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Tribute To The Eucharist (Damaskinos)
'' Tribute to the Eucharist'' was a painting made of egg tempera and gold leaf on a wood panel. The portable icon is attributed to Greek painter Michael Damaskinos. Damaskino's existing catalog features over 100 known works. He was a member of the Cretan school of painting. He was from the island of Crete. His contemporaries were Georgios Klontzas and El Greco. Damaskinos traveled all over Italy for over twenty years. He spent a significant amount of time in Venice. He adopted Italian mannerisms. He applied these new attributes to his paintings. He was friends with sculptor Alessandro Vittoria. He had a collection of drawings obtained from other Italian artists. Namely the Mannerist Parmigianino. He was also exposed to the magnificent works of Italian painter Raphael. One of the most spectacular works of art created by Raphael was the ''Disputation of the Holy Sacrament''. The work is a fresco of church figures debating Transubstantiation. The work is located in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Damaskinos
Michael Damaskenos or Michail Damaskenos ( el, Μιχαήλ Δαμασκηνός, 1530/35–1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia (Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800. Damaskinos moved to Venice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory Of The Holy Communion Michael Damaskinos
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine & Christian Museum
The Byzantine and Christian Museum ( el, Βυζαντινό και Χριστιανικό Μουσείο, links=no) is situated at Vassilissis Sofias Avenue in Athens, Greece. It was founded in 1914, and houses more than 25,000 exhibits with rare collections of pictures, scriptures, frescoes, pottery, fabrics, manuscripts, and copies of artifacts from the 3rd century AD to the Late Middle Ages. It is one of the most important museums in the world in Byzantine Art. In June 2004, in time for its 90th anniversary and the 2004 Athens Olympics, the museum reopened to the public after an extensive renovation and the addition of another wing. Visitor information The gallery is situated on Vassilissis Sofias Avenue 22, down the street from the Hilton Athens. It is housed in ''Villa Ilissia'' designed by Stamatios Kleanthis. It can be reached with the Athens Metro at the Evangelismos station. Gallery See also * Byzantine Art * List of museums in Greece This is a list of museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flagellation Of Christ
The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the '' Life of Christ''. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary.''Old Master Paintings and Drawings'' by Roy Bolton 2009 page 70 The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome claims to possess the original column. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes. The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca (1455–60), whose precise meaning has eluded generations of art historians. At the same time ''Christ at the Column'' or ''Christ at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Grail
The Holy Grail (french: Saint Graal, br, Graal Santel, cy, Greal Sanctaidd, kw, Gral) is a treasure that serves as an important motif in Arthurian literature. Various traditions describe the Holy Grail as a cup, dish, or stone with miraculous healing powers, sometimes providing eternal youth or sustenance in infinite abundance, often guarded in the custody of the Fisher King and located in the hidden Grail castle. By analogy, any elusive object or goal of great significance may be perceived as a "holy grail" by those seeking such. A "grail" (Old French: ''graal'' or ''greal''), wondrous but not unequivocally holy, first appears in ''Perceval, the Story of the Grail'', an unfinished chivalric romance written by Chrétien de Troyes around 1190. Chrétien's story inspired many continuations, translators and interpreters in the later-12th and early-13th centuries, including Wolfram von Eschenbach, who perceived the Grail as a stone. The Christian, Celtic or possibly other orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heptanese School (painting)
The Heptanese School of painting ( el, Επτανησιακή Σχολή, , The School of the Seven Islands, also known as the Ionian Islands School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world. The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were Theodore Poula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Luke
Luke the Evangelist (Latin: '' Lucas''; grc, Λουκᾶς, '' Loukâs''; he, לוקאס, ''Lūqās''; arc, /ܠܘܩܐ לוקא, ''Lūqā’; Ge'ez: ሉቃስ'') is one of the Four Evangelists—the four traditionally ascribed authors of the canonical gospels. The Early Church Fathers ascribed to him authorship of both the Gospel of Luke and the Acts of the Apostles. Prominent figures in early Christianity such as Jerome and Eusebius later reaffirmed his authorship, although a lack of conclusive evidence as to the identity of the author of the works has led to discussion in scholarly circles, both secular and religious. The New Testament mentions Luke briefly a few times, and the Epistle to the Colossians refers to him as a physician (from Greek for 'one who heals'); thus he is thought to have been both a physician and a disciple of Paul. Since the early years of the faith, Christians have regarded him as a saint. He is believed to have been a martyr, reportedly having bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Matthew
Matthew the Apostle,, shortened to ''Matti'' (whence ar, مَتَّى, Mattā), meaning "Gift of YHWH"; arc, , Mattai; grc-koi, Μαθθαῖος, ''Maththaîos'' or , ''Matthaîos''; cop, ⲙⲁⲧⲑⲉⲟⲥ, Mattheos; la, Matthaeus also known as Saint Matthew and possibly as Levi, was, according to the New Testament, one of the twelve apostles of Jesus. According to Christian traditions, he was also one of the four Evangelists as author of the Gospel of Matthew, and thus is also known as Matthew the Evangelist, a claim rejected by most biblical scholars, though the "traditional authorship still has its defenders." The New Testament records that as a disciple, he followed Jesus, and was one of the witnesses of the Ascension of Jesus. Later Church fathers such as Irenaeus and Clement of Alexandria claim that Matthew preached the Gospel to the Jewish community in Judea, before going to other countries. In the New Testament Among the early followers and apostles of Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Mark
Mark the Evangelist ( la, Marcus; grc-gre, Μᾶρκος, Mârkos; arc, ܡܪܩܘܣ, translit=Marqōs; Ge'ez: ማርቆስ; ), also known as Saint Mark, is the person who is traditionally ascribed to be the author of the Gospel of Mark. According to Church tradition, Mark founded the episcopal see of Alexandria, which was one of the five most important sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion. Mark's identity According to William Lane (1974), an "unbroken tradition" identifies Mark the Evangelist with John Mark, and John Mark as the cousin of Barnabas. However, Hippolytus of Rome in ''On the Seventy Apostles'' distinguishes Mark the Evangelist (2 Tim 4:11), John Mark (Acts 12:12, 25; 13:5, 13; 15:37), and Mark the cousin of Barnabas (Col 4:10; Phlm 1:24). According to Hippolytus, they all belonged to the "Seventy Disciples" who were sent out by Jesus to disseminate the gospel (Luke 10:1ff.) in Judea. According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lion Of Venice
The Lion of Venice is an ancient bronze sculpture of a winged lion in the Piazza San Marco of Venice, Italy, which came to symbolize the city – as well as one of its patron saints, St Mark – after its arrival there in the 12th century. The sculpture surmounts one of two large granite columns in the Square, thought to have been erected between 1172 and 1177 during the reign of Doge Sebastiano Ziani or about 1268, bearing ancient symbols of the two patron saints of Venice. The ''Lion'' sculpture has had a very long and obscure history, probably starting its existence as a winged lion-griffin statue on a monument to the god Sandon at Tarsus in Cilicia about 300 BC. The figure, which stands on the eastern column, at some point came to represent the Lion of Saint Mark, traditional symbol of Saint Mark the evangelist. The figure standing on the western column is St. Theodore of Amasea, patron of the city before St Mark, who holds a spear and stands on a crocodile (to rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deesis
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Twelve Great Feasts. The central Christ is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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