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Traffic (Traffic Album)
''Traffic'' is the second studio album by the English rock band of the same name, released in 1968 on Island Records in the United Kingdom as ILPS 9081T (stereo), and United Artists in the United States, as UAS 6676 (stereo). The album peaked at number 9 in the UK albums chart and at number 17 on the ''Billboard'' 200. It was the last album recorded by the group before their initial breakup. Background and content In January 1968, after some initial success in Britain with their debut album ''Mr. Fantasy'', Dave Mason had departed from the group. He produced the debut album by the group Family, containing in its ranks future Traffic bass player Ric Grech, while Traffic went on the road. In May, the band had invited Mason back to begin recording the new album. The album was somewhat of a departure from the psychedelia of Traffic's debut, featuring a more eclectic display of influences from blues to folk and jazz. Mason ended up writing and singing half of the songs on the albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traffic (band)
Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. Traffic Biography.AllMusic. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards (such as the Mellotron and harpsichord), sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. The band had early success in the UK with their debut album ''Mr. Fantasy'' and non-album singles "Paper Sun", "Hole in My Shoe", and " Here We Go Round the Mulberry Bush," Their self-titled 1968 album was their most successful in Britain and featured one of their most popular songs, the widely covered "Feelin' Alright?" Dave Mason left the band shortly after the album's release, as did Steve Winwood the following year when he joined the supergroup Blind Faith, and Traffic effectively disbanded. An album compiled from studio and live recordings, '' Last Exit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In A Doll's House
''Music in a Doll's House'' is the debut album by English progressive rock group Family, released on 19 July 1968. The album, co-produced by Dave Mason of Traffic,Vernon Joynson, ''The Tapestry of Delights Revised, The Comprehensive Guide To British Music Of The Beat, R&B, Psychedelic and Progressive Eras 1963 - 1976'', 2006 Edition (Borderline Productions, Reprinted 2008), pp. 276 features a number of complex musical arrangements contributing to its ambitious psychedelic sound. Background The Beatles had originally intended to use the title ''A Doll's House'' for the double album they were recording during 1968. The release of Family's similarly titled debut then prompted them to adopt the minimalist title ''The Beatles'' for what is now commonly referred to as the "White Album" due to its plain white sleeve. "Old Songs, New Songs" features a cameo from the Tubby Hayes group, arranged by 18-year-old Mike Batt. Hayes played the tenor sax solo at the end of the track (uncredited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Miller
James Miller (March 23, 1942 – October 22, 1994) was an American record producer and musician. While he produced albums for dozens of different bands and artists, he is most closely associated for his work with several key musical acts of the 1960s and 1970s. Miller rose to prominence working with the various bands of vocalist Steve Winwood (including Spencer Davis Group, Traffic, and Blind Faith). His best acclaimed work was his late 1960s-early 1970s work with the Rolling Stones for whom he produced a string of singles and albums that rank among the most critically and financially successful works of the band's career: '' Beggars Banquet'' (1968), ''Let It Bleed'' (1969), ''Sticky Fingers'' (1971), ''Exile on Main St.'' (1972) and ''Goats Head Soup'' (1973). In the late 1970s, he began working with Motörhead and continued to produce until his death in 1994. Early life Miller was the son of Anne Wingate and Bill Miller, a Las Vegas entertainment director and the man who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remastered
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track Magnetic tape, tap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Here We Go Round The Mulberry Bush (film)
''Here We Go Round the Mulberry Bush'' is a 1968 British comedy film produced and directed by Clive Donner, based on the 1965 Here We Go Round the Mulberry Bush (novel), novel of the same name by Hunter Davies. The film stars Barry Evans, Judy Geeson and Angela Scoular. It was listed to compete at the 1968 Cannes Film Festival, but the festival was cancelled due to the events of May 1968 in France. The film was released on DVD and Blu-ray officially for the first time by the British Film Institute (BFI) in September 2010 as part of its " Flipside" strand. Plot Jamie McGregor (Barry Evans) is a virginal sixth-former in a Swinging Sixties new town, delivering groceries for the local supermarket. However he is more interested in matters sexual and sets out to lose his virginity by attempting to seduce the local girls – Linda, Paula, Caroline, and his dream girl, Mary. He ultimately succeeds in bedding the sexually aggressive Audrey, only to learn too late that sex is not as im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welcome To The Canteen
''Welcome to the Canteen'' is the first live album by English rock band Traffic. It was recorded live at Fairfield Halls, Croydon and the Oz Benefit Concert, London, July 1971 and released in September of that year. It was recorded during Dave Mason's third stint with the band, which lasted only six performances. The track list includes one song each from the first three Traffic albums; two songs from Mason's first solo album, '' Alone Together''; and "Gimme Some Lovin'" from Steve Winwood's former band, the Spencer Davis Group. (Winwood's organ and Mason's rhythm guitar are conspicuously out of sync for part of "Gimme Some Lovin'".) In the band's native United Kingdom, the album was a surprise flop, the first in a series of albums by the group that would fail to make an appearance in the charts.Traffic in the UK Charts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Winwood
Stephen Lawrence Winwood (born 12 May 1948) is an English musician, singer, and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, guitar, bass, and saxophone. Winwood was an integral member of three seminal musical ensembles of the 1960s and 1970s: the Spencer Davis Group, Traffic, and Blind Faith. Beginning in the 1980s, his solo career flourished and he had a number of hit singles, including "While You See a Chance" (1980) from the album ''Arc of a Diver'' and "Valerie" (1982) from ''Talking Back to the Night'' ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation album ''Chronicles''). His 1986 album ''Back in the High Life'' marked his career zenith, with hit singles including "Back in the High Life Again", "The Finer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Capaldi
Nicola James Capaldi (2 August 1944 – 28 January 2005) was an English singer-songwriter and drummer. His musical career spanned more than four decades. He co-founded the progressive rock band Traffic in 1967 with Steve Winwood with whom he co-wrote the majority of the band's material. He was inducted into the Rock and Roll Hall of Fame as a part of Traffic's original lineup. Capaldi also performed with Jimi Hendrix, Eric Clapton, George Harrison, Alvin Lee, Cat Stevens, and Mylon LeFevre, and wrote lyrics for other artists, such as "Love Will Keep Us Alive" and "This is Reggae Music". As a solo artist he scored more than a half dozen chart hits in various countries, the best-known being "That's Love" as well as his cover of "Love Hurts". Career Early years Capaldi was born Nicola James Capaldi in Evesham, Worcestershire, to English parents Marie (Née Couchier) and Nicholas Capaldi. His father was born Nicola Capaldi in 1913 in Evesham to Italian parents. As a child Capaldi s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
