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Top Drawer
''Top Drawer'' is a 1983 album by Mel Tormé, accompanied by George Shearing. At the 26th Grammy Awards, Tormé's performance on this album won him the Grammy Award for Best Jazz Vocal Performance, Male. Track listing # "A Shine on Your Shoes" (Howard Dietz, Arthur Schwartz) – 3:06 # "How Do You Say Auf Wiedersehen?" ( Johnny Mercer, Tony Scibetta) – 5:45 # " Oleo" ( Sonny Rollins) – 4:15 # " Stardust" (Hoagy Carmichael, Mitchell Parish) – 5:45 # " Hi Fly" (Randy Weston) – 3:24 # "Smoke Gets in Your Eyes" (Otto Harbach, Jerome Kern) 6:02 # "What's This?" ( Dave Lambert) – 3:13 # " Away in a Manger" (Traditional) – 3:51 # "Here's to My Lady" ( Rube Bloom, Mercer) – 3:20 Personnel * Mel Tormé - vocals * George Shearing - piano * Don Thompson - double bass The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox ...
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Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells. Early life Melvin Howard Tormé was born in Chicago, Illinois, to William David Torme, a Jewish immigrant from Poland, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant. He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs ''The Romance of Helen Trent'' and ''Jack Armstrong, the All-American Boy''. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit for ...
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Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Rube Bloom
Reuben Bloom (April 24, 1902 – March 30, 1976) was an American songwriter, pianist, arranger, band leader, recording artist, vocalist, and author. Life and career Bloom was born and died in New York City. He was Jewish. During his career, he worked with many well-known performers, including Bix Beiderbecke, Joe Venuti, Ruth Etting, Stan Kenton, Tommy and Jimmy Dorsey. He collaborated with a wide number of lyricists, including Johnny Mercer, Ted Koehler, and Mitchell Parish. During the 1920s he wrote many novelty piano solos, which are still well regarded today. He recorded for the Aeolian Company's Duo-Art reproducing piano system various titles including his "Spring Fever". His first hit came in 1927 with "Soliloquy"; his last was "Here's to My Lady" in 1952, which he wrote with Johnny Mercer. In 1928, he made a number of records with Joe Venuti's Blue Four for OKeh, including five songs he sang, as well as played piano. Bloom formed and led a number of bands during his career ...
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Away In A Manger
"Away in a Manger" is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols; a 1996 Gallup Poll ranked it joint second. Although it was long claimed to be the work of German religious reformer Martin Luther, the carol is now thought to be wholly American in origin. The two most common musical settings are by William J. Kirkpatrick (1895) and James Ramsey Murray (1887). Words The popularity of the carol has led to many variants in the words, which are discussed in detail below. The following are taken from Kirkpatrick (1895): Variants Almost every line in the carol has recorded variants. The most significant include the following: * Verse 1, line 1: The earliest sources have "no crib for his bed". "No crib for a bed" is found in Murray (1887). * Verse 1, line 2: The earliest sources have "lay down his sweet head." "Laid" is first found in "Little Children's Book ...
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Dave Lambert (American Jazz Vocalist)
David Alden Lambert (June 19, 1917 – October 3, 1966) was an American jazz lyricist, singer, and an originator of vocalese. He was best known as a member of the trio Lambert, Hendricks & Ross. Lambert spent a lifetime experimenting with the human voice, and expanding the possibilities of its use within jazz. Career Lambert's band debut was with Johnny Long's Orchestra in the early 1940s. Along with early partner Buddy Stewart, Lambert successfully brought singing into modern jazz (concurrently with Ella Fitzgerald). In the late 1950s he teamed with wordsmith and vocalese pioneer Jon Hendricks. The two were later joined by Annie Ross, and the lineup was a hit. After Ross left the group in 1962, Lambert and Hendricks went on without her by using various replacements, but the partnership ended in 1964. He then formed a quintet called "Lambert & Co." which included the multiple voices of Mary Vonnie, Leslie Dorsey, David Lucas, and Sarah Boatner. The group auditioned for RCA in ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Otto Harbach
Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine". Early life and education Otto Abels Hauerbach was born on August 18, 1873, in Salt Lake City, Utah to Danish immigrant parent ...
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Smoke Gets In Your Eyes
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical '' Roberta''. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with the B-side, "Jealousy", featuring Isham Jones and his Orchestra. Paul Whiteman had the first hit recording of the song on the record charts in 1934. The song was reprised by Irene Dunne, who performed it in the 1935 film adaptation of the musical co-starring Fred Astaire, Ginger Rogers, and Randolph Scott. The song was also included in the 1952 remake of ''Roberta'', '' Lovely to Look At'', in which it was performed by Kathryn Grayson, and was a number 1 chart hit in 1959 for The Platters. Later recordings 1930s–1950s Paul Whiteman and h ...
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Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound"
YouTube video, March 27, 2018.
Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston. Described as "America's African Musical Ambassador", Weston once said: "What I do I do because it's about teaching and informing everyone about our most natural cultural phenomenon. It's really about Africa a ...
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Hi-Fly (Randy Weston Song)
"Hi-Fly" (also sometimes spelled "Hi Fly" or "High Fly") is one of the best known compositions by pianist Randy Weston, written in the 1950s and inspired by his experience of being 6 feet 8 inches tall, "and how the ground looks different to you than everybody else". Since first being recorded on 1958's '' New Faces at Newport'', "Hi-Fly" appears on several other albums by Weston, including '' Live at the Five Spot'' (1959), '' Niles Littlebig'' (1969), '' Tanjah'' (1973), ''Perspective'' (with Vishnu Wood, 1976), ''Rhythms and Sounds'' (1978), ''Earth Birth'' (1995), ''Zep Tepi'' (2005), and ''The Storyteller'' (2009). Jon Hendricks wrote lyrics to the song, recorded first in 1959 on the album ''The Hottest New Group in Jazz'' and also appearing on 1961's ''High Flying With Lambert, Hendricks & Ross''. Among others who have recorded vocal covers are Abbey Lincoln (on ''The World Is Falling Down'', 1991), Mel Tormé (on 1962's '' Comin' Home Baby!'' and other albums), Karin Krog on ...
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