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Toothache (film)
''Toothache'' ( fa, دندان درد, translit=Dandan dard, italic=yes) is a 1980 in film, 1980 Iranian short film, short educational film written, directed and edited by Abbas Kiarostami. It is also known as ''Dental Hygiene'' ( fa, بهداشت دندان, translit=Behdasht-e dandan, italic=yes) which has let to some confusion and resulted in the film being listed under the latter title as an additional entry in some online filmographies, e.g. on Internet Movie Database, IMDb. Shot on 16 mm film, 16mm, ''Toothache'' is the antepenultimate of the odd dozen pedagogical short movies that Kiarostami made at the film-making department of the Institute for the Intellectual Development of Children and Young Adults, Institute for the Intellectual Development of Children and Young Adults (Kanoon) between 1970 and 1982. The film, concerned with teaching children why they must care for their teeth and brush them regularly, "is certainly the longest, the most didactic in tone and the mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbas Kiarostami
Abbas Kiarostami ( fa, عباس کیارستمی ; 22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including short film, shorts and documentaries. Kiarostami attained critical acclaim for directing the ''Koker trilogy, Koker'' Koker trilogy, trilogy (1987–1994), ''Close-Up (1990 film), Close-Up'' (1990), ''The Wind Will Carry Us'' (1999), and ''Taste of Cherry'' (1997), which was awarded the Palme d'Or at the 1997 Cannes Film Festival, Cannes Film Festival that year. In later works, ''Certified Copy (film), Certified Copy'' (2010) and ''Like Someone in Love (film), Like Someone in Love'' (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films ''Where Is the Friend's House?, Where Is the Friend's Home?'' (1987), ''Close-Up'', and ''The Wind Will Carry Us'' were ranked among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consolidation Of The Iranian Revolution
The consolidation of the Iranian Revolution refers to a turbulent process of Islamic Republic stabilization, following the completion of the Islamic revolution. After the Shah of Iran and his regime were overthrown by Islamic revolutionaries in February 1979, Iran was in a "revolutionary crisis mode" from this time until 1982 or 1983. Its economy and the apparatus of government collapsed. Military and security forces were in disarray. Following the events of the Islamic revolution, Marxist guerrillas and federalist parties revolted in some regions comprising Khuzistan, Kurdistan, and Gonbad-e Qabus, which resulted in fighting between them and the Islamic forces. These revolts began in April 1979 and lasted for several months to more than a year, depending on the region. Recently published documents show that United States was afraid of those revolts. National Security Advisor Zbigniew Brzezinski discussed with his staff about a possible American invasion of Iran by using Turkish b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegesis
Diegesis (; from the Ancient Greek, Greek from , "to narrate") is a style of fictional, fiction storytelling that presents an interior view of a world in which: # Details about the world itself and the experiences of its characters are revealed explicitly through narrative. # The story is told or recounted, as opposed to shown or enacted. # There is a presumed detachment from the story of both the speaker and the audience. In diegesis, the narrator ''tells'' the story. The narrator presents the actions (and sometimes thoughts) of the characters to the readers or audience. In a rather different usage, diegetic elements are part of the fictional world ("part of the story"), as opposed to non-diegetic elements which are stylistic elements of how the narrator tells the story ("part of the storytelling"). Diegesis and mimesis according to the Greeks ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran–Iraq War
The Iran–Iraq War was an armed conflict between Iran and Iraq that lasted from September 1980 to August 1988. It began with the Iraqi invasion of Iran and lasted for almost eight years, until the acceptance of United Nations Security Council Resolution 598 by both sides. Iraq's primary rationale for the attack against Iran cited the need to prevent Ruhollah Khomeini—who had spearheaded Iran's Islamic Revolution in 1979—from exporting the new Iranian ideology to Iraq; there were also fears among the Iraqi leadership of Saddam Hussein that Iran, a theocratic state with a population predominantly composed of Shia Muslims, would exploit sectarian tensions in Iraq by rallying Iraq's Shia majority against the Baʽathist government, which was officially secular and dominated by Sunni Muslims. Iraq also wished to replace Iran as the power player in the Persian Gulf, which was not seen as an achievable objective prior to the Islamic Revolution because of Pahlavi Iran's economi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orderly Or Disorderly
