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Triple-A Plowed Under
''Triple-A Plowed Under'' is a Living Newspaper play produced by the Federal Theatre Project in 1936. Written by Arthur Arent from research by the editorial staff of the Federal Theatre Project and directed by Joseph Losey, it focused on the Agricultural Adjustment Act of 1933 and the plight of Dust Bowl farmers. The production premiered on Broadway at the Biltmore Theatre on March 14, 1936 and ran until May 2, 1936. Background The Federal Theatre Project, directed by Hallie Flanagan, was created in 1935 as one of the Works Project Administration's five Federal Project Number One projects to provide relief for unemployed actors, artists, writers, directors and theater workers during the Great Depression. They made use of the theatrical genre known as the Living Newspaper, which used drama to provide the public with information on social issues and current events. During World War I, American farmers were urged to increase crop production and stock-pile agricultural products t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living Newspaper
Living Newspaper is a term for a theatrical form presenting factual information on current events to a popular audience. Historically, Living Newspapers have also urged social action (both implicitly and explicitly) and reacted against naturalistic and realistic theatrical conventions in favor of the more direct, experimental techniques of agitprop theatre, including the extensive use of multimedia. Living Newspapers originated in Russia during the Bolshevik Revolution, The English term is most often associated with the Living Newspapers produced by the Federal Theatre Project. Part of the federally funded arts program established under the Works Progress Administration in the United States of the 1930s, the Federal Theatre Project wrote and presented a number of Living Newspapers on social issues of the day, including '' Triple-A Plowed Under'', '' Injunction Granted'', '' One-Third of a Nation'', ''Power,'' and ''Spirochete.'' Controversy over the political ideology of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federal Theatre Project
The Federal Theatre Project (FTP; 1935–1939) was a theatre program established during the Great Depression in the United States, Great Depression as part of the New Deal to fund live artistic performances and entertainment programs in the United States. It was one of five Federal Project Number One projects sponsored by the Works Progress Administration, created not as a cultural activity but as a relief measure to employ artists, writers, directors, and theater workers. National director Hallie Flanagan shaped the FTP into a federation of regional theaters that created relevant art, encouraged experimentation in new forms and techniques, and made it possible for millions of Americans to see live theatre for the first time. As a drama professor at Vassar college, Hallie Flanagan was chosen to head the Federal Theatre Project. Although The Federal Theatre project consumed only 0.5% of the allocated budget from the WPA and was widely considered a commercial and critical success, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Losey
Joseph Walton Losey III (; January 14, 1909 – June 22, 1984) was an American theatre and film director, producer, and screenwriter. Born in Wisconsin, he studied in Germany with Bertolt Brecht and then returned to the United States. Blacklisted by Hollywood in the 1950s, he moved to Europe where he made the remainder of his films, mostly in the United Kingdom. Among the most critically and commercially successful were the films with screenplays by Harold Pinter: ''The Servant'' (1963) and ''The Go-Between'' (1971). Losey's 1976 film ''Monsieur Klein'' won the César Awards for Best Film and Best Director. He was a four-time nominee for both the Palme d'Or (winning once) and the Golden Lion, and a two-time BAFTA nominee. Early life and career Joseph Walton Losey III was born on January 14, 1909, in La Crosse, Wisconsin, where he and Nicholas Ray were high-school classmates at La Crosse Central High School. He attended Dartmouth College and Harvard University, beginning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agricultural Adjustment Act Of 1933
The Agricultural Adjustment Act (AAA) was a United States federal law of the New Deal era designed to boost agricultural prices by reducing surpluses. The government bought livestock for slaughter and paid farmers subsidies not to plant on part of their land. The money for these subsidies was generated through an exclusive tax on companies which processed farm products. The Act created a new agency, the Agricultural Adjustment Administration, also called "AAA" (1933-1942), an agency of the U.S. Department of Agriculture, to oversee the distribution of the subsidies.Hurt, R. Douglas, ''Problems of Plenty: The American Farmer in the Twentieth Century'', (Chicago: Ivan R. Dee, 2002), 69. The Agriculture Marketing Act, which established the Federal Farm Board in 1929, was seen as an important precursor to this act. The AAA, along with other New Deal programs, represented the federal government's first substantial effort to address economic welfare in the United States. Background Whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust Bowl
