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Trees In Chinese Mythology
Trees in Chinese mythology and culture tend to range from more-or-less mythological such as the Fusang tree and the Peaches of Immortality cultivated by Xi Wangmu to mythological attributions to such well-known trees, such as the pine, the cypress, the plum and other types of prunus, the jujube, the cassia, and certain as yet unidentified trees. Mythological ideas about trees also extends to various types of fungi which lived or were thought to live underneath certain of these trees, collecting their mysterious essences. Pine, cypress, and fir The pine, cypress, and fir are linked by being similar evergreens. Old pine trees are much admired and venerated. Some examples of Chinese cultural symbology can be found in the poetry of Six Dynasties poet Tao Yuanming (365?–427). According to Yeh Chia-ying, one of Tao's most frequently used metaphors is that of the pine tree: symbol of ability to withstand the adversity of cold winds, to withstand the adversity of frosts, nevertheless r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yu Shi
Yu Shi () is a Chinese spirit or god of rain, also known as or conflated with Red Pine (Chisong, 赤松, or Chisongzi – Master Red Pine), among other names. Translations of ''Yu Shi'' into English include "Lord of Rain" and "Leader of Rain". As Yu Shi Yu Shi in Chinese folk religion and Chinese mythology generally appears in association with Feng Bo, the god of the wind; and Lei Gong, the god of thunder. There are both current religious activities and historical mythical stories associated with Yu Shi. Various references in poetry and popular culture also exist, for example in the ''Chu ci'' poems " Tian Wen" and "Yuan You". His consort is Yu Shiqie (). As Chisongzi According to certain versions, a certain Chisongzi () during the reign of Shennong ended a severe drought by sprinkling water from an earthen bowl and was rewarded by being made the Lord of Rain with a dwelling on the mythical Kunlun Mountain. In another form, Chi Songzi is depicted as a chrysalis of a silkworm wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfiporia Extensa
''Wolfiporia extensa'' (Peck) Ginns ('' syn.'' ''Poria cocos'' F.A.Wolf) is a fungus in the family Polyporaceae. It is a wood-decay fungus but has a subterranean growth habit. It is notable in the development of a large, long-lasting underground sclerotium that resembles a small coconut. This sclerotium called "(Chinese) Tuckahoe" or fu-ling (), is not the same as the true tuckahoe used as Indian bread by Native Americans, which is the arrow arum, ''Peltandra virginica'', a flowering tuberous plant in the arum family. ''W. extensa'' is also used extensively as a medicinal mushroom in Chinese medicine. Indications for use in the traditional Chinese medicine include promoting urination, to invigorate the spleen function (i.e., digestive function), and to calm the mind.Bensky D, Clavey S, Stoger E. (2004) Eastland Press, Inc. Seattle, 3rd ed. . p. 267 Names Common names include hoelen, poria, tuckahoe, China root, fu ling (, pīnyīn: fúlíng), and matsuhodo. Botanical extract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Friends Of Winter
The Three Friends of Winter is an art motif that comprises the pine, bamboo, and plum. . The Chinese celebrated the pine, bamboo and plum together, as they observed that these plants do not wither as the cold days deepen into the winter season unlike many other plants. Known by the Chinese as the ''Three Friends of Winter'', they later entered the conventions of East Asian culture and Vietnamese culture. Together they symbolize steadfastness, perseverance, and resilience. They are highly regarded in Confucianism and as such represent the scholar-gentleman's ideal. History The Three Friends of Winter are common in works of art from Chinese culture and those cultures influenced by it. The three are first recorded as appearing together in a ninth-century poem by the poet Zhu Qingyu () of the Tang dynasty. The Southern Song dynasty artist Zhao Mengjian (, c. 1199–1264), among others of the time, made this grouping popular in painting. The actual term "Three Friends of Winter" ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinus Armandii
