portraits (1613–1632) Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders. Portraits (1632–1649) From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France. Mythological paintings Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and mythological works. Religious paintings ...
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Portraits By Anthony Van Dyck
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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