Trajan (typeface)
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Trajan (typeface)
Trajan is a serif typeface designed in 1989 by Carol Twombly for Adobe. The design is based on the letterforms of ''capitalis monumentalis'' or Roman square capitals, as used for the inscription at the base of Trajan's Column from which the typeface takes its name. Trajan is an all-capitals typeface, as the Romans did not use lowercase letters. Twombly created the design taking inspiration from a full-size picture of a rubbing of the inscription. It is well known for appearing on many film posters. Background The capitals on the Column of Trajan have long been an inspiration to many artists and students of lettering. The calligrapher and type designer Edward Johnston in his book ''Writing & Illuminating & Lettering'' (1906) wrote that "the Roman capitals have held the supreme place among letters for readableness and beauty. They are the best forms for the grandest and most important inscriptions." Trajan letterforms were used for many years for signs in British public building ...
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Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ...
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Unified Serif And Sans-serif Typeface Families
Unified may refer to: * The Unified, a wine symposium held in Sacramento, California, USA * ''Unified'', the official student newspaper of Canterbury Christ Church University * UNFD, an Australian record label * ''Unified'' (Sweet & Lynch album), 2017 * ''Unified'' (Super8 & Tab album), 2014 Unify may refer to: * ''Unify'', an album by Electric Universe * Unify Corporation, former name of Daegis Inc. * Unify Gathering, an Australian music festival * Unify GmbH & Co. KG, formerly Siemens Enterprise Communications See also * * * * Unification (other) * United (other) * Unity (other) Unity may refer to: Buildings * Unity Building, Oregon, Illinois, US; a historic building * Unity Building (Chicago), Illinois, US; a skyscraper * Unity Buildings, Liverpool, UK; two buildings in England * Unity Chapel, Wyoming, Wisconsin, US; ...
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Old Style Serif Typefaces
Old or OLD may refer to: Places *Old, Baranya, Hungary *Old, Northamptonshire, England *Old Street station, a railway and tube station in London (station code OLD) *OLD, IATA code for Old Town Municipal Airport and Seaplane Base, Old Town, Maine, United States People *Old (surname) Music *OLD (band), a grindcore/industrial metal group * ''Old'' (Danny Brown album), a 2013 album by Danny Brown * ''Old'' (Starflyer 59 album), a 2003 album by Starflyer 59 * "Old" (song), a 1995 song by Machine Head *''Old LP'', a 2019 album by That Dog Other uses * ''Old'' (film), a 2021 American thriller film *''Oxford Latin Dictionary'' *Online dating *Over-Locknut Distance (or Dimension), a measurement of a bicycle wheel and frame *Old age See also *List of people known as the Old * * *Olde, a list of people with the surname *Olds (other) Olds may refer to: People * The olds, a jocular and irreverent online nickname for older adults * Bert Olds (1891–1953), Australian rules ...
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Display Typefaces
Display may refer to: Technology * Display device, output device for presenting information, including: ** Cathode ray tube, video display that provides a quality picture, but can be very heavy and deep ** Electronic visual display, output device to present information for visual or tactile reception *** Flat-panel display, video display that is much lighter and thinner than deeper, usually older types **** Liquid-crystal display (LCD), displays that use liquid crystals to form images ***** Liquid crystal display television (LCD TV), color TVs that use an LCD to form images **** Light-emitting diode (LED), emitting light when electrically charged, producing electroluminescence *** Stereo display, a display device able to convey image depth to a viewer **** Volumetric display, forms a visual representation of an object in three physical dimensions ** Refreshable braille display, electromechanical device to display braille characters ** Split-flap display, electromechanical alphanu ...
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Typefaces Designed By Carol Twombly
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ...
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Typefaces And Fonts Introduced In 1989
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ...