''Pinus armandii'', the Armand pine or Chinese white pine, is a species of pine native to China, occurring from southern Shanxi west to southern Gansu and south to Yunnan, with outlying populations in Anhui. It grows at altitudes of 2200–3000 m in Taiwan, and it also extends a short distance into northern Burma. In Chinese it is known as "Mount Hua pine" (). It grows at 1,000–3,300 m altitude, with the lower altitudes mainly in the northern part of the range. It is a tree reaching height, with a trunk up to in diameter. Description It is a member of the white pine group, ''Pinus'' subgenus ''Strobus'', and like all members of that group, the leaves ('needles') are in fascicles (bundles) of five, with a deciduous sheath. They are long. The cones are long and broad, with stout, thick scales. The seeds are large, long and have only a vestigial wing; they are dispersed by spotted nutcrackers. The cones mature in their second year, this is a juvenile female cone: ; Vari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penghou
The Penghou (, pronounced ʰə̌ŋ.xǒʊ literally: "drumbeat marquis") is a tree spirit from Chinese mythology and folklore. Two Chinese classics record similar versions of the Penghou myth. The (c. 3rd century) ''Baize tu'' (白澤圖, "Diagrams of the White Marsh"), named after the Baize "White Marsh" spirit recorded in the '' Baopuzi'', is no longer fully extant, but is identified with a Dunhuang manuscript (P2682). It describes the Penghou: A creature that has evolved from the essence of wood is called Penghou. It looks like a black dog with no tail and its meat can be prepared as food. The essence of a 1,000-year-old tree may evolve into a spirit called Jiafei. It looks like a pig. Its meat tastes like dog meat. (tr. Luo 2003: 4132) The (c. 4th century) ''Soushenji'' (搜神記, "In Search of the Supernatural") has a story about "The Penghou in the Camphor Tree": During the Wu Kingdom (Three Kingdoms Period, 220–280) Jing Shu felled a big camphor tree. Then the wood bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink Stick
Inksticks () or ink cakes are a type of solid Chinese ink used traditionally in several Chinese and East Asian art forms such as calligraphy and brush painting. Inksticks are made mainly of soot and animal glue, sometimes with incense or medicinal scents added. To make ink, the inkstick is ground against an inkstone with a small quantity of water to produce a dark liquid which is then applied with an ink brush. Artists and calligraphers may vary the concentration of the resulting ink according to their preferences by reducing or increasing the intensity and duration of ink grinding. Along with the inkstone, ink brush, and paper, the inkstick is considered one of the Four Treasures of the Study of classical Chinese literary culture. History The earliest artifacts of Chinese inks can be dated back to 12th century BC, with charred materials, plant dyes, and animal-based inks being occasionally used, mineral inks being most common. Mineral inks based on materials such as graphite w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Gentlemen
In Chinese art, the Four Gentlemen or Four Noble Ones (), literally meaning "Four Junzi", is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian ''junzi'', or "gentlemen". They are most typically depicted in traditional ink and wash painting and they belong to the category of bird-and-flower painting in Chinese art. In line with the wide use of nature as imagery in literary and artistic creation, the Four Gentlemen are a recurring theme for their symbolism of uprightness, purity, humility, perseverance against harsh conditions, among other virtues valued in the Chinese traditions. The Four Gentlemen have been used in Chinese painting since the time of the Song dynasty (960–1279) because of their refined beauty, and were later adopted elsewhere in East Asia by artists in Korea, Japan, and Vietnam. As they represent the four seasons (the plum blossom for winter, the orchid f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fusang
Fusang () refers to various entities, most frequently a mythical tree or location east of China, described in ancient Chinese literature. In the ''Classic of Mountains and Seas'' and several contemporary texts, the term refers to a mythological tree of life, alternatively identified as a mulberry or a hibiscus, allegedly growing far to the east of China, and perhaps to various more concrete territories which are located to the east of the mainland. A country which was named Fusang was described by the native Buddhist missionary Hui Shen (, also called Hwui Shan) in 499 AD, as a place which is located 20,000 Chinese '' li'' to the east of Da-han, and it is also located to the east of China (according to Joseph Needham, Da-han corresponds to the Buriat region of Siberia). Hui Shen arrived in China from Kabul in 450 AD and went by ship to Fusang in 458 AD, and upon his return in 499 reported his findings to the Chinese Emperor. His descriptions are recorded in the 7th-century text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
