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Traditional Malaysian Musical Instruments
Traditional Malaysian instruments are the musical instruments used in the traditional and classical music of Malaysia. They comprise a wide range of wind, string, and percussion instruments, used by both the Malay majority as well as the nation's ethnic minorities. Percussion Instruments * Bebendil - used in traditional performances in Sabah. * Bonang Baron - used in classical Malay music of '' Malay Gamelan''. *Bungkau - used in traditional performances in Sabah. *Canang **Canang Anak - used in traditional performances such as '' Wayang Kulit'', '' Mak Yong'' and ''Main Puteri''. **Canang Ibu - used in traditional performances such as '' Wayang Kulit'', '' Mak Yong'' and ''Main Puteri''. * Gabbang - used in traditional performances in Sabah. * Gambang Kayu - used in classical Malay music of '' Malay Gamelan''. *Gedombak **Gedombak Anak - used in traditional performances such as '' Wayang Kulit'' **Gedombak Ibu - used in traditional performances such as '' Wayang Kulit'' *Geduk **G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babendil
The babandil is a single, narrow-rimmed Philippine gongBenitez, Kristina. The Maguindanaon Kulintang: Musical Innovation, Transformation and the Concept of Binalig. Ann Harbor, MI: University of Michigan, 2005. used primarily as the “timekeeper” of the Maguindanao kulintang ensemble. Description The babendil usually has a diameter of roughly one foot making it larger than the largest kulintang gong and comparable to the diameter of the agung or gandingan. However, unlike the gandingan or the agong, the babendil has a sunken boss which makes the boss relatively non-functional.Cadar, Usopay Hamdag (1971). The Maranao Kolintang Music: An Analysis of the Instruments, Musical Organization, Ethmologies, and Historical Documents. Seattle, WA: University of Washington. Because of their sunken boss, babendils are instead struck either at the flange or the rim, using either bamboo betays or a strip of rattan, producing a sharp, distinctive metallic clang and are sometimes considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kompang
''Kompang'' ( ban, ᬓᭀᬫ᭄ᬧᬂ; jv, ꦏꦺꦴꦩ꧀ꦥꦁ, ) is a traditional Balinese and Javanese musical instrument part of gamelan in the percussion family originated from the Indonesian region of Ponorogo in East Java. Kompang has existed in Indonesia since at least the 8th century and has spread to various regions of Indonesia as well as the Southeast Asia in general, such as Singapore, Malaysia, Brunei and Thailand, which later became known as ''Kompang Jawa''. Since 2011, several types of Kompang have been recorded and recognized by the Ministry of Education, Culture, Research, and Technology as National Intangible Cultural Heritage of Indonesia. And in 2021, the United Nations Educational, Scientific and Cultural Organization or what is often known as UNESCO has designated Gamelan (a set of musical instruments that includes Kompang) as an Intangible Cultural Heritage from Indonesia. Etymology Etymologically, the word 'kompang' is absorbed from the jv, ꦏꦺ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krem (instrument)
The krem is a musical instrument, a type of bamboo tube zither played by the Jah Hut group of the Orang Asli tribal peoples of Malaysia. The instrument is made of a bamboo tube, open at one end and with some slits for sound-holes; it has two strings, previously made of roots but now often nylon. The root strings were once coated with resin to produce a "loud, firm sound." The instrument may be plucked or bowed, and is mainly played by women. See also * Pergam, another bamboo zither, but idiochord, played by the Jah Hut people Jah Hut people are one of the Orang Asli tribes living in Pahang, Malaysia. As of 2000, the population of the Jah Hut people are 2,442 and by 2005, it is estimated that there are approximately 4,000 people living in 11 kampungs (villages) that a ... References Bamboo musical instruments Orang Asli musical instruments Malaysian musical instruments Bowed instruments Tube zithers {{zither-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sapeh Player, Central Market, Kuala Lumpur, Malaysia - 20070401
The sape' (sampek, sambe', sapek) is a traditional lute of the Kenyah and Kayan community who live in the longhouses that line the rivers of East Kalimantan and North Kalimantan, Indonesia and Northern part of Sarawak, Malaysia. Sape' are carved from a single bole of wood, with many modern instruments reaching over a metre in length. (Indonesian) Initially the sape was a fairly limited instrument with two strings and only three frets. Its use was restricted to a form of ritualistic music to induce trance. In the last century, the sape gradually became a social instrument to accompany dances or as a form of entertainment. Today, three, four or five-string instruments are used, with a range of more than three octaves. Technically, the sape is a relatively simple instrument, with one string carrying the melody and the accompanying strings as rhythmic drones. In practice, the music is quite complex, with many ornamentations and thematic variations. There are two common modes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and India. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Saron (instrument)
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan notation, kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one oct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebana
The rebana or terbangan is a tambourine that is used in Islamic devotional music in Southeast Asia, particularly in Indonesia, Malaysia, Brunei, and Singapore. The sound of the rebana often accompany Islamic ritual such as the zikir. The name ''rebana'' came from the Arabic word ''robbana'' ("our Lord"). The ''rebana'' is also used by the Cham people of Cambodia and also gave rise to the ''Rabana'' which is used by the Sinhalese people of Sri Lanka. Cambodia The rebana is also used among the Cham and Malay ethnic groups in Cambodia. A large variation of the rebana is used in the Yike theatre of Cambodia where it is called ''skor yike'' ស្គរយីកេ (or ''yike'' drum). Indonesia Rebana in Indonesia is particularly associated with the Muslim community, such as the Ponoraganese in Java, Minang in Sumatra and the Betawi in Jakarta. Ponorogo In Ponorogo Rebana called Kompang has been around since the 15th century, a change to the buddha drum. Kompang is used as a ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirwas
The ''mirwās'' or ''marwas'' ( ar, مرواس), plural ''marāwīs'' ( ar, مراويس) is a small double-sided, high-pithced hand drum originally from the Middle East. It is a popular instrument in the Arab States of the Persian Gulf, used in '' sawt'' and ''fijiri'' music. It is also common in Kuwait and Yemen. Hadhrami migrants from Yemen took the instrument to Muslim Southeast Asia (especially Indonesia, Malaysia and Brunei), where it is used in ''Zapin'' and '' Gambus'' musical genres. A similar drum of this area is the ''Gendang''. The Marwas drums used to accompany '' Gambus'' music in ''Lampung'', ''Indonesia'' often consist of four sizes with two skins of a diameter between 12-20 centimetres. The skins are commonly made from goatskin and formerly black monkey skin and are laced with leather or plastic to a jackfruit-wood cylindrical body of around 8 to 10 centimetres in height. See also * Qanbus * Zapin References Double-skinned (double-headed) drums- Oman Centre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