''Orderly or Disorderly'' ( fa, به ترتیب یا بدون ترتیب؟, translit=Be tartib ya bedun-e tartib?, italic=yes) is a 1981 Iranian short film directed by Abbas Kiarostami. See also *List of Iranian films A list of films produced in Iran ordered by year of release. For an alphabetical list of Iranian films see :Iranian films. * List of Iranian films before 1960 * List of Iranian films of the 1960s * List of Iranian films of the 1970s * List of Ir ... External links * Films directed by Abbas Kiarostami 1981 films 1980s Persian-language films Iranian short films {{short-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senses Of Cinema
''Senses of Cinema'' is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, ''Senses of Cinema'' publishes work by film critics from all over the world, including critical essays, career overviews of the works of key directors, and coverage of many international festivals. Its contributors have included Raphaël Bassan, Salvador Carrasco, Barbara Creed, Wheeler Winston Dixon, David Ehrenstein, Thomas Elsaesser, Valie Export, Gwendolyn Audrey Foster, Dušan Makavejev, Edgar Morin, Joseph Natoli, Murray Pomerance, Berenice Reynaud, Jonathan Rosenbaum, David Sanjek, Sally Shafto, David Sterritt, Robert Dassanowsky, and Viviane Vagh. The magazine's current editors are Amanda Barbour, César Albarrán-Torres, Tara Judah, Abel Muñoz-Hénonin and Fiona Villella. Format Every issue of ''Senses of Cinema'' follows roughly the same format: about a dozen "featured articles," often related to a unifying theme, a special dossier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Franju
Georges Franju (; 12 April 1912 – 5 November 1987) was a French filmmaker. He was born in Fougères, Ille-et-Vilaine. Biography Early life Before working in French cinema, Franju held several different jobs. These included working for an insurance company and a noodle factory. He served briefly in the military in Algeria and was discharged in 1932. Upon his return, he studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folies Bergère. In the mid-thirties, Franju and Henri Langlois met through Franju's twin brother Jacques Franju.Ince, 2005. p.2 As well as creating the 16 mm short film ''Le Métro'', Langlois and Franju also started a short-lived film magazine and created a film club called ''Le Cercle du Cinema'' with 500 francs he borrowed from Langlois' parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From ''Le Cercle du Cinema'', Franju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cahiers Du Cinéma
''Cahiers du Cinéma'' (, ) is a French film magazine co-founded in 1951 by André Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca.Itzkoff, Dave (9 February 2009''Cahiers Du Cinéma Will Continue to Publish''The New York TimesMacnab, Geoffrey (7 April 2001''Pretentious, nous?''''The Guardian'' It developed from the earlier magazine ''Revue du Cinéma'' ( established in 1928) involving members of two Paris film clubs Objectif 49 (Robert Bresson, Jean Cocteau, and Alexandre Astruc, among others; ) and Ciné-Club du Quartier Latin (). Initially edited by Doniol-Valcroze and, after 1957, by Éric Rohmer (aka, Maurice Scherer), it included amongst its writers Jacques Rivette, Jean-Luc Godard, Claude Chabrol, and François Truffaut, who went on to become highly influential filmmakers. It is the oldest French-language film magazine in publication. History The first issue of ''Cahiers'' appeared in April 1951. Much of its head staff, including Bazin, Doniol-Valcroze, Lo Duca, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formalism (literature)
Formalism is a school of literary criticism and literary theory having mainly to do with structural purposes of a particular text. It is the study of a text without taking into account any outside influence. Formalism rejects or sometimes simply "brackets" (''i.e.'', ignores for the purpose of analysis) notions of culture or societal influence, authorship, and content, and instead focuses on modes, genres, discourse, and forms. In literary theory In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes. The formalistic approach reduces the importance of a text's historical, biographical, and cultural context. Formalism rose to prominence in the early twentieth century as a reaction against Romanticist theories of literature, which centered on the artist and individual creative genius, once again placing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
