Tony Rebel Meets Garnett Silk In A Dancehall Conference
''Tony Rebel Meets Garnett Silk in a Dancehall Conference'' is a collaboration studio album, by Tony Rebel and Garnett Silk. It was the second and final collaboration album between the two. Track listing Reception AllMusic gave the album a very positive review along with 4.5 stars stating: ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...'' also gave a fairly positive review saying that References 1994 albums {{reggae-album-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tony Rebel
Patrick George Anthony Barrett (born 15 January 1962), better known by his stage name Tony Rebel, is a Jamaican reggae deejay. Career Born in Manchester Parish, Jamaica, Barrett was initially a singer, appearing as Papa Tony or Tony Ranking in local talent contests and on sound systems including Sugar Minott's "Youth Promotion". His first release was the single "Casino" that appeared in 1988 on the MGB record label, although his career took off when he worked with Donovan Germain's Penthouse setup in the early 1990s. He had a big hit in 1990 with "Fresh Vegetable", and established a singjay style of delivery. He is notable as one of the few dreadlocked 'cultural' deejays of the ragga era. In 1992 he signed a deal with Columbia Records who released ''Vibes of the Times'', a predominantly reggae fusion album, the following year. It spawned some of his more well known international singles such as the title track "Vibes of the Times" and "Nazerite Vow" both of which had accompanyin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Garnett Silk
Garnett Silk (born Garnet Damion Smith; 2 April 1966 – 9 December 1994) was a Jamaican reggae musician and Rastafarian, known for his diverse, emotive, powerful and smooth voice. During the early 1990s he was hailed as a rising talent, however his career was ended by his early death in 1994, while attempting to save his mother from her burning house. Biography Little Bimbo Smith was born in Manchester, Jamaica. His musical career began at the age of twelve, when he performed under the name Little Bimbo.Thompson, Dave (2002) "Reggae & Caribbean Music", Backbeat Books, During the 1980s he worked as a deejay on sound systems such as ''Conquering Lion'', ''Soul Remembrance'', ''Pepper's Disco'', ''Stereophonic'', and ''Destiny Outernational'' (where he first met Tony Rebel). He recorded his first track in 1985, but it would be two years later before his first single, "Problem Everywhere" was released. An album of material from this period (''Journey'') was later released. In 1988 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lovers Rock
Lovers' rock is a style of reggae music noted for its romantic sound and content. While love songs had been an important part of reggae since the late 1960s, the style was given a greater focus and a name in London in the mid-1970s.Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, History The roots of lovers' rock lies in the last days of the rocksteady era and early days of reggae, with Jamaican and American singers such as Ken Boothe, Johnny Nash "I Can See Clearly Now"(1972) and John Holt enjoying international hits with versions of well-known love songs.Thompson, Dave (2002) "Reggae & Caribbean Music", Backbeat Books, A style suited to the London reggae scene, lovers rock represented an apolitical counterpoint to the conscious Rastafarian sound dominant in Jamaica at the time, a continuation of the soulful and commonly love-themed rocksteady style, based on singers like Alton Ellis, who were not very optimistic about the rise of Rastafarian reggae. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roots Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in reggae lyrics in the late 1960s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heartbeat Records
Heartbeat Records is an independent record label based in Burlington, Massachusetts. The label specializes in Jamaican music. Founded by reggae music enthusiasts Bill Nowlin and Duncan Brown, the label's first release was a vinyl LP reissue of Linton Kwesi Johnson's ''Dread Beat an' Blood'' (1981). In 1983, Chris Wilson was hired as VP of A&R and the label began their association with Studio One label founder Clement Dodd and released ''Best of Studio One'', a compilation of Dodd-produced music by artists including Dennis Brown, Alton Ellis, The Gladiators, Marcia Griffiths, The Heptones, Slim Smith, Sugar Minott, and Johnny Osbourne, among others. Heartbeat has released over 60 Studio One albums. The label licensed music from a number of different Jamaican producers including Lee "Scratch" Perry, Joe Gibbs, Sonia Pottinger, Clancy Eccles, Alvin Ranglin, Duke Reid, Niney the Observer, Sly & Robbie, Steely & Clevie, and Lloyd Daley. The label financed and booked the Heartbeat Cul ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Derrick Morgan
Derrick Morgan (born 27 March 1940)Walters, Basil (2012)A New Day – Songs heralding JA’s Independence", '' Jamaica Observer'', 3 June 2012, retrieved 3 June 2012 is a Jamaican musical artist who was popular in the 1960s and 1970s. He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff in the rhythm and blues and ska genres, and he also performed rocksteady and skinhead reggae. Biography In 1957, Morgan entered the Vere Johns Opportunity Hour, a talent show held at the Palace Theatre in Kingston. He won with rousing impressions of Little Richard and, shortly after that, was recruited to perform around the island with the popular Jamaican comedy team Bim and Bam. In 1959, Morgan entered the recording studio for the first time. Duke Reid, the sound system boss, was looking for talent to record for his Treasure Isle record label. Morgan cut two popular shuffle-boogie sides "Lover Boy", a.k.a. "S-Corner Rock", and "Oh My". Soon after, Morgan cut the bolero-tinged boog ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Killing Me Softly With His Song
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart. The song has been covered by many other artists. In 1973, it became a number-one hit in the United States, Australia and Canada for Roberta Flack, and also reached number six in the UK Singles Chart. In 1996, Fugees recorded the song with Lauryn Hill on lead vocals, their version became a number-one hit in twenty countries. The version by Flack won the 1974 Grammy for Record of the Year and Best Female Pop Vocal Performance. In 1988, it appeared on Al B. Sure’s debut album, In Effect Mode, which sat atop the Billboard R&B charts for 7 weeks. The version by Fugees won the 1997 Grammy for Best R&B Performance by a Duo or Group with Vocal. Propel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roberta Flack
Roberta Cleopatra Flack (born February 10, 1937) is a retired American singer. She topped the Billboard Magazine, ''Billboard'' charts with the No. 1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", "Feel Like Makin' Love (Roberta Flack song), Feel Like Makin' Love", "Where Is the Love (Roberta Flack and Donny Hathaway song), Where Is the Love" and "The Closer I Get to You", the latter two duets with Donny Hathaway. Flack is also noted for her influence on the subgenre of contemporary R&B called quiet storm, along with her interpretations of songs by various songwriters, such as Leonard Cohen and members of the Beatles. Flack was the first artist to win the Grammy Award for Record of the Year in two consecutive years: "The First Time Ever I Saw Your Face" won in 15th Annual Grammy Awards, 1973 and "Killing Me Softly with His Song" won in 16th Annual Grammy Awards, 1974. Early life Flack was born in Black Mountain, North Carolina, to parents Laro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Buju Banton
Mark Anthony Myrie (born 15 July 1973),Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, professionally known by his stage name Buju Banton, is a Jamaican reggae dancehall musician. He is considered to be one of the most significant and well-regarded artists in Jamaican music. Banton has collaborated with many international artists, including those in the hip hop, Latin and punk rock genres, as well as the sons of Bob Marley. Banton released a number of dancehall singles as early as 1987 but came to prominence in 1992 with two albums, '' Stamina Daddy'' and '' Mr. Mention'', the latter becoming the best-selling album in Jamaican history upon its release. That year he also broke the record for No. 1 singles in Jamaica, previously held by Bob Marley and the Wailers. He signed with the major label Mercury Records and released ''Voice of Jamaica'' in 1993. By the mid-1990s, Banton's music became more influenced by his Rastafari faith, as heard on the semina ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |