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Trichur Brothers
Srikrishna Mohan and Ramkumar Mohan are Carnatic classical musicians. The title Trichur Brothers was conferred by HH Jayendra Saraswathi Maha Swamigal of Kanchi Mutt. Their father is veteran Mridangam Vidwan Shri Trichur R Mohan. Their music journey started quite early, under the able guidance of their father. Their style of music is very much appreciated. Biography The Trichur Brothers were initially trained by Madurai Shrimati Balamani Eswar and Shri Thamarakkadu Govindan Namboothiri. They received advanced training, with emphasis on Manodharma singing, from Late Professor Neyyattinkara Mohanachandran. They were fortunate to be under the guidance of Padma Bhushan, Shri PS Narayana Swami for more than a decade, after they moved to Chennai. The brothers are currently learning from Shri Reju Narayanan. Their style of raga exploration, which involves the exchange of melodic phrases between them, has been lauded for its uniqueness. While adhering to the traditions and essence ...
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Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ...
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Manodharma
Manodharma is a form of improvised South Indian classical Carnatic music. It is created on the spot during the performance, while remaining within the confines of musical grammar, as codified in the raga and/or the tala. Every Carnatic concert has one or many music pieces that showcases the singer's prowess and intellect in the form of Manodharma sangeetham. Often the centerpiece of a Carnatic concert will explore all the five types of manodharma. It serves as an important and integral aspect of Carnatic music. Types of Manodharma Based out of manodharma, Individual styles are developed. Manodharma has many aspects and performers develop distinct styles based on his/her musical values, interpretation and understanding. There is ample scope for manodharma when rendering raga alapana, tanam, neraval, pallavi, swaram and also kritis. There are five improvisational forms that fall under the practice of manodharma in Carnatic Music. They include: Alapana: a free flowing exploration ...
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Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ...
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Jugalbandi
A jugalbandi or jugalbandhi is a performance in Indian classical music, especially in Hindustani classical music but also in Carnatic, that features a duet of two solo musicians. The word jugalbandi means, literally, "entwined twins." The duet can be either vocal or instrumental. Often, the musicians will play different instruments, as for example the famous duets between sitarist Ravi Shankar and sarod player Ali Akbar Khan, who played the format since the 1940s. More rarely, the musicians (either vocalists or instrumentalists) may be from different traditions (i.e. Carnatic and Hindustani). What defines ''jugalbandi'' is that the two soloists be on an equal footing. A performance can only truly be deemed a jugalbandi, if both musicians are neither sole soloist nor solely accompanying. In jugalbandi, both musicians act as lead players, and a playful competition exists between the two performers. Hindustani-Carnatic Jugalbandi Jugalbandi of Hindustani and Carnatic styles ha ...
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Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ...
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Hari Sri Vidya Nidhi School
Hari Sri Vidya Nidhi School (HSVNS) is a private co-educational school in Thrissur, Kerala, India. It offers classes from kindergarten to junior college. The kindergarten school is conducted at the Hari Sri Nursery School near the main campus. Hari Sri Vidya Nidhi School was founded in 1978 by Nalini Chandran who was also the school's first principal. The school is registered as a charitable society and is affiliated to the Council for the Indian School Certificate Examinations, which conducts the Indian Certificate of Secondary Education (ICSE) and Indian School Certificate (ISC) exams. Principals * Nalini Chandran (1978–1995, 1999–2000) * Indira Bhaskaran (1996) * K. Suma (1997–1999) * Jayanthi Nair (2001–2014) * Jaya Nagarajan (2014–2021) * Preetha Venugopal (2022–present) Notable alumni Notable alumni include actors Lena, Leona Lishoy, Malavika Wales, and Sreejith Ravi, as well as Carnatic musicians Mahathi Mahathi. S, known by the mononym Mahathi is a C ...
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Indian Musical Groups
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ...
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Hari Sri Vidya Nidhi School Alumni
Hari ( sa, हरि) is among the primary epithets of the Hindus, Hindu preserver deity Vishnu, meaning 'the one who takes away' (sins). It refers to the one who removes darkness and illusion, the one who removes all obstacles to spiritual progress. In the Rigveda, ''Rigveda’s'' Purusha Sukta (praise of the supreme cosmic being), Hari is the first and most important name of the supreme Divine Being (whose Sanskrit cognate is Brahman). The second and alternative name of the supreme being is Narayana according to Narayana sukta of the ''Yajurveda''. Within the Hindu tradition, it is often used interchangeably with Vishnu to such an extent that they are considered to be one and the same. The name "Hari" also appears as the 656th name of Vishnu in the Vishnu sahasranama, Vishnu Sahasranama of the Mahabharata and is considered to be of great significance in Vaishnavism. In the Vedas, it is required to use the mantra "Harih om" before any recitation, just to declare that every r ...
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