The Dust Bowl was a period of severe dust storms that greatly damaged the ecology and agriculture of the American and Canadian prairies during the 1930s. The phenomenon was caused by a combination of both natural factors (severe drought) and manmade factors (a failure to apply dryland farming methods to prevent aeolian processes, wind erosion, most notably the destruction of the natural topsoil by settlers in the region). The drought came in three waves: 1934–35 North American drought, 1934, 1936, and 1939–1940, but some regions of the High Plains (United States), High Plains experienced drought conditions for as many as eight years. The Dust Bowl has been the subject of many cultural works, notably the novel ''The Grapes of Wrath'' (1939) by John Steinbeck, the folk music of Woody Guthrie, and photographs depicting the conditions of migrants by Dorothea Lange, particularly the ''Migrant Mother'', taken in 1936. Geographic characteristics and early history With insuffic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel J
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of '' Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His geneal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallie Flanagan
Hallie Flanagan Davis (August 27, 1889 in Redfield, South Dakota – June 23, 1969 in Old Tappan, New Jersey) was an American theatrical producer and director, playwright, and author, best known as director of the Federal Theatre Project, a part of the Works Progress Administration (WPA). Background Hallie Flanagan was born in Redfield, South Dakota. When she was around 10, her family moved to Grinnell, Iowa. She attended Grinnell College where she majored in Philosophy and German, and was an active member in the Literary and Dramatic Clubs. During her time at Grinnell she became friends with Harry Hopkins, who had also grown up in Grinnell and was a year behind her at Grinnell College. It was this connection that would be instrumental in her later position in the WPA Federal Theatre Project. She graduated from Grinnell in 1911. It was during college that she met her husband, Murray Flanagan, who was also a member of the Grinnell Dramatic Club. After college, the two excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Works Progress Administration
The Works Progress Administration (WPA; renamed in 1939 as the Work Projects Administration) was an American New Deal agency that employed millions of jobseekers (mostly men who were not formally educated) to carry out public works projects, including the construction of public buildings and roads. It was set up on May 6, 1935, by presidential order, as a key part of the Second New Deal. The WPA's first appropriation in 1935 was $4.9 billion (about $15 per person in the U.S., around 6.7 percent of the 1935 GDP). Headed by Harry Hopkins, the WPA supplied paid jobs to the unemployed during the Great Depression in the United States, while building up the public infrastructure of the US, such as parks, schools, and roads. Most of the jobs were in construction, building more than 620,000 miles (1,000,000 km) of streets and over 10,000 bridges, in addition to many airports and much housing. The largest single project of the WPA was the Tennessee Valley Authority. At its peak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federal Project Number One
Federal Project Number One, also referred to as Federal One, is the collective name for a group of projects under the Works Progress Administration, a New Deal program in the United States. Of the $4.88 billion allocated by the Emergency Relief Appropriation Act of 1935, $27 million was approved for the employment of artists, musicians, actors and writers under the WPA's Federal Project Number One. In its prime, Federal Project Number One employed up to 40,000 writers, musicians, artists and actors because, as Secretary of Commerce Harry Hopkins put it, "Hell, they’ve got to eat, too". This project had two main principles: 1) that in time of need the artist, no less than the manual worker, is entitled to employment as an artist at the public expense and 2) that the arts, no less than business, agriculture, and labor, are and should be the immediate concern of the ideal commonwealth. The five divisions of Federal One were these: *Federal Art Project *Federal Music Project *Fed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Depression
The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagion began around September and led to the Wall Street stock market crash of October 24 (Black Thursday). It was the longest, deepest, and most widespread depression of the 20th century. Between 1929 and 1932, worldwide gross domestic product (GDP) fell by an estimated 15%. By comparison, worldwide GDP fell by less than 1% from 2008 to 2009 during the Great Recession. Some economies started to recover by the mid-1930s. However, in many countries, the negative effects of the Great Depression lasted until the beginning of World War II. Devastating effects were seen in both rich and poor countries with falling personal income, prices, tax revenues, and profits. International trade fell by more than 50%, unemployment in the U.S. rose to 23% and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agricultural Adjustment Act
The Agricultural Adjustment Act (AAA) was a United States federal law of the New Deal era designed to boost agricultural prices by reducing surpluses. The government bought livestock for slaughter and paid farmers subsidies not to plant on part of their land. The money for these subsidies was generated through an exclusive tax on companies which processed farm products. The Act created a new agency, the Agricultural Adjustment Administration, also called "AAA" (1933-1942), an agency of the U.S. Department of Agriculture, to oversee the distribution of the subsidies.Hurt, R. Douglas, ''Problems of Plenty: The American Farmer in the Twentieth Century'', (Chicago: Ivan R. Dee, 2002), 69. The Agriculture Marketing Act, which established the Federal Farm Board in 1929, was seen as an important precursor to this act. The AAA, along with other New Deal programs, represented the federal government's first substantial effort to address economic welfare in the United States. Background W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
