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Tony Joe
''Tony Joe'' was the third studio album released by Tony Joe White. It was released on Monument Records and contained the singles "High Sheriff of Calhoun Parrish" and "Save Your Sugar For Me". It was recorded at RCA Victor Studios, Nashville and Lyn-Lou Studios, Memphis in 1970. It was produced by Billy Swan. A mixture of original recordings and covers, it featured White's versions of "Hard To Handle" made popular by Otis Redding and "Boom Boom" by John Lee Hooker. The album was re-released on by Movieplay/Intermusic from Portugal in 1993 with a different cover and another title (''Groupy Girl''). In 1997 it was rereleased by Warner Brothers containing two additional songs - "I Protest" (by Wayne Carson) and "A Man Can Only Stand So Much Pain" (Mickey Newbury). Critical reception Reviewing in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981), Robert Christgau wrote: "Because he sticks to his roots, White has those who don't trust rock-as-art all hot and bothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Joe White (album)
''Tony Joe White'' was the fourth album released by , and the first he released for . It was produced by and recorded between December 1–12, 1970 at Sounds of Memphis Studio and Ardent Recording Studio, Memphis (engineered by ). Track listing All t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockism
Rockism and poptimism are two ideological arguments about popular music prevalent in mainstream music journalism. Rockism is the belief that rock music is dependent on values such as authenticity and artfulness, and that such values elevate the genre over other forms of popular music. So-called "rockists" may promote the artifices stereotyped in rock music or may regard the genre as the normative state of popular music. Poptimism (or popism) is the belief that pop music is as worthy of professional critique and interest as rock music. Detractors of poptimism describe it as a counterpart of rockism that unfairly privileges the most famous or best-selling pop, hip hop, and R&B acts. The term "rockism" was coined in 1981 by English rock musician Pete Wylie. It soon became a pejorative used humorously by self-described "anti-rockist" music journalists. The term was not generally used beyond the music press until the mid 2000s, partly due to the increasing number of bloggers who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Carrigan
Jerry Kirby Carrigan (September 13, 1943 – June 22, 2019) was an American drummer and record producer. Early in his career he was a member of the original Muscle Shoals Rhythm Section and later worked as a session musician in Nashville for over three decades. His style of drumming with a loose, deep-sounding snare drum melded country music with an R&B feel and helped develop a Nashville sound known as "Countrypolitan". His drumming is heard on many recordings which have become classics, some listed below. He recorded with Elvis Presley, Johnny Cash, Charley Pride, Jerry Lee Lewis, Ray Stevens, Kenny Rogers, George Jones and many others. He recorded with non-country artists as well, including Henry Mancini, Al Hirt, Johnny Mathis, and the Boston Pops Orchestra. In 2009 he was inducted into the "Nashville Cats", a cadre of top recording musicians chosen by the Country Music Hall of Fame. In 2010 he was inducted into the Alabama Music Hall of Fame. Carrigan was inducted into the Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Utley
Michael Edward Utley is an American musician, songwriter, and record producer for Jimmy Buffett's Coral Reefer Band. He is the musical director of the band. Born in Blytheville in Mississippi County, Arkansas, he graduated from the University of Arkansas where he was initiated into the Sigma Chi Fraternity. He was recognized by Sigma Chi as a Significant Sig in 2017. Early in his career, Utley worked with the house band for Atlantic Records in Miami, Florida's Criteria Studios backing performers such as Aretha Franklin, Jerry Jeff Walker, and the Allman Brothers and in California playing with Rita Coolidge and Kris Kristofferson. Jerry Jeff Walker recruited Utley to play keyboard instruments on Buffett's first major label album, ''A White Sport Coat and a Pink Crustacean'', in 1973. Utley continued to work with other performers in the mid-1970s while appearing on Buffett's subsequent albums until Buffett's 1977 breakout ''Changes in Latitudes, Changes in Attitudes'' when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norbert Putnam
Norbert Auvin Putnam (born August 10, 1942) is an American musician, studio owner and record producer who was inducted into the Musicians Hall of Fame in 2019.Robert McFarland, Jr"Norbert Putnam."'' Delta Business Journal''. November 2004. Accessed 1 October 2007. He got his start as a bass player in the studio house band in Muscle Shoals, Alabama and from there was recruited to move to Nashville in 1965. He became a successful session player on recordings by artists including Roy Orbison, Al Hirt, Henry Mancini, Dan Fogelberg, Linda Ronstadt, J. J. Cale, Tony Joe White, the Nitty Gritty Dirt Band, Michael Card, Ian & Sylvia and Bobby Goldsboro. Putnam published a memoir in 2017 entitled ''Music Lessons Vol. 1: a Musical Memoir'', in which he chronicled recording sessions with Elvis Presley and other artists. He became involved with music publishing in his mid-career and in 1971 built Quadraphonic Studios, a popular Nashville recording studio known as simply "Quad" by local ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Boom (John Lee Hooker Song)
