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Too Bad
"Too Bad" is a song by Canadian rock band Nickelback, released on November 27, 2001, as the second single from their third studio album, ''Silver Side Up'' (2001). The song reached number 42 on the US ''Billboard'' Hot 100 Chart, number one on the ''Billboard'' Mainstream Rock Tracks Chart, and peaked within the top 20 in Ireland, the Netherlands, and the United Kingdom. Lyrical content The lyrics were written by the band's singer and guitarist Chad Kroeger and deals with the issues he felt growing up without his father, who abandoned him at age two. Music video A music video was made for the song showing the band playing in the "Woodley Sawmill". A picture of the father and his son standing next to a truck is shown. The father leaves his family and his son seems to be the most impacted. After years pass, he and his mother get into a fight ending with him leaving. He speeds down a dirt road where several flashbacks appear and distracted he crashes into a wooden post, breaking ...
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Nickelback
Nickelback is a Canadian Rock music, rock band formed in 1995 in Hanna, Alberta. It is composed of guitarist and lead vocalist Chad Kroeger, guitarist, keyboardist and backing vocalist Ryan Peake, bassist Mike Kroeger, and drummer Daniel Adair. It went through several drummer changes between 1995 and 2005, achieving its current lineup when Adair replaced Ryan Vikedal. Nickelback is one of the most commercially successful Canadian rock bands, having sold more than 50 million albums worldwide. In 2009, ''Billboard (magazine), Billboard'' ranked it the most successful rock group of that decade; "How You Remind Me" was the best-selling rock song and the fourth-best overall. The band ranked at No. 7 on the ''Billboard'' top artist of the decade list, with four albums among the publication's top albums of the decade. The band signed with Roadrunner Records in 1999 and re-released its once-independent second studio album ''The State (album), The State''. This album was commercially ...
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Nielsen BDS
Broadcast Data Systems (also known as BDS or Luminate BDS), is a service that tracks radio, television and internet airplay of songs. The service, which is a unit of MRC Data, is a contributing factor to North American charts published by co-owned magazine '' Billboard'', including the Billboard Hot 100 and Canadian Hot 100, when combined with sales and streaming data from Soundscan. BDS monitors airplay on more than 2,000 radio stations, satellite radio, and cable music channels across the United States (including Puerto Rico), Canada, and Mexico. Luminate distributes BDS airplay data in their suite of music data products, including Music Connect, BDSRadio, BDS RealTime, ENcore and Musictracking. From August 2006 to its final June 2009 publication, BDS also provided chart data for '' R&R'' after Nielsen acquired the trade. On September 10, 2009, the website ''Radio-Info.com'' struck a partnership with Nielsen BDS to provide radio airplay charts and related data for over 20 forma ...
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2001 Songs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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2001 Singles
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Nickelback Songs
Nickelback is a Canadian rock band formed in 1995 in Hanna, Alberta. It is composed of guitarist and lead vocalist Chad Kroeger, guitarist, keyboardist and backing vocalist Ryan Peake, bassist Mike Kroeger, and drummer Daniel Adair. It went through several drummer changes between 1995 and 2005, achieving its current lineup when Adair replaced Ryan Vikedal. Nickelback is one of the most commercially successful Canadian rock bands, having sold more than 50 million albums worldwide. In 2009, ''Billboard'' ranked it the most successful rock group of that decade; "How You Remind Me" was the best-selling rock song and the fourth-best overall. The band ranked at No. 7 on the ''Billboard'' top artist of the decade list, with four albums among the publication's top albums of the decade. The band signed with Roadrunner Records in 1999 and re-released its once-independent second studio album ''The State''. This album was commercially successful, as was its follow-up, ''Silver Side Up'', ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Maxi Single
A maxi single or maxi-single (sometimes abbreviated to MCD or CDM) is a music single release with more than the usual two tracks of an A-side song and a B-side song. The first maxi singles Mungo Jerry's first single, "In the Summertime" was the first maxi single in the world. The term came into wide use in the 1970s, where it usually referred to 7-inch vinyl singles featuring one track on the A-side and two on the B-side. The 1975 reissue of David Bowie's "Space Oddity", where the featured song is coupled with "Changes" and "Velvet Goldmine", is a typical example. By the mid-1970s, it was used to refer to 12" vinyl singles with three or four tracks (or an extended or remixed version of the lead single/song) on the A-side, with an additional two or three tracks on the B-side; the B-side was initially used by DJs. Later, in the 1980s, a typical practice was to release a two-song single on 7" vinyl and cassette, and a maxi-single on 12" vinyl. These first 12" maxi-singles were prom ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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Active Rock
Active rock is a radio format used by many commercial radio stations across the United States and Canada. Active rock stations play a balance of new hard rock songs with valued classic rock favorites, normally with an emphasis on the harder edge of mainstream rock and album-oriented rock. Format background There is no concrete definition of the active rock format. Sean Ross, editor of '' Airplay Monitor'', described active rock in the late 1990s as album-oriented rock (AOR) "with a greater emphasis on the harder end of the spectrum".Toby Eddings, "Active rock finds an Asylum at 93.5", ''The Sun News'', February 7, 1999 ''Radio & Records'' defined the format as based on current rock hits in frequent rotation and targeted to males ages 18–34, akin to the approach of contemporary hit radio (CHR) stations. An active rock station may include songs by classic hard rock artists whereas a modern rock or alternative station would not; such acts include AC/DC, Def Leppard, Guns N' Roses, ...
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Mainstream Rock
Mainstream rock (also known as heritage rock) is a radio format used by many commercial radio stations in the United States and Canada. Format background Mainstream rock stations represent the middle ground between classic rock and active rock on the programming spectrum, in that they play more classic rock songs from the 1970s and 1980s and fewer songs from emerging acts than active rock stations, and only rarely play songs on the softer edge of the classic rock format. They program a balanced airplay of tracks found on active rock and classic rock playlists, but the music playlist tends to focus on charting hard rock music from the 1970s through the 2000s. Mainstream rock is the true successor to the widespread album-oriented rock (AOR) format created in the 1970s. However, mainstream rock can be used as a modernized update of classic rock if any radio station playlist has to cut back on some active rock artists and songs due to ratings and popularity demand, which is an absol ...
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