|
Trick For Trick (1678 Play)
''Trick For Trick; Or, The Debauch'd Hypocrite'' is a 1678 comedy play by the English writer Thomas D'Urfey. It was first staged at the Theatre Royal, Drury Lane by the King's Company. The original Drury Lane cast included Michael Mohun as Sir Wilding Frollick, Charles Hart as Monsieur Thomas, Philip Griffin as Valentine, Thomas Clark as Franck, Cardell Goodman as Hylas, Martin Powell as Sir Peregreen, Joseph Haines as Launce, John Coysh, Marmaduke Watson and Carey Perin as Physicians, Elizabeth Boutell as Cellida, Mary Corbett as Sabina and Mary Knep Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer ... as Mrs Dorothy.Van Lennep p.261 References Bibliography * McVeagh, John. ''Thomas Durfey and Restoration Drama: The Work of a Forgotten Writer''. Routledge, 2017. * Van Lennep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haines
Joseph Haines (died 4 April 1701), also known as Jo Haines, was a 17th-century actor, singer, dancer, guitar player, fortune teller, and author. ''The Life of the Late Famous Comedian, Jo. Hayns'', possibly written by fellow player Tobias Thomas, "must contain some grains of truth, but is so riddled with fancy that one can scarcely sort them out", according to the ''Biographical Dictionary of Actors'' (Highfill, et al. 1973–93). Nothing certain is known of Haines' early life. He joined a troupe of strolling players in Cambridge in 1667, joined a company of young performers at the Hatton Garden "nursery" in London in 1668, and there caught the eye of Thomas Killigrew and was invited to join Killigrew's patent company, the King's Company. Haines soon became well known as a song-and-dance man, comedian, and eccentric. He was persistently dogged by debt and money problems, and was several times fired from the company for "ill & scandalous language & insolent carriage" by leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1678 Plays
Events January–March * January 10 – England and the Dutch Republic sign a mutual defense treaty in order to fight against France. * January 27 – The first fire engine company (in what will become the United States) goes into service. * February 18 – The first part of English nonconformist preacher John Bunyan's Christian allegory, ''The Pilgrim's Progress'', is published in London. * March 21 – Thomas Shadwell's comedy ''A True Widow'' is given its first performance, at The Duke's Theatre in London, staged by the Duke's Company. * March 23 – Rebel Chinese general Wu Sangui takes the imperial crown, names himself monarch of "The Great Zhou", based in the Hunan report, with Hengyang as his capital. He contracts dysentery over the summer and dies on October 2, ending the rebellion against the Kangxi Emperor. * March 25 – The Spanish Netherlands city of Ypres falls after an eight-day siege by the French Army. It is later returned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Knep
Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer, but "developed into a first-rate actress". She began her career with the King's Company, which was under the management of Thomas Killigrew. She made her debut in the title role of Jonson's ''Epicene'' on 1 June 1664. Before this, she had been cast as Lucetta in Killigrew's 1664 planned production of his ''Thomaso'', with an all-female cast, but this had been cancelled before completion. Knep played major and minor roles in a range of productions of the 1660s and 1670s, including: * the Widow in Beaumont and Fletcher's ''The Scornful Lady'', 1666 * Guiomar in Fletcher and Massinger's '' The Custom of the Country'', 1667 * Alibech in Dryden's '' The Indian Emperour'', the 1667 revival * Asteria in Dryden's '' The Maiden Queen'', 1667 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Corbett
Mary Corbett was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. She appears to have left the company around the time of the merger creating the new United Company.Highfill, Burnim & Langhans p.486-487 Her name is sometimes written as Mary Corbet. Selected roles * Mrs Dainty Fidget in '' The Country Wife'' by William Wycherley (1675) * King Andrew in ''Psyche Debauched'' by Thomas Duffet (1675) * Melesinda in '' Aureng-zebe'' by John Dryden (1675) * Narcissa in ''Gloriana'' by Nathaniel Lee (1676) * Clevly in '' The Man of Newmarket'' by Edward Howard (1678) * Monima in ''Mithridates, King of Pontus'' by Nathaniel Lee (1678) * Sabina in '' Trick for Trick'' by Thomas D'Urfey (1678) * Gratiana in '' Sir Barnaby Whigg'' by Thomas D'Urfey Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Boutell