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded in 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992. The song is one of Hooker's most identifiable and enduring songs and "among the tunes that every band on the arly 1960s UKR&B circuit simply ''had'' to play". It has been recorded by numerous blues and other artists, including a 1965 North American hit by the Animals. Recording and composition Prior to recording for Vee-Jay Records, John Lee Hooker was primarily a solo performer or accompanied by a second guitarist, such as early collaborators Eddie Burns or Eddie Kirkland. However, with Vee-Jay, he usually recorded with a small backing band, as heard on the singles "Dimples", "I Love You Honey", and "No Shoes". Detroit keyboardist Joe Hunter, who had pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spooner Oldham
Dewey Lindon "Spooner" Oldham (born June 14, 1943) is an American songwriter and session musician. An organist, he recorded in Muscle Shoals, Alabama, at FAME Studios as part of the Muscle Shoals Rhythm Section on such hit R&B songs as Percy Sledge's " When a Man Loves a Woman", Wilson Pickett's " Mustang Sally", and Aretha Franklin's "I Never Loved a Man (The Way I Love You)". As a songwriter, Oldham teamed with Dan Penn to write such hits as "Cry Like a Baby" (the Box Tops), "I'm Your Puppet" (James and Bobby Purify), and "A Woman Left Lonely" and "It Tears Me Up" (Percy Sledge). Biography Oldham is a native of Center Star, Alabama, United States. He was blinded in his right eye as a child; when reaching for a frying pan, he was hit in the eye by a spoon he knocked from a shelf. Schoolmates gave him the name "Spooner" as a result. Oldham started his career in music by playing piano in bands during high school. He then attended classes at the University of North Alabama bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donnie Fritts
Donald Ray Fritts (November 8, 1942 – August 27, 2019) was an American session musician and songwriter. A recording artist in his own right, he was Kris Kristofferson's keyboardist for over forty years. In 2008, he was inducted into the Alabama Music Hall of Fame. Early career He began playing drums in local bands such as The Satellites and Hollis Dixon & the Keynotes at age 15, and later developed into a session keyboard player. Working closely with Rick Hall, Billy Sherrill, Dan Penn, Arthur Alexander, David Briggs, Jerry Carrigan and Norbert Putnam, Fritts was involved in many of the early songs and recordings created in the Muscle Shoals music industry. Kris Kristofferson In 1965, Fritts signed with a Nashville publishing company. Songs which he wrote were recorded by Charlie Rich and Jerry Lee Lewis. He later met Kris Kristofferson who was just beginning a career in songwriting. When forming his band, Kristofferson called on Fritts, who continued as his keyboard player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Fuqua
Harvey Fuqua (July 27, 1929 – July 6, 2010) was an American rhythm and blues singer, songwriter, record producer, and record label executive. Fuqua founded the seminal R&B/doo-wop group the Moonglows in the 1950s. He is notable as one of the key figures in the development of the Motown label in Detroit, Michigan. His group gave Marvin Gaye a start in his music career. Fuqua and his wife at the time, Gwen Gordy, distributed the first Motown hit single, Barrett Strong's "Money (That's What I Want)", on their record label, Anna Records. Fuqua later sold Anna Records to Gwen's brother Berry Gordy and became a songwriter and executive at Motown. He was the nephew of Charlie Fuqua of the Ink Spots and the uncle of the filmmaker Antoine Fuqua. Biography Fuqua was born in Louisville, Kentucky, United States. He was the nephew of Charlie Fuqua of the Ink Spots. In 1951, with Bobby Lester, Alexander Graves and Prentiss Barnes, he formed a vocal group, the Crazy Sounds, in Louisville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Bristol
John William Bristol (February 3, 1939 – March 21, 2004) was an American musician, most famous as a songwriter and record producer for the Motown label in the late 1960s and early 1970s. He was a native of Morganton, North Carolina, about which he wrote an eponymous song. His composition "Love Me for a Reason" saw global success when covered by The Osmonds including a number 1 in the UK charts in 1974. His most famous solo recording was "Hang On in There Baby" recorded in 1974, which reached the Top Ten in the United States and number 3 in the United Kingdom. Both singles were in the UK top 5 simultaneously. Motown producer Bristol first came to local attention in the Detroit area as a member of the soul duo 'Johnny & Jackey' with Jackey Beavers, an associate Bristol met while in the US Air Force. The pair recorded two singles in 1959 for Anna Records, a label owned by Gwen Gordy (Berry Gordy's sister) and Billy Davis and four 45s for Gwen Gordy and Harvey Fuqua's Tri-Phi labe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allen Jones (record Producer)
Allen Alvoid Jones Jr. (December 29, 1940 – May 5, 1987) was an American record producer and songwriter. Jones produced several albums for Albert King (including '' I'll Play the Blues for You'', '' The Blues Don't Change'' and '' I Wanna Get Funky''), and became the producer and manager for the Bar-Kays. He produced all of their records including their last records for Mercury Records. He formed their production company, and produced other acts such as Kwick on EMI and executively produced Ebony Webb, also on EMI. Jones was also a successful songwriter, with his songs recorded by musicians including Elvis Costello, Sam & Dave, Clarence Carter, and Albert King. Songs he co-composed include " I Can't Stand Up for Falling Down", " Drownin' on Dry Land", " Heart Fixing Business", " If the Washing Don't Get You, The Rinsing Will", and " Hard to Handle". Jones started out as a bass player, and ended up owning his own recording studio, (Onyx) a.k.a. American Recording Studio, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
