Too Cool To Live, Too Smart To Die (album)
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Too Cool To Live, Too Smart To Die (album)
''Too Cool to Live, Too Smart to Die'' is a mini-LP by the Canadian garage rock Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The sty ... band Deja Voodoo, released by the American label Midnight Records in 1985. It was reissued in 1988 on the band's label, Og Music, with "dirt-floor mix" remastering, an additional song ("Lonely Motel") and a slightly different track list order. Track listing All songs written by Gerard Van Herk, unless otherwise indicated. 1985 Midnight Records release 1988 Og Music release Personnel * Tony Dewald - Drums, stomping feet on "Gotta Have Money" * Gerard Van Herk - Guitar, voice Notes and references {{Authority control 1985 albums Deja Voodoo (Canadian band) albums Og Music albums ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Deja Voodoo (Canadian Band)
Deja Voodoo was a Canadian garage rock band, formed by Gerard van Herk (guitar and singing) and Tony Dewald (drums), who combined 1950s horror imagery with rockabilly and country musical influences. Van Herk's guitar only had the top four strings and he sang in a deep voice, whilst Dewald's drum kit had no cymbals, which resulted in a low-treble rock style they termed "sludgeabilly." The band toured in Canada, the United States, and even Europe. Early days Both born in the 1960s, van Herk and Dewald each grew up in Montreal. In 1981, the two joined together to form Deja Voodoo. Their music generally consisted of short songs influenced by rockabilly and punk artists. As Deja Voodoo was embarking on its first performances, Montreal was receiving an influx of immigrants from Western Canada, and independent record labels were starting to spring up. In turn, numerous niche bands began to appear across the city. As a result of an oversaturated market, Deja Voodoo struggled to find a ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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Og Music
Og Music was a small but influential independent record label based in Montreal, Quebec, Canada.Michael Barclay, Ian A.D. Jack and Jason Schneider, '' Have Not Been the Same: The Can-Rock Renaissance 1985-1995''. ECW Press. . The label was established in 1983 by the band members of Deja Voodoo, Gerard van Herk and Tony Dewald. It ceased operations in 1990. History The label started by putting out cassette-only releases, and soon began to release full vinyl LPs. As of 2007 none of these releases has ever been re-released on CD. In addition to releasing material from Deja Voodoo, the label was notable for giving early exposure to groups that would later go on to more mainstream success, such as Shadowy Men on a Shadowy Planet and Cowboy Junkies. Their best selling albums were the '' It Came from Canada'' compilations, which featured tracks from many Canadian indie artists of the time — in all, five such compilations were released. None of the album releases made it to mains ...
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Cemetery (Album)
''Cemetery'' is the first studio album by the Canadian garage rock Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The sty ... band Deja Voodoo. The album was recorded in ''Studio Secret'', save for the title track, which was recorded "in Bob's basement". Track listing #"Things with You" #"Big Scary Daddy" #"Skeleton at My Party" #"If Mashed Potatoes" #"Long Tall Texan" #"How Can I Miss You" #"Kill Kill Kill" #"I Better Think" #"Voodoo Barbecue" #"Metro Vers L'enfer" #"Crocodile Tears" #"Buy Insurance" #"Eager Beaver Baby" #"Cemetery" #"Strange" #"Jungle Out There" #"Stop" #"Wormtown" #"16 Tons" Personnel * Tony Dewald, drums * Gerard van Herk, guitar/voice References 1984 debut albums Deja Voodoo (Canadian band) albums Og Music albums {{1980s-rock-album-stub ...
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Swamp Of Love (album)
''Swamp of Love'' is the third studio album released by the Canadian garage rock Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The sty ... band Deja Voodoo. Track listing #"Blast Off!" #"Endless Sleep" #"New Kind of Mambo" #"Pig Fat Papa" #"Place I Live" #"White Sugar" #"Wasn't That a Fish" #"Love Me Now" #"Shoobedy Hey" #" Coelecanth" ic#"Three Men, One Coffin" #"Swamp of Love" #"Baby Please Don't Go" #"Cat That's Gone to the Dogs" #"Black Dress" #"Bad Book" #"Carfish" #"Stuff" #"Dead Daddy Dead" #"Where I've Been (Tonight)" #"Don't Let No Ning Heads in Your Home" #"Viet Cong" Source . Personnel * Tony Dewald, drums * Gerard van Herk, guitar/voice References {{Authority control 1986 albums Deja Voodoo (Canadian band) albums Og Music albums ...
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Mini-LP
A mini-LP or mini-album is a short vinyl record album or LP, usually retailing at a lower price than an album that would be considered full-length. It is distinct from an EP due to containing more tracks and a slightly longer running length. A mini-LP is not to be confused with the Japanese CDs issued in a "mini LP sleeve" or "paper jacket". In South Korea, a mini album () is a type of music release that contains 4-7 songs. It is shorter than a Album, full album but longer than a single album. It is usually synonymous with extended play, however, some music distributors may classify mini albums with 7 or more songs as an album. Artists often use the chronological placement of a mini album in their discography as part of the title of the release. For example, ''2NE1 (2009 EP), 2NE1 1st Mini Album'' or ''Taste of Love (EP), Taste of Love: The 10th Mini Album''. History Mini-LPs became popular in the early 1980s with record companies who targeted consumers who were reluctant t ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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Down In Mexico
"Down in Mexico" is the debut single by the Coasters, released in 1956. The song was written by Jerry Leiber and Mike Stoller and appears on the 1957 album, ''The Coasters''. It reached No. 8 on the Hot R&B/Hip-Hop Songs, R&B chart in 1956. This song is about a person, who goes down to Mexico, where he meets a boss, who wears a red bandanna, and plays the piano in a honky-tonk. Also, a dance erupts, where a Mexican girl dances wildly with the narrator of the song. This song features castanets. This song features a spoken recitation, in a Mexican accent, before the song's fade, by Carl Gardner. The song appears in the film ''Death Proof'', directed by Quentin Tarantino. The version used is a re-recording done in 1973. The song also appears in ''The Hangover Part III'', directed by Todd Phillips. Personnel * Mike Stoller, piano * Gil Bernal, saxophone * Barney Kessell, guitar * probably Adolph Jacobs, guitar * Ralph Hamilton, bass * Jesse Sailes, drums * Chico Guerrero, congas ...
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Jerry Leiber And Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spect ...
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Hayden Thompson
Hayden Thompson (born March 5, 1938) is an American singer, songwriter, and rockabilly musician. He is a member of the Rockabilly Hall of Fame. Thompson was born in Booneville, Mississippi, United States. At high school Thompson formed the Southern Melody Boys, who made a recording which led from a radio session. "I Feel the Blues Coming On" was sung by Thompson and gave them another radio appearance on the "Louisiana Hayride" show. Thompson then joined the Dixie Jazzlanders who toured Mississippi. He relocated to Memphis, Tennessee and made an unreleased recording in 1956. "Love My Baby" was issued on the Phillips International label in September 1957, and Thompson toured alongside Sonny Burgess and Billy Lee Riley. The following year, Thompson moved again, this time to Chicago, Illinois, where he gained a residency at the Rivoli Ballroom, Chicago's latest country music venue. Thompson's recording of "$16.88" for Kapp Records Kapp Records was an independent record labe ...
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