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Tree Of Life
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree.Giovino, Mariana (2007). ''The Assyrian Sacred Tree: A History of Interpretations'', page 129. Saint-Paul. The concept of the tree of life may have originated in Central Asia, and absorbed by other cultures, such as Scandinavian mythology and Altai shamanism. The tree of knowledge, connecting to heaven and the underworld, and the tree of life, connecting all forms of creation, are both forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies as the same tree. Religion and mythology Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yggdrasil
Yggdrasil (from Old Norse ), in Norse cosmology, is an immense and central sacred tree. Around it exists all else, including the Nine Worlds. Yggdrasil is attested in the ''Poetic Edda'' compiled in the 13th century from earlier traditional sources, and in the ''Prose Edda'' compiled in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central to the cosmos and considered very holy. The gods go to Yggdrasil daily to assemble at their traditional governing assemblies, called things. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations; one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. Creatures live within Yggdrasil, including the dragon Níðhöggr, an unnamed eagle, and the stags Dáinn, Dvalinn, Duneyrr and Duraþrór. Scholars generally consider ''Hoddmímis holt'', ''Mímameiðr'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cylinder Seal
A cylinder seal is a small round cylinder, typically about one inch (2 to 3 cm) in length, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally wet clay. According to some sources, cylinder seals were invented around 3500 BC in the Near East, at the contemporary sites of Uruk in southern Mesopotamia and slightly later at Susa in south-western Iran during the Proto-Elamite period, and they follow the development of stamp seals in the Halaf culture or slightly earlier. They are linked to the invention of the latter's cuneiform writing on clay tablets. Other sources, however, date the earliest cylinder seals to a much earlier time, to the Late Neolithic period (7600-6000 BC), hundreds of years before the invention of writing. Cylinder seals are a form of impression seal, a category which includes the stamp seal and finger ring seal. They survive in fairly large numbers and are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Mythology
Mesopotamian mythology refers to the myths, religious texts, and other literature that comes from the region of ancient Mesopotamia which is a historical region of Western Asia, situated within the Tigris–Euphrates river system that occupies the area of present-day Iraq. In particular the societies of Sumer, Akkad, and Assyria, all of which existed shortly after 3000 BCE and were mostly gone by 400 CE. These works were primarily preserved on stone or clay tablets and were written in cuneiform by scribes. Several lengthy pieces have survived, some of which are considered the oldest stories in the world, and have given historians insight into Mesopotamian ideology and cosmology. Creation myths There are many different accounts of the creation of the earth from the Mesopotamian region. This is because of the many different cultures in the area and the shifts in narratives that are common in ancient cultures due to their reliance on word of mouth to transmit stories. These myt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urartu Helmet Fragment 2~
Urartu (; Assyrian: ',Eberhard Schrader, ''The Cuneiform inscriptions and the Old Testament'' (1885), p. 65. Babylonian: ''Urashtu'', he, אֲרָרָט ''Ararat'') is a geographical region and Iron Age kingdom also known as the Kingdom of Van, centered around Lake Van in the historic Armenian Highlands. The kingdom rose to power in the mid-9th century BC, but went into gradual decline and was eventually conquered by the Iranian Medes in the early 6th century BC. Since its re-discovery in the 19th century, Urartu, which is commonly believed to have been at least partially Armenian-speaking, has played a significant role in Armenian nationalism. Names and etymology Various names were given to the geographic region and the polity that emerged in the region. * Urartu/Ararat: The name ''Urartu'' ( hy, Ուրարտու; Assyrian: '; Babylonian: ''Urashtu''; he, אֲרָרָט ''Ararat'') comes from Assyrian sources. Shalmaneser I (1263–1234 BC) recorded a campaign in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyriology
Assyriology (from Greek , ''Assyriā''; and , '' -logia'') is the archaeological, anthropological, and linguistic study of Assyria and the rest of ancient Mesopotamia (a region that encompassed what is now modern Iraq, northeastern Syria, southeastern Turkey, and northwestern and southwestern Iran) and of the related cultures that used cuneiform writing. The field covers Sumer, the early Sumero-Akkadian city-states, the Akkadian Empire, Ebla, the Akkadian and Imperial Aramaic speaking states of Assyria, Babylonia and the Sealand Dynasty, the migrant foreign dynasties of southern Mesopotamia, including the Gutians, Amorites, Kassites, Arameans, Suteans and Chaldeans. The large number of cuneiform clay tablets preserved by these Sumero-Akkadian and Assyro-Babylonian cultures provide an extremely large resource for the study of the period. The region's (and indeed the world's) first cities and city-states like Ur are archaeologically invaluable for studying the growth of urbaniza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bucket And Cone
''Bucket and Cone'' refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia and within the context of Ancient Mesopotamian religion , particularly in art from the Neo-Assyrian Empire (911–605 BCE) and especially Assyrian palace reliefs from this period - sometimes, however, only the bucket is held, and the other hand is held up in what may be a blessing gesture. To a lesser degree such images were also depicted in images from the Neo-Sumerian Empire, Old Assyrian Empire, Babylonian Empire and Middle Assyrian Empire. Context These objects are often displayed in association with a stylised tree, before floral decorations, guardian figures, the king and/or his attendants and open doorways or portals. The cone was apparently held up in the right hand, the bucket held hanging downwards in the left hand of the figure, which is almost always that of a winged genie or an animal-headed demon or monster (though not necessarily wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winged Genie
Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture. Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displayed most prominently in palaces or places of royalty. The two most notable places where the genies existed were Ashurnasirpal II’s palace Kalhu and Sargon II’s palace Dur-Sharrukin. Variations of style They appear in the reliefs of the walls and throughout the temples and palaces in a wide variety of ways. There are three common stylistic tendencies in reliefs with genii. First there are bearded, winged figures wearing a horned helmet. Next there are bearded, winged figures wearing a diadem instead of helmet. Finally there are winged, muscular, male figures with bird heads. They are usually adorned with rosettes on their diadem and/or wrists. Most often they are wearing a short sleeved, knee-length tunic with a tasseled hem. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Palace Reliefs
Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture. Much the best-known works are the huge ''lamassu'' guarding entrance ways, and Assyrian palace reliefs on thin slabs of alabaster, which were originally painted, at least in part, and fixed on the wall all round the main rooms of palaces. Most of these are in museums in Europe or America, following a hectic period of excavations from 1842 to 1855, which took Assyrian art from being almost completely unknown to being the subject of several best-selling books, and imitated in political cartoons. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyria
Assyria (Neo-Assyrian cuneiform: , romanized: ''māt Aššur''; syc, ܐܬܘܪ, ʾāthor) was a major ancient Mesopotamian civilization which existed as a city-state at times controlling regional territories in the indigenous lands of the Assyrians from the 21st century BC to the 14th century BC, then to a territorial state, and eventually an empire from the 14th century BC to the 7th century BC. Spanning from the early Bronze Age to the late Iron Age, modern historians typically divide ancient Assyrian history into the Early Assyrian ( 2600–2025 BC), Old Assyrian ( 2025–1364 BC), Middle Assyrian ( 1363–912 BC), Neo-Assyrian (911–609 BC) and post-imperial (609 BC– AD 630) periods, based on political events and gradual changes in language. Assur, the first Assyrian capital, was founded 2600 BC but there is no evidence yet discovered that the city was independent until the collapse of the Third Dynasty of Ur in the 21st century BC, when a line of independent kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
