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Trio → Live
''Trio → Live'' is a live album by Pat Metheny, released in 2000, recorded with Bill Stewart and Larry Grenadier. It was recorded as a live complement to the trio’s studio album '' Trio 99→00'', released the same year. The album covers a mixture of standards, older pieces by Metheny (such as the title track from his debut album '' Bright Size Life'') and recent compositions. It was recorded live during 1999 and 2000 on tour in Europe, Japan and the United States, and was co-produced by Steve Rodby. Track listing Personnel * Pat Metheny Patrick Bruce Metheny ( ; born August 12, 1954) is an American jazz guitarist and composer. He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progre ... – acoustic and electric guitars, guitar synthesizer, 42-string Pikasso guitar, and 12-string fretless guitar * Larry Grenadier – double bass * Bill Stewart – drums Pat Methen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Metheny
Patrick Bruce Metheny ( ; born August 12, 1954) is an American jazz guitarist and composer. He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progressive and contemporary jazz, latin jazz, and jazz fusion. Metheny has three gold albums and 20 Grammy Awards and is the only person to win Grammys in 10 categories. He is the younger brother of jazz flugelhornist Mike Metheny. Biography Early years and education Metheny was born in Lee's Summit, Missouri. His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter. Metheny's first instrument was trumpet, which he was taught by his brother, Mike. His brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Metheny to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Steps (composition)
"Giant Steps" is a jazz composition by American saxophonist John Coltrane. It was first recorded in 1959 and released on the 1960 album ''Giant Steps''. The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists. Due to its speed and rapid transition through the three keys of B major, G major and E♭ major, '' Vox'' described the piece as "the most feared song in jazz" and "one of the most challenging chord progressions to improvise over" in the jazz repertoire. Background "Giant Steps" was composed and recorded during Coltrane's 1959 sessions for Atlantic Records, his first for the label. The original recording features Coltrane on tenor saxophone, Paul Chambers on double bass, Tommy Flanagan on piano, and Art Taylor on drums. As with other compositions, Coltrane brought "Giant Steps" to the studio without rehearsal. On the original recording, Flanagan played a choppy start-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Synthesizer
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities. Overview Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, Ludwig, EMS, 360 Systems, Norlin Music and Maestro, Ampeg and Hagström, Arp, Roland Corporation and FujiGen ( GR-500 and GR-300), New England Digital, Electro-Harmonix, Casio, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research, Zeta Systems, and Yamaha. In the early days, there were three main types of guitar-synthesizers: * Multi-effects type * Frequency-to-voltage converter type (using guitar with pickups) * Guitorgan type (using guitar with fretboard switches) Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices. Presently, there are two main groups: * Guitar-synth using guitars: regular guitars equipped with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All The Things You Are
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical ''Very Warm for May'' (1939)"Jerome Kern" . Songwriters Hall of Fame and was introduced by , , , and Ralph Stuart. It appeared in the film '' |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bright Size Life
''Bright Size Life'' is the debut album by Pat Metheny, released in 1976 on ECM. The album features Jaco Pastorius on bass and Bob Moses on drums. In 2020, the album was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the National Recording Registry. Production and reception The songs for ''Bright Size Life'' were written when Metheny was living in Boston and teaching at the Berklee School of Music. Metheny's mentor, the vibraphonist Gary Burton, helped Metheny arrange the songs and accompanied him to the recording session in Germany. Despite that, Burton never received a producer credit on the release. Metheny has described the album as being "moderately successful" when it was released, selling around 900 copies, but that it wasn't until 10–15 years later that it received wider recognition. In 2005, the first track was included on the ''Progressions: 100 Years of Jazz Guitar'' compilation on Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Grenadier
Larry Grenadier (born February 6, 1966 in San Francisco) is an American jazz double bassist. Early life Grenadier's father, Albert, was a trumpet player, and his two brothers, Phil and Steve, play trumpet and guitar, respectively. Grenadier began on trumpet when he was 10 years old before beginning to play the bass the following year. Grenadier's father helped introduce him to the instruments and music theory. Larry's older brother Phil began listening to jazz around this time, influencing his sibling's musical interests. Grenadier began listening to several jazz bassists including Ray Brown, Charles Mingus, Richard Davis, Paul Chambers, Wilbur Ware and Oscar Pettiford, among others. At age 12 Grenadier began formal study of the acoustic bass, learning from local jazz bass players Chris Poehlor, Paul Breslin, and Frank Tusa and later classical bassists Michael Burr and Stephen Tramontozzi. At 16, Grenadier had a busy career playing in the San Francisco Bay Area with both lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