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Adobe Typefaces
Adobe ( ; ) is a building material made from earth and organic materials. is Spanish for ''mudbrick''. In some English-speaking regions of Spanish heritage, such as the Southwestern United States, the term is used to refer to any kind of earthen construction, or various architectural styles like Pueblo Revival or Territorial Revival. Most adobe buildings are similar in appearance to cob and rammed earth buildings. Adobe is among the earliest building materials, and is used throughout the world. Adobe architecture has been dated to before 5,100 B.C. Description Adobe bricks are rectangular prisms small enough that they can quickly air dry individually without cracking. They can be subsequently assembled, with the application of adobe mud to bond the individual bricks into a structure. There is no standard size, with substantial variations over the years and in different regions. In some areas a popular size measured weighing about ; in other contexts the size is weighin ...
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Incised Typefaces
Incision may refer to: * Cutting, the separation of an object, into two or more portions, through the application of an acutely directed force * A type of open wound caused by a clean, sharp-edged object such as a knife, razor, or glass splinter * Surgical incision, a cut made through the skin and soft tissue to facilitate an operation or procedure * River incision, in geomorphology * Incisions (album), by American deathcore band Oceano * Incision (band), a Dutch hard rock band * Incision (G.I. Joe) Cobra is the fictional nemesis of the G.I. Joe Team in the Hasbro toylines and related media. This is an alphabetical listing of Cobra members with unique identities as well as the members of its factions. Alexander McCullen Alexander McCullen ...
, a fictional character {{disambiguation ...
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Apex (diacritic)
In written Latin, the apex (plural "apices") is a mark with roughly the shape of an acute accent which was sometimes placed over vowels to indicate that they are long. The shape and length of the apex can vary, sometimes within a single inscription. While virtually all apices consist of a line sloping up to the right, the line can be more or less curved, and varies in length from less than half the height of a letter to more than the height of a letter. Sometimes, it is adorned at the top with a distinct hook, protruding to the left. Rather than being centered over the vowel it modifies, the apex is often considerably displaced to the right. Essentially the same diacritic, conventionally called in English the acute accent, is used today for the same purpose of denoting long vowels in a number of languages with Latin orthography, such as Irish (called in it the or simply "long"), Hungarian ( , from the words for "long" and "wedge"), Czech (called in it , "small line") and ...
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Long I
Long i ( la, i longum or '' itterai longa''), written , is a variant of the letter i found in ancient and early medieval forms of the Latin script. History In inscriptions dating to the early Roman Empire, it is used frequently but inconsistently to transcribe the long vowel . In Gordon's 1957 study of inscriptions, it represented this vowel approximately 4% of the time in the 1st century CE, then 22.6% in the 2nd century, 11% in the 3rd, and not at all from the 4th century onward, reflecting a loss of phonemic vowel length by this time (one of the phonological changes from Classical Latin to Proto-Romance). In this role it is equivalent to the (also inconsistently-used) apex, which can appear on any long vowel: . An example would be , which is generally spelled today, using macrons rather than apices to indicate long vowels. On rare occasions, an apex could combine with long i to form , e.g. . The long i could also be used to indicate the semivowel e.g. or , the latter a ...
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Font Superfamily
{{unsourced, date=March 2019 In typography, a font superfamily or typeface superfamily is a font family containing fonts that fall into multiple classifications. The norm in a superfamily is to start from an identical character shape; class-specific features such as serifs are added to that shape. The result is a set of fonts that, while belonging to different classes such as sans and serif, have a similar appearance. Generally the sans-serif member of a superfamily will be a humanist design to complement the serif. Other superfamilies may include fonts grouped together for a common purpose that are not exactly complementary in letterform structure. Notable superfamilies Same letterforms ; Berlingske: by Playtype, comprising Berlingske Serif, Berlingske Serif Display, Berlingske Serif Stencil, Berlingske sans, Berlingske Sans Display, Berlingske sans Stencil, Berlingske Slab, Berlingske Slab Display, Berlingske Slab Stencil, Berlingske Typewriter. ; FF Meta: by Erik Spieker ...
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