Elizabeth Boutell (early 1650s?—1715), was a British actress. Life She joined, soon after its formation, the company at the Theatre Royal, subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English stage. Her earliest recorded appearance took place presumably in 1663 or 1664, as Estifania in ''Rule a Wife and Have a Wife''. She joined the King's Company about 1670 and played many important roles in the 1670s, including Benzayda in John Dryden's ''The Conquest of Granada'' (December 1670 and January 1671), and probably Rosalinda in Nathaniel Lee's ''Sophonisba'' (3 April 1675). She "created" among other characters, Melantha in Dryden's '' Marriage à la mode'' (c. April 1672), Margery Pinchwife in William Wycherley's '' The Country Wife'' (12 January 1675), Cleopatra in Dryden's '' All for Love'', and Mrs. Termagant in Shadwell's ''The Squire of Alsatia''. Cibber somewhat curiously omits from his ''Apology'' all mention of her name. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carey Perin
Carey Perin (occasionally written as Perrin) was an English stage actor of the seventeenth century. He was a long-standing member of the King's Company based at the Theatre Royal, Drury Lane.Wilson p.23 He then joined the merged United Company in 1682. His last known role was in Thomas Southerne's ''The Maid's Last Prayer''. Selected roles * Cicco in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Meleager in ''The Rival Queens'' by Nathaniel Lee (1677) * Zannazarro in '' Wits Led by the Nose'' by William Chamberlayne (1677) * Plodwell in '' The Man of Newmarket'' by Edward Howard (1678) * Physician in '' Trick for Trick'' Thomas D'Urfey (1678) * Sir Geoffrey Jolt in ''The Rambling Justice'' by John Leanerd (1678) * Old Gentlewoman in ''The Country Innocence'' by John Leanerd (1678) * Benedick in '' Sir Barnaby Whigg'' by Thomas D'Urfey (1681) * Meroin in '' The Heir of Morocco'' by Elkanah Settle (1682) * Labienus in ''Constantine the Great'' by Nathaniel Lee (1683) * Long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marmaduke Watson
Marmaduke Watson was an English stage actor of the seventeenth century. Part of the King's Company based at the Theatre Royal, Drury Lane, he was one of the actors who sided with Charles Killigrew during a dispute in the company in 1677. In 1682 when the United Company was formed he left and went to Dublin to join the Smock Alley Theatre. He later returned to London where his final known performances were with Thomas Betterton's company at the Lincoln's Inn Fields Theatre.Highfill, Burnim & Langhans pp. 300�–01. Selected roles * Bakam in ''The Island Princess'' by John Fletcher (1668) * Hamet in ''The Conquest of Granada'' by John Dryden (1670) * Hostilius in '' The Roman Empress'' by William Joyner (1670) * Eubulus in '' Marriage à la mode'' by John Dryden (1673) * Don Manuel in ''The Spanish Rogue'' by Thomas Duffett (1673) * Captain Middleton in '' Amboyna'' by John Dryden (1673) * Silvius in ''Nero'' by Nathaniel Lee (1674) * Montanto in '' Othello'' by William Shakes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coysh
John Coysh was an English stage actor of the seventeenth century. He was a member of the King's Company, based at the Theatre Royal, Drury Lane. He first headed a nursery of young actors at Hatton Garden, including the future star Sarah Cooke. He also led a travelling troupe of actors to provincial theatres around Britain. The playwright Elkanah Settle helped produced drolls for the group to perform. From 1671 he was an established performer at Drury Lane. However his career on the London stage appears to have ended with the creation of the merged United Company in 1682. Highfill, Burnim & Langhans p. 21 Selected roles * Muly Labas in ''The Empress of Morocco'' by Elkanah Settle (1673) * Mingo in ''The Spanish Rogue'' by Thomas Duffet (1673) * Plautus in ''Nero'' by Nathaniel Lee (1674) * Riccamare in ''The Amorous Old Woman'' by Thomas Duffet (1674) * Jeffrey in ''Psyche Debauched'' by Thomas Duffet (1675) * Aristander in ''The Rival Queens'' by Nathaniel Lee (1677) * Physician i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Powell (actor)
Martin Powell was an English stage actor of the seventeenth century. Powell was a member of the King's Company from 1669 onwards at the Theatre Royal, Drury Lane in London. He was one of several actors who briefly left for Scotland in 1678 after a dispute with the management, before returning to Drury Lane. In 1682 he joined the merged United Company. Billed throughout his career as Mr. Powell, some of his later appearances can be confused with those of his son George Powell. In 1675 along with John Coysh he appeared in a private production of John Dryden's '' The Indian Emperour'' staged by the Duchess of Portsmouth and an otherwise amateur cast.Walkling p.78 Selected roles * Gomel in '' The Conquest of Granada'' by John Dryden (1670) * Larasco in '' The Spanish Rogue'' by Thomas Duffet (1673) * Furfante in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Mirmilon in ''Nero'' by Nathaniel Lee (1674) * Proveditor in '' Love in the Dark'' by Francis Fane (1675) * Costard i